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The Digiday Podcast

Digiday

The Digiday Podcast is a weekly show on the big stories and issues that matter to brands, agencies and publishers as they transition to the digital age.

  • 504 episodes
  • Updated Yesterday

Episodes504

  • Jun 30, 2020 · 34 min

    'Significant growth': Bloomberg Media Group CEO Justin Smith on the accelerated shift to subscriptions

    Subscriptions are gaining ground as a major source of revenue for Bloomberg. "We're seeing significant, significant growth and gains," Bloomberg Media Group CEO Justin Smith said at the Digiday Publishing Summit. And that growth in the first and second quarter has proven sticky, according to Smith. "Some of the churn rates are consistent with previous churn rates. This is not just a short-term thing," he said. His forecast is that subscriptions will make up a rising and significant part of Bloomberg's revenue, especially as income from advertising diminishes. Bloomberg started its subscription business in May 2018, and Smith credits its "first phase" growth to the long brand-building that preceded it. "The introduction of our paywall benefited from 25-30 years of Bloomberg LP growing out one of the largest newsrooms in the world, creating amazing content," Smith said. His outlook for future revenue also lies in live events, and he's confident that the events business "will come back very, very strongly" once it's safe to convene in big groups again. "There's a big opportunity to capture more market share as we go through this lost year in events -- to come back with a much more aggressive slate of event programming and also a whole new range of opportunities tied to virtual events, which will become much more of a complement to the live event experience."

  • Jun 23, 2020 · 43 min

    The audience 'can make up their own mind': Fox News Digital editor-in-chief Porter Berry wants 'voices from all sides'

    With overlapping crises stretching across health, the economy and society, Fox News Digital editor-in-chief Porter Berry sees Fox bringing "the marketplace of ideas" to its audience. "You give them the news. You give them analysis from multiple perspectives, and they can make up their own mind. I mean, that's what freedom's all about," the Fox News Digital editor-in-chief said on the Digiday Podcast. According to Comscore, Fox News Digital had its best ever year in 2019, garnering 19.5 billion page views. This year, the site boasted more than 100 million "multiplatform" unique visitors for a sixth consecutive month, according to another one of Fox's recaps of Comscore data. Berry claims not to follow the coverage of competitors like CNN and The New York Times or criticism over how Fox News operates. "If I spent my time worrying about what critics are saying about Fox New then I'd have less time to do my job," Berry said. Regarding the wave of protests over racism and injustice, and the fourth estate's overdue look at its own lack of diversity, Berry said "that's never been something that we sat down with a pen and paper and looked at numbers, per se. But we definitely have people of all backgrounds, and that's important."

  • Jun 16, 2020 · 33 min

    'We don't need your clicks': The Dispatch co-founder Steve Hayes on bucking the attention economy

    The attention economy hasn't just proven to be a losing proposition for media businesses financially. It also encourages quick, outrage-based political coverage that thrives off of (and feeds) poor governance, according to Steve Hayes, CEO and co-founder of the Dispatch. "Everything we're seeing in our politics has an emphasis on performance," Hayes said on the Digiday Podcast. "The economic incentives and business models that everyone has pursued in this space in the past 10-15 years have contributed pretty significantly to that." With the Dispatch -- a newsletter-first media company that leans conservative -- Hayes is aiming for subscribing members who aren't monetized by the minutes they spend reading the company's coverage. "We don't need your clicks. Come, learn and then go. Live your life," Hayes said. The Dispatch put up a paywall in February, and now has 12,000 paying members — around 450 of them paid $1,500 for lifetime memberships when the company launched in October, according to Hayes. "It's growing faster than we had anticipated." The membership model has also helped the Dispatch forgo venture capital or billionaire ownership, the risks of which Hayes learned first hand as the last editor-in-chief of the Weekly Standard, a conservative institution that billionaire owner Philip Anschutz shut it down in 2018. The Dispatch and its staff of 12 aim for the same conservative readership. Despite concrete evidence of growing polarization, Hayes also gestures toward a middle ground in U.S. politics representing perhaps 70% to 75% of the U.S. population.

  • Jun 9, 2020 · 32 min

    Teen Vogue editor-in-chief Lindsay Peoples Wagner on 'long, sustainable change'

    Teen Vogue editor-in-chief Lindsay Peoples Wagner believes the time is now for change in media and fashion. "I want to see brands, publications, everyone in the industry commit to a long, sustainable change," Peoples Wagner said on this week's episode of the Digiday Podcast. Peoples Wagner is a rarity in glossy media: A 29-year-old black woman from a small university in the Midwest, without connections or a rich family bankrolling her initial career. Instead, she worked her way up, moonlighting dressing mannequins and working as a waitress. In October 2018, she was named the top editor of Teen Vogue, which has made a name for itself by melding fashion with social issues. She recognizes her path isn't for everyone -- and media and creative professions need to adapt in order to expand opportunities to underrepresented groups. "You have to be willing to hire different kinds of people who will challenge you," Peoples Wagner said.

