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KacheliTV

KacheliTV — the world's stories, read aloud.

Looking for a story to fall asleep to, to ride with on a long drive, or to share at bedtime? Start here.

We read the folk tales and classics of every culture on Earth — complete and unabridged, never excerpts — in fresh English translations, performed by our cast of voices. The fairy tales of Ireland and Japan. The legends of India and Nigeria. Jamaica, the Netherlands, the Cherokee, the Norse — and the Russia of Pushkin and Krylov. The stories your grandmother knew, and stories from shores you've never heard — every culture in the spotlight, no one missed.

New tales arrive every week. Pick a shelf, press play, and let the world's grandmothers talk you to sleep.

Free always — here and on every podcast app. Prefer no commercials? Find us on Apple Podcasts.

From The Dog You Chose LLC, Gulfport, Florida. Public-domain sources, told with respect.

Find us:

YouTube — https://www.youtube.com/@KacheliTVFlorida

Telegram — https://t.me/kacheliTV

Website — https://dogyouchose.com

The Dog You Chose books — https://www.amazon.com/dp/B0FYSTBLQ3

Our cast is a company of AI-generated voices, performing fresh in-house translations of public-domain works from every culture.

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  • S69 · E2
    October 21 · 16 min

    Folk Tales of Togo — Part 2 (The Three Orphans · A Courtship in Bird Language · The Hyena and the Bush-Cat · Why Monkeys Live in Trees)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Part Two of our Togo shelf turns, as promised, to Jakob Spieth's parables and his chapter on the language of the birds — and completes its reading from the shelf's second gated source, A. B. Ellis's The Ewe-Speaking Peoples of the Slave Coast of West Africa (London, 1890). In The Three Orphans, three children who called their grandmother "Mother" learn the truth from their playmates, and set out to find their mother's grave in the stream — one to show the way, one to drink the stream dry, and one to know her bones again; Spieth's own printed answer to the parable's question is kept. In A Courtship in Bird Language, the doves akpakpa and voli plead their suits before the town elders in their own speech — one brought much, once; the other brings a little every day — and the elders judge what the birdsong means. In The Hyena and the Bush-Cat, two animals unknowingly build one house between them, each certain the work is doing itself, until a noise in the next room sends both running. And in Why Monkeys Live in Trees, the monkey who tied the sleeping bush-cat's tail to a tree learns why the ground is no longer safe for him. Chapters: 0:00 Introduction 3:55 The Three Orphans 6:03 A Courtship in Bird Language 7:59 The Hyena and the Bush-Cat 12:26 Why Monkeys Live in Trees Sources and selection: Spieth's parable chapter holds two parables; one is not read here — The Mender, the Hunter and the Thief — because its rescue turns on a shot fired at an eagle. Ellis's chapter holds four specimen tales; two are not read here — The Maiden Who Always Refused, and Why the Hare Runs Away — because each turns on depicted harm, which this channel does not read aloud. Our Togo reading therefore claims no more than the four pieces named above. Sources: Jakob Spieth, Die Ewe-Stämme (Berlin, 1906) — parables and bird language, in a fresh in-house translation from the German; A. B. Ellis, The Ewe-Speaking Peoples of the Slave Coast of West Africa (London, 1890) — both public domain. Narrated by Madame de Pamplemousse. Music: opening and closing theme, "Convergence at Dusk" — heard at the introduction and the close, and as a short separator between the tales; the tales themselves are read dry. KacheliTV — world classics, read aloud.