  • Jun 2, 2020 · 45 min

    TheScore CEO John Levy on why sports betting is going mainstream

    Sports media and betting are on their way to being inextricably intertwined. "If you look at the traditional way sports betting has been launched in Europe and even in North America -- in the offshore and black markets -- how people bet is through betting apps," said to John Levy, CEO of theScore, a Canadian sports media company. Those apps aren't where betters get their actual score lines and injury updates; they're where gamblers turn to once they've watched the game or read about it elsewhere. "They're nothing more than a transactional app," Levy said on the Digiday Podcast. Close to half of U.S. states (and Washington, D.C.) have legalized sports betting to some degree in the two years since the Supreme Court struck down the law that banned it nationwide. Sports betting may be on hold right now, but publishers like Barstool Sports -- purchased by gambling operator Penn National Gaming in a deal that valued the company at $450 million -- have been betting on the category growing once sports come back later this year. Like theScore, the acquisition will allow one company to facilitate wagers while also providing betters with the sports news they base their risk-taking on. The industry is estimated to be worth $8 billion by 2025. Levy thinks legalization will be accelerated by the coronavirus pandemic's effect on public funds at a state level. "That's trillions of dollars that they're now trying to recover, and I don't care what side of the political fence you're on, the reality is the governments are going to have to start to figure out how to replenish those coffers," Levy said. A majority of theScore's users bet on sports instead of just reading about them, Levy said, citing third party (and the company's own) data. Nearly half of the bets happen while the relevant game is in play, and despite being a Canadian company, 70% of theScore's users are in the U.S.

  • May 26, 2020 · 34 min

    Telemundo's Romina Rosado on why the Hispanic network is betting on streaming

    For Telemundo, shifting to streaming platforms -- everything from parent company Comcast's Peacock to Quibi -- is an obvious choice based on a simple fact: The median age for Latinos in the U.S. is 28, much lower than that of the country as a whole. For Telemundo SVP of Digital Romina Rosado, that means the network needs to be on every new platform it can be to reach the 60 million Hispanics in the U.S. "Hispanics actually over-index on a lot of social and digital platforms," Rosado said on the Digiday Podcast. "So for Telemundo, even before covid-19, it was a big part of our mission to make sure we were available on all the platforms." Telemundo has about 3,000 hours of programming on NBCU's Peacock and two programs on Quibi, which Rosado believes will take off once coronavirus ends "There's a tremendous amount of schadenfreude here at play, which seems to be a bit of a way that media reacts to media lately," she said. "People are making very quick judgments, and I think we might all be surprised."

  • May 19, 2020 · 33 min

    McClatchy CEO Craig Forman on local publishing's 'paradox': Audience up, ads down

    McClatchy CEO Craig Forman describes the local news company as more relevant than ever. "The coronavirus crisis has been a reminder to all of us in our communities of just how important it is that our communities be strong and vital," Forman said on the Digiday Podcast. "We've never seen digital traffic or even demand of the scale that we've seen for McClatchy." McClatchy -- home to local papers like the Miami Herald, The Kansas City Star and The Sacramento Bee -- has seen digital traffic increase by nearly two-thirds to reach 100 million users in March, according to Forman. “If you talk to our local customers, they’ll say that their need for local news is not met by any of the national news publications," Forman said. “The kind of coverage that you get in Kansas City -- the award-winning investigations into secrecy in the Kansas state government that force political change there, or even the national series that results in Pulitzers -- we have 54 of them over the years -- that’s not provided by the national media, and that is the core to local essentialness, and that’s where the strength is for local brands.” But despite this boost, Forman acknowledges "a real paradox." McClatchy doesn't see that "essentialness" translating as much (yet) on the advertising side. That is why Forman is making a case that advertisers must again re-focus on the context in which their advertising appears. “What often you can’t find in the world of digital advertising is the adjacency and the renown brand construct that makes your advertising important in context," he said. "And at this time where local is the success story of the emergence, McClatchy and others are doing everything we can to partner with local brands to show them that the trusted environment of local news is where they need to be.”