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  • S68 · E2
    October 21 · 17 min

    Tales of the Kanuri — Part 2 (A Hen and a Cat · The Toad and the Rat · How Sense Was Distributed)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Three fables of the Kanuri of Bornu, the old kingdom on the western shore of Lake Chad. A cat asks a hen to be her friend, and invites her to set out for a neighbouring town at cock-crow — but the hen's chick, sent to ask the hour, has open ears, and comes home with the cat's own words: "for what should eat her?" A toad and a rat dispute which of them can do more, and the rat learns why the toad passes through the great men untouched while he himself must keep to his hole. And in the beginning, when no beast of the forest had any sense at all, the weasel finds the bag that holds all the sense in the world, lifts it with a pigeon's advice, and shares it out only a little at a time. Source: S. W. Koelle, "African Native Literature, or Proverbs, Tales, Fables, & Historical Fragments in the Kanuri or Bornu Language" (London: Church Missionary House, 1854) — Section III, Fables Nos. 1, 8 and 10, read in book order. Koelle wrote the tales down word for word from Bornu tellers and printed them in Kanuri with his own English translation; this reading is a fresh English rendering of that printed translation, made for this episode. Public-domain text; the reading follows the Internet Archive copy of the 1854 edition. Notes on the reading: the book's fables number twelve; three are read here. The other nine were read in full and left out under this shelf's standing rule that tales turning on depicted violence are excluded rather than softened: No. 2, "A Stork and Toads", in which the stork swallows the toads one by one; No. 3, "A Weasel and His Wife", a chain of beasts swallowing and killing in turn; No. 4, "A Jackal and a Hyena", whose monkeys are drowned and stoned in a famine; No. 5, "The Weasel and the Hyena", which ends with a torn-out tail and an ear torn off and eaten; No. 6, "A Fowl and an Elephant", whose closing coda records a fowl beaten till it cries to frighten elephants from a farm; No. 7, "A Cock and an Elephant", a war of the birds and the beasts; No. 9, "The Lion and the Wild Dog", in which a hunter's poisoned arrow wounds the lion; No. 11, "What Employment Our Lord Gave to Insects", in which the little red ants kill the merchant who refused their pay; and No. 12, "A Fable about Serpents", in which a serpent's bite kills a man in the dark. The book's opening story (Section II, No. 1, "A Story about Friendship") remains held for a separate ruling and is not read here. This Part 2 completes the shelf's reading of the book's tales and fables, apart from that one held story. Narrated by Violetta. Music: opening and closing theme, "Convergence_at_Dusk", with the same theme between the fables. Chapters: 00:00 Opening theme 01:23 A Hen and a Cat 06:45 The Toad and the Rat 13:09 How Sense Was Distributed 🎧 Podcast: https://rss.com/podcasts/kachelitv/

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  • S73 · E2
    October 21 · 22 min

    Armenian Folk Tales — Part 2: The Poor Widow's Son · The Maiden of the Sea

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Part Two of the shelf: two more tales from "The Golden Maiden, and other folk tales and fairy stories told in Armenia" (Cleveland and New York, 1898), collected and told by A. G. Seklemian (1864–1920), an Armenian scholar and pastor who settled in America and set down the tales as he had heard them from the mouths of the people. Billed by collector and book, exactly as printed in 1898; not a survey of all Armenian tales, and no completeness is claimed. The Poor Widow's Son — a princess throws her golden apple three times, and three times it finds the same poor widow's son. Sent out into the world, he carries three sayings from a wise monk down an enchanted well, past a giant who holds his life in a question — and patience itself brings him home after twenty years to the wife and son who kept faith with him. The Maiden of the Sea — a lad keeps his dead mother's charge and casts a loaf into the sea every morning, and the sea sends him a bride. When a prince covets her and sets the lad impossible tasks on pain of death, the sea provides again — and a baby three days old, who can walk and talk, shames the Prince into asking forgiveness. Both tales are read as printed in 1898, with one period word gently modernized where the old text described a maiden's colour. Nine tales of the book were set aside under the channel's content law in this round, each named in the shelf's register; more of the book's tales wait for the parts that follow. Chapters: 0:00 Introduction 1:44 The Poor Widow's Son 15:59 The Maiden of the Sea A. G. Seklemian, The Golden Maiden, and other folk tales and fairy stories told in Armenia (Cleveland and New York: The Helman-Taylor Company, 1898) — public domain. Narrated by Bruno. Music: opening and closing theme, "La Partenza" — heard at the introduction, between the two stories, and at the close; the tales themselves are read dry. KacheliTV — world classics, read aloud. Armenian folk tales · Armenian fairy tales · A. G. Seklemian · The Poor Widow's Son · The Maiden of the Sea · The Golden Maiden · Mount Ararat · world folk tales · free audiobook

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  • S79 · E1
    October 21 · 21 min

    Italian Popular Tales — Part 1: Zelinda and the Monster · Cinderella

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Part One of a new shelf: Italian popular tales, from Italian Popular Tales (Boston and New York: Houghton, Mifflin and Company, 1885) by Thomas Frederick Crane (1844–1927), Professor of the Romance Languages in Cornell University, who collected these stories from the great Italian collections of his day — above all the Sicilian tales of Giuseppe Pitrè of Palermo, to whom the book is dedicated — and translated them into English himself. Billed by collector and book, as the tales Crane gathered; not a survey of all Italian tradition, and no completeness is claimed. The tales were screened in the order they stand in Crane's first chapter under this shelf's standing rule, and a great many were set aside — every one stands named, with its reason, in the shelf register. Zelinda and the Monster — a poor man picks a January rose for his youngest daughter in a walled garden, and the dragon-like Monster who owns it demands the girl in exchange for his life; in the palace of statues and invisible servants Zelinda's promise to become the Monster's wife breaks an old witch's spell, and the Monster stands revealed as the son of the King of the Oranges. Cinderella — the Florentine Cenerentola, who asks her father for no dress or shawl but a little bird, Verdelió; the bird dresses her for three royal balls in sea-green embroidered with all the fish of the sea, in all the colors of the heavens, and it is a lost slipper, not a godmother, that brings the king to her door. Chapters: 0:00 Introduction 1:39 Zelinda and the Monster 9:37 Cinderella Thomas Frederick Crane, Italian Popular Tales (Houghton, Mifflin and Company, 1885) — public domain. Narrated by Violetta. Music: opening and closing theme, "La Partenza," also heard as a short separator between the stories — the tales themselves are read dry. KacheliTV — world classics, read aloud. Italian folk tales · Italy fairy tales · Thomas Frederick Crane · Italian Popular Tales · Giuseppe Pitrè · Zelinda and the Monster · Cinderella · world folk tales · free audiobook

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  • S80 · E1
    October 21 · 24 min

    Folk Tales of Suriname — Part 1: Anansi and His Children · A Feast at the Water-Nymph's · A Story from the Life of Friend Spider · Master Spider and the Water-Nymph · Every Grown Man Must Have a Red Seat

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Part One of a new shelf: the Anansi tales of Suriname, from Mythen en sagen uit West-Indië — Myths and Legends of the West Indies (Zutphen: W. J. Thieme & Cie, 1926) by Dr Herman van Cappelle (1857–1932), the Dutch geologist who recorded these stories in Paramaribo and in the Nickerie district at the turn of the century, from the city's storytellers; they were first printed in 1916. Billed by collector and book, as the tales Van Cappelle gathered; not a survey of all Surinamese tradition, and no completeness is claimed. The tales were screened in the order they stand in Van Cappelle's book under this shelf's standing rule, and many were set aside — every one stands named, with its reason, in the shelf register. Read here in a fresh English translation made for this shelf. Anansi and His Children — in a famine, Master Spider gives his own portion away, then asks his twelve children which of them loves Papa most of all. A Feast at the Water-Nymph's — Anansi sinks to the riverbed feast with stones in his coat pockets, but the watra-mama makes him take the coat off. A Story from the Life of Friend Spider — the tug of war between Elephant and Whale, fought over one rope, neither giant seeing the other. Master Spider and the Water-Nymph — one grain of rice, a borrowed pot, and the mark that spiders carry on their heads to this day. Every Grown Man Must Have a Red Seat — Anansi eats a whole basket of peppers to win the King's daughter, and must hide what the peppers did to him. Chapters: 0:00 Introduction 2:23 Anansi and His Children 4:49 A Feast at the Water-Nymph's 7:29 A Story from the Life of Friend Spider 15:15 Master Spider and the Water-Nymph 16:56 Every Grown Man Must Have a Red Seat Herman van Cappelle, Mythen en sagen uit West-Indië (W. J. Thieme & Cie, 1926) — public domain. Narrated by Mira. Music: opening and closing theme and short separators between the stories, "Desert Cello Rhapsody" — the tales themselves are read dry, with no music under the narration. KacheliTV — world classics, read aloud. Suriname folk tales · Anansi tales · Anansi the spider · Herman van Cappelle · West Indian folk tales · Caribbean folk tales · world folk tales · free audiobook