  • May 12, 2020 · 44 min

    'Diversify your revenue streams, period': IAB CEO Randall Rothenberg thinks relying on solely on advertising is 'wrong'

    The news publishing industry may be getting squeezed by the pandemic economy, but for Interactive Advertising Bureau CEO Randall Rothenberg, it set itself up for failure long ago, by leaning too heavily on advertiser revenue. "When the United States became a national marketplace in the mid to late 19th century, that marketplace was so big, so vast and laden with opportunity that it just made much more economic sense to premise your revenues and growth as a publisher on advertising," Rothenberg said on the Digiday Podcast. Even the New York Times, which is riding a high of more than 6 million subscribers, is foreseeing a drop in ad revenue of up to 55% in the second quarter, leading its head of advertising to say layoffs are likely. Rothenberg said that historically, that shortsightedness extended to magazines and even television -- media products for which, in Europe, consumers paid premiums. His big takeaway: " You need to diversify your revenue streams. Period, full stop." One bright spot for Rothenberg is the growth of central authority in the industry. "I'm really hopeful now, more than I have been ever in the past 15 years," Rothenberg said. "It has been extraordinarily difficult to get the various segments, players, companies and executives across the vast and unruly marketing and media supply chain to agree on the basic best practices and technical standards that must undergird any industry supply chain."

  • May 5, 2020 · 35 min

    Verizon Media CEO Guru Gowrappan: 'The ad market is not going away'

    Verizon Media's value to Verizon itself isn't just as a media arm that can send user data or benefits back to the conglomerate. Rather, its base of 900 million monthly active users is significant enough to bring value just across Verizon Media's properties, including Yahoo, TechCrunch, AOL and HuffPost, according to CEO Guru Gowrappan. On the Digiday Podcast, Gowrappan set up the example of an article about meditation on the newly launched Yahoo Life. "You can start not just having content but taking content and saying 'Oh, you read about something, you may want to do a meditation session,' and bringing that entire closed loop ecoysystem in the same wall," Gowrappan said. Gowrappan talked about what we can learn from consumer behavior in China, what the pandemic's effect on internet infrastructures will be and how he cut his teeth at Overture.

  • Apr 28, 2020 · 35 min

    'It toughens you': Digital Trends' Ian Bell on the 'grittier' path of bootstrapped media

    Growing a web publishing business from a small starter loan and your own profits "toughens you" in ways that are different than venture-backed media according to Digital Trends CEO Ian Bell. The bootstrapped tech publication has grown the old-fashioned way -- that is taking in more money than you spend -- since 2006. This year, Digital Trends expects $50 million in revenue. It has not laid off or furloughed any workers despite feeling the pain of the downturn. Digital Trends also will be profitable again this year, Bell said. "Running the old fashioned way, off of profits, creates a grittier leader," Bell said on the Digiday Podcast. "You get forced to have those tough conversations with the bank, with your team. You have to meet covenants. You have to make sure that you survive at all costs. In a lot of ways it toughens you." "We'll be profitable again this year," Bell said on the Digiday Podcast. "The momentum's there." Widespread lockdowns have led people to lean more than ever on their electronics, whether to connect with loved ones or stay busy and entertained. Bell sees that as an opportunity. "You're going to find that people got that technology dopamine drip, and they're going to continue to rely on it more than they did prior," Bell said. . We're uniquely poised to be right there for them."

  • Apr 21, 2020 · 41 min

    Guardian US CEO Evelyn Webster forecasts profit 'even in the most dire scenario'

    The Guardian's pivot to paid has a unique twist: There's no paywall. Instead, The Guardian relies on reader contributions -- a model gaining believers in news organizations caught between making their coronavirus coverage free of charge and facing ad shortfalls at the same time. "There's absolutely no doubt that we're going to see a boost to our reader revenue during this period," said Guardian U.S. and Australia CEO Evelyn Webster on this week's episode of the Digiday Podcast. "We are going to see our advertising hit hard. I do not know how hard and how deep. I don't think any of us do. [But] even in the most dire scenario that I have looked at, the Guardian would still be a profitable business in America. So are we well positioned to continue our journey to grow? Yes. And I feel very confident about that." Reader contributions from American readers at about 40-45% of the US operation's income. Thanks to this evolving revenue scheme and a serious cost-cutting effort, in 2019 the Guardian as a whole made its first operating profit in 20 years. The Guardian recorded its best month ever in terms of web traffic. "There is absolutely no doubt that that is what's driving the current trend," Webster said in reference to the pandemic. "We hit 114 million browsers in March, and that was an increase [of] 80 to 90% on the prior month and about 160% on the prior year." Webster talked about the difference between British and American contributor behavior, why the U.S. can use the perspective of a British newspaper and how the Guardian's ownership structure (it's owned by a trust) keeps its coverage impartial.