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  • S77 · E1
    October 21 · 16 min

    Greenlandic Inuit Tales — Part 1: Katerparsuk · The Man Who Mated Himself with a Sea-fowl · The Old Bachelor

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Part One of a new shelf: Greenlandic Inuit tales, from Tales and Traditions of the Eskimo (Edinburgh and London: William Blackwood and Sons, 1875) by Dr Henry Rink (1819–1893) — the Danish geologist who spent sixteen winters and twenty-two summers in Greenland, collected these tales from Greenlandic tellers, and translated them from the Danish himself; the English edition was edited by Dr Robert Brown (1842–1895). Billed by collector and book, as the tales Rink gathered in Greenland; not a survey of all Greenlandic tradition, and no completeness is claimed. The tales were screened in the order they stand in Rink's book under this shelf's standing rule, and a great many were set aside — every one stands named, with its reason, in the shelf register. Katerparsuk — a poor orphan boy, tormented by a wicked man who frightens him in a bear-skin, studies the angakok's art, learns a magic song that makes a walrus throw off its skin, and answers trick with trick: playing walrus to the man who played bear to him, until the old man's boasting collapses at the evening feast. The Man Who Mated Himself with a Sea-fowl — a lonely old bachelor who plays at fatherhood with seals' skulls finds the bathing bird-women, marries the one whose clothes he has taken, and loses her and their sons when the wings grow back; his strange journey on the tail of a salmon ends at a house that turns into a gulls' hill. The Old Bachelor — a queer old fellow who hates singing learns a magic song from a flying boat's crew, flies home in his kayak, forgets the words on a mountain peak, and remembers them at the very last moment. Chapters: 0:00 Introduction 1:51 Katerparsuk 6:34 The Man Who Mated Himself with a Sea-fowl 12:30 The Old Bachelor Henry Rink, Tales and Traditions of the Eskimo (William Blackwood and Sons, 1875) — public domain. Narrated by Scratch. Music: opening and closing theme, "Damp Pine Sunrise" — heard at the introduction and the close only; the tales themselves are read dry. KacheliTV — world classics, read aloud. Greenlandic Inuit tales · Greenland folk tales · Inuit folk tales · Henry Rink · Tales and Traditions of the Eskimo · Arctic folk tales · world folk tales · free audiobook

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  • S76 · E1
    October 21 · 20 min

    Laos Folk-Lore of Farther India — Part 1: A Child of the Woods and Other Tales

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Part One of the shelf: six tales from Laos Folk-Lore of Farther India (New York: Fleming H. Revell Company, 1899) by Katherine Neville Fleeson, who lived among the Laos people, learned their language, and wrote these tales down as they were told to her, when they had never been written down before. Billed by collector and book, as tales of the Laos country in the old kingdom of Siam; not a survey of all the peoples of Laos, and no completeness is claimed. Fleeson's book holds forty-eight tales; eleven of its opening tales were set aside under this channel's standing rule and are named in the shelf register. A Child of the Woods — a maiden who fled in anger into the jungle is guarded through the nights by a tiger and the wild beasts, until her heart cools and she comes home in honour. The Enchanted Mountain — the hunters tell of a spirit-kept lake on a lofty mountain-top, whose fowls no arrow can harm. The Mountain Spirits and the Stone Mortars — why great stone mortars stand scattered in a city street to this day. The Fatherless Birds — why the little birds cry "Paw hueey, paw hueey" over the plains, and lonely children echo them. The Faithful Wife — a gold image hidden in a boat, a wager, and the wife whose cleverness wins her husband back. The Giants' Mountain and the Temple — the giants carry a mountain-top halfway for the people's temple, then laugh at the people who would not do their share. Chapters: 0:00 Introduction 1:33 A Child of the Woods 4:52 The Enchanted Mountain 9:05 The Mountain Spirits and the Stone Mortars 10:46 The Fatherless Birds 12:22 The Faithful Wife 16:32 The Giants' Mountain and the Temple Katherine Neville Fleeson, Laos Folk-Lore of Farther India (Fleming H. Revell Company, 1899) — public domain. Narrated by Mira. Music: opening and closing theme, "Cypress in the Soil 2" — heard at the introduction and the close only; the tales themselves are read dry. KacheliTV — world classics, read aloud. Laos folk tales · Lao folk tales · Katherine Neville Fleeson · Laos Folk-Lore of Farther India · Southeast Asian folk tales · jungle tales · world folk tales · free audiobook

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  • S42 · E8
    October 21 · 30 min

    Folk Tales of the United Kingdom — Part 8 (A Pottle o' Brains · News! · Puddock, Mousie and Ratton · The Wee, Wee Mannie · Habetrot and Scantlie Mab)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Folk Tales of the United Kingdom continues with five more tales of England and Scotland as Joseph Jacobs collected them in his More English Fairy Tales (London, 1894). They are read here complete, exactly as written. In A Pottle o' Brains, a fool who is ever getting into scrapes goes to the wise woman on the hill to buy a pottle o' brains, and she will help him only for the heart of the thing he likes best of all. News! is a tale told as a dialogue: a steward breaks the news from home one answer at a time — the magpie dead, the horses dead, the house burned, and worse behind each. Puddock, Mousie and Ratton is a wedding rhyme in verse: Puddock comes a-wooing to Mousie's mill, Uncle Ratton comes home, and Duckie, Sir Drake and the old carl cat break up the feast. In The Wee, Wee Mannie, a wee, wee mannie cannot milk his big, big Coo, and stick, butcher and silver penny all fail him until a word about a fine laddie from the wars does the work. And in Habetrot and Scantlie Mab, a lass who loves play better than work must spin seven heads of lint in three days, and the old spinners beneath the self-bored stone spin it for her. A note on the tales as written. In A Pottle o' Brains, the fool kills his pig in a single clause, meaning to bring its heart; his mother dies in her bed and is mourned, and though he carries her body to the wise woman in a sack, he never takes her heart — the tale itself refuses the act. In News!, every calamity is reported in the steward's answers and none is enacted. Puddock, Mousie and Ratton ends in a brief animal scuffle — Duckie makes Puddock squeak, Drake catches him, the cat pulls Ratton down and the kittens claw his crown; no killing is told. In The Wee, Wee Mannie, the bids to beat the Coo and have the butcher kill her are chain rungs that never happen; the sword is only glimpsed, and put by. In Habetrot and Scantlie Mab, the mother's beating of her daughter is one reported clause of backstory. No word has been altered in any of the five: no period slur occurs in these tales, and nothing in the telling called for one to be softened or set aside. Chapters 0:00 Opening Theme 1:03 A Pottle o' Brains 12:43 News! 15:09 Puddock, Mousie and Ratton 16:48 The Wee, Wee Mannie 20:32 Habetrot and Scantlie Mab From More English Fairy Tales (1894), collected by Joseph Jacobs — public domain. Tales of England and Scotland as Jacobs collected them; no Irish tales appear on this shelf. Narrated by Mira. Music: opening and closing theme, "Damp Pine Sunrise" — heard at the introduction and the close only; the tales themselves are read dry. KacheliTV — world classics, read aloud. British folk tales · English fairy tales · British folk tales audiobook · English folklore · Joseph Jacobs · English fairy tales audiobook · world folk tales · free audiobook