  • Apr 14, 2020 · 37 min

    How MIT Technology Review shifted its largest event to streaming

    About a third of the MIT Technology Review's revenue comes from events, according to CEO Elizabeth Bramson-Boudreau. That piece of the pie is obviously under threat as activity in the United States remains frozen by the coronavirus pandemic. "We had to make a call on our largest event, called EmTech Digital, entirely on AI," Bramson-Boudreau said. "Our highest-yielding event." "What were we going to do? Were we going to reschedule it? Or were we going to move it to a virtual event?" A few weeks before the event -- scheduled for March 25th -- they decided on the latter route, streaming 20 hours of content over three days. As a result, they were able to save "about 50%" of their sponsorship revenue for the event, according to Bramson-Boudreau. "We then rolled the remaining 50% into other digital products," she said. Dropoff among online viewers, too, was lower than expected. She credited that relative success on a quick focus on recreating the event's interactivity. "It's the interaction that we can provide that's a value. We needed to find a platform that allowed for that kind of interaction, and the programming team really leaned into thinking about interactivity and community and how to foster that digitally," Bramson-Boudreau said. Bramson-Boudreau talked about the benefits to being owned by MIT, how she thinks live-streamed events can be improved and how an economic downturn is a good time to spend.

  • Apr 7, 2020 · 30 min

    Mel Magazine co-founder Josh Schollmeyer on how the site's 'never been there to push razors'

    Mel Magazine, a men's interest publication born from Dollar Shave Club, wants to be more than a case study in brand content. "The way we went around building the publication, it drew from a lot of the same DNA. But it's never been there just to push razors," founding editor Josh Schollmeyer said on the Digiday Podcast. "It's been there to be a thought leader on modern masculinity." As Mel Magazine launched in 2015, Schollmeyer recalled, "the core edict was 'go out there and try to do great work, and we'll figure out how this can work back toward the brand.'" Schollmeyer talked about the myth that was the archetypical men's magazine reader, providing counter-programming to all the coronavirus coverage and why his peers thought he was crazy to take this job.

  • Mar 31, 2020 · 38 min

    Complex's Rich Antoniello's recipe for media in crisis: 'Brand plus brains plus balance sheet'

    For publishing companies to survive a global crisis like the one we're in, Complex Networks CEO Rich Antoniello's formula is "brand plus brain plus balance sheet." Antoniello is no stranger to tough times in media. He stewarded Complex through the 2008 financial crisis as CEO, the role he still holds now. But compared to that, the downturn brought about by the coronavirus pandemic is "infinitely more difficult," Antoniello said on the Digiday Podcast. "We have no idea when the virus is going to slow down in the United States," Antoniello said. "And we have no idea what the financial impact is going to be."

  • Mar 24, 2020 · 21 min

    GroupM’s Brian Wieser: 'Every brand should figure out how to be useful'

    The coronavirus pandemic brings uncertainty to the advertising business as much as anywhere else, but GroupM's Brian Wieser sees it as a chance for marketers to take action versus relying on slogans. "Every brand should be trying to figure out how they could be helpful," Wieser said on the Digiday Podcast. He pointed to GM's exploration of its capacity to build much-needed medical equipment and luxury brand LVMH's pivot to manufacturing hand sanitizer for hospitals. Or think back to the financial crisis, when Hyundai rolled out the "Hyundai Assurance" program that delayed car payments for those in a tight spot. If companies act uprightly and "want to talk about it and publicize it, they're going to benefit from it from a goodwill perspective, from governments, from society, from consumers -- whether they're in the market or not," Wieser added. Wieser, the global president of business intelligence at GroupM, also sees in China a potential bellwether for the advertising industry's looming challenges around the world -- and the best case scenario for how this unfolds in Western economies. Fourth quarter earnings -- and guidance about expectations for 2020's first quarter -- by Chinese giants like Alibaba, Baidu and Weibo help with the math. The upshot from those companies was a "20 to 30% decline in the relevant advertising-related line," Wieser said. And because January was a mostly normal month, one can attribute that expected slide to just the two following months. That said, China is showing signs of getting its economy back on track after its remarkable success in combatting the virus. Wieser joined the Digiday Podcast to discuss the three representative countries to model expectations on, why television will probably do better ("or at least less bad") than other media and the big opportunity for businesses of all types to generate goodwill in the midst of crisis.

  • Mar 17, 2020 · 34 min

    Attention Capital's Joe Marchese on the crisis -- and opportunity -- in how we measure eyeballs on the internet

    Much of the ad industry's ways of measuring eyeballs on the internet is flat-out wrong, according to Joe Marchese, co-founder and CEO of Attention Capital. "Every Q4, there's more ad impressions in the digital world," Marchese said on the Digiday Podcast. "Do you think more people are watching more ads in Q4, or do you think we're just trying to shove them in there?" Attention Capital sees an opportunity in all that bloat and fabrication. It's a holding company with a portfolio that so far includes Girlboss and Tribeca Enterprises -- organizer of the Tribeca Film Festival -- which it invested in alongside James Murdoch. Those may seem like unrelated assets, but they fit Marchese's standard as companies that have built confidence in their ability to "curate some aspect of the world," he said. "In this world where trust is eroding, the curator brands kind of become king." Marchese joined the Digiday Podcast to discuss his other criteria for brands worth investing in, why Wirecutter is the model to beat and the attention you get when the word "capital" is part of your company name.

  • Mar 10, 2020 · 40 min

    BuzzFeed CEO Jonah Peretti: 'We've transformed how BuzzFeed makes money'

    BuzzFeed is in the midst of change. A few years ago most of the company's revenue came from native advertising -- in 2020 that category will bring in just 20%. Other parts of the revenue pie -- commission on purchases driven by BuzzFeed content, as well as BuzzFeed's own branded products -- have grown enough for the company to bring in $320 million in 2019, and for BuzzFeed to forecast profitability. "Over the last three years we've really transformed the way BuzzFeed makes money," BuzzFeed CEO Jonah Peretti said on the Digiday Podcast. Peretti joined the Digiday Podcast to discuss the growing transparency coming to attribution, affiliate revenue and BuzzFeed News' intangible benefits.

  • Mar 3, 2020 · 36 min

    Bleacher Report's Sam Toles on building franchises that last

    On a live edition of the Digiday Podcast, CCO Sam Toles said the company tested 67 concepts to find the next House of Highlights, its massively popular Instagram account focused on the NBA. Toles oversees B/R's animated web shows “Game of Zones” and “The Champions,” as well as longer video content including a documentary for CBS's Showtime. Being owned by Turner (and thus AT&T) "gives us that enormous ceiling of opportunity," Toles said. "The way in which B/R can grow is boundless." In this week's episode, Toles talks about B/R's various partnerships, the value of TikTok and why the company is all in on sports betting.

  • Feb 25, 2020 · 40 min

    Time's Keith Grossman on building the brand after '10 years of neglect'

    Keith Grossman, seven months into the job as president of Time, doesn't mince words when it comes to Time's recent history. "It's gone through, I would say, 10 years of neglect, through mismanagement, through transition of owners," Grossman said on the Digiday Podcast. Meredith Corporation completed its purchase of Time, Inc. in early 2018. It sold the group's flagship magazine -- which had suffered a years-long decline in advertising, circulation and profits -- to Marc and Lynne Benioff for $190 million later that year. But with that new ownership, Grossman is optimistic. "Now that it has dedicated, focused resources, I think we're in a really strong position to evolve the Time brand to really capture the attention of the next generation of consumers," Grossman said. Grossman sees the main challenge as getting consumers to recognize Time as a standalone brand that goes beyond the red-bordered weekly. The publication recently recreated Martin Luther King Jr.'s "I have a dream" speech using virtual reality. It also partnered with Nickelodeon to bring Time for Kids' "Kid of the Year" franchise to TV. Grossman put the company's second challenge in the form of a question: "Is it relevant to the next generation of consumers?" Some of Time's internal audience statistics are already promising: 44% of the "Time total community" is under the age of 35. More than half of that community is female, and a third is "non-Caucasian," Grossman added.

  • Feb 18, 2020 · 26 min

    Vox Media CRO Ryan Pauley on acquiring NY Mag: There is no trade-off between scale and quality

    Vox Media CRO Ryan Pauley sees the company's acquisition of New York Magazine, last year, as pairing up complementary parts -- and he figures advertisers will see it that way too. "Less than 35% of customers spent significant advertising budgets with both companies," Pauley said on the Digiday Podcast. Vox's typical ad categories included tech, auto, financial services and food and beverage. New York Media, on the other hand, leaned toward luxury, fashion and beauty. "Where there was overlap was media and entertainment," Pauley said. But even there, Pauley said, the merged companies could very well attract advertisers more effectively. "All clients are looking for fewer, bigger, better partnerships." Pauley joined the Digiday Podcast to discuss Vox's "hyper-growth areas," its new marketing platform and the death of the third-party cookie.