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  • S25 · E11
    October 20 · 17 min

    Folk Tales of Jamaica — Part 11 (Anansi Claims the Dinner · Seeks His Fortune · Pig from Market · In Come Murray · Tacoomah's Dance · Anansi's Dance · Red Yam · Guzzah Man · Pretty Poll · The Cumbolo · At Court · Ping-Ping and Cock · Animal Talk)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! KacheliTV stays in Jamaica, in Martha Warren Beckwith's Jamaica Anansi Stories of 1924 — tales Jamaican storytellers told her, their names kept. Part Eleven gathers the tellings passed and banked from the Modern European Stories and then opens the book's last country, Dance and Song — the stretch of Tales 132 to 149, read in full at the gate. In "Anansi Claims the Dinner," a name spoken on the road takes the whole dinner. In "Seeks His Fortune," Anansi comes just from heaven — and answers to Mr. Rainy Day. In "Pig from Market," a wee pig will not cross the river until dog, stick, fire, water, cow, butcher, rope, grease, rat and cat have each said "before you" in turn. Then the dances: "In Come Murray" totters in with his pint of water; Tacoomah and Anansi each make a dance; a hungry boy sings out the name of the "Red Yam"; the "Guzzah Man" song covers a rum theft; "Pretty Poll" is invited to chapel; an old couple dance "The Cumbolo" on the road home; a stolen baby is won back by a song "At Court"; Cock hunts the hidden "Ping-Ping"; and "Animal Talk" closes the book's tale-telling with what every creature says. Passages stand as told at the book's own summary weight: in "Tacoomah's Dance" a broken neck stands inside Jock's sung verse only, never enacted; and in "Animal Talk," White Belly, who will not come down from his tree to eat, falls and dies in the closing clause, by no hand — both disclosed here. Held for the owner's ruling: "The Pannier-Jar," passed over in this stretch as it stands, and "The Fifer," newly held at this gate. Excluded in the earlier sweep of this stretch and named again for the record: "Anansi Kills His Grandmother," "White Belly and Anansi," and "Monkey Hunts Anansi" — each turning on an enacted killing. No completeness is claimed for this stretch. Storytellers, kept with honour: Edward Daley of Mandeville ("Anansi Claims the Dinner"); Stanley Jones of Claremont ("Seeks His Fortune"); Moses Hendricks of Mandeville ("Pig from Market"); William Forbes of Dry River ("In Come Murray," "Tacoomah's Dance," "Anansi's Dance"); Mary Jane Roden of Brownstown ("Red Yam," "Guzzah Man," "Pretty Poll"); Sarah Findley of Santa Cruz Mountains ("The Cumbolo"); Susan Watkins of Claremont ("At Court"); Matilda Hall of Harmony Hall ("Ping-Ping and Cock"); and James Anderson Hilton of Maroon Town ("Animal Talk"). Chapters: 01:27 Anansi Claims the Dinner 01:55 Seeks His Fortune 03:20 Pig from Market 07:31 In Come Murray 07:58 Tacoomah's Dance 09:10 Anansi's Dance 10:38 Red Yam 12:37 Guzzah Man 13:20 Pretty Poll 13:49 The Cumbolo 14:25 At Court 15:00 Ping-Ping and Cock 15:29 Animal Talk Source: Martha Warren Beckwith, Jamaica Anansi Stories, Memoirs of the American Folk-Lore Society, Vol. XVII (1924); public-domain 1924 edition (Project Gutenberg eBook #72735). Our telling is a fresh in-house rendering of the 1924 text. Music: opening and closing theme, "The River's Dying Vision 2". Thank you for listening. 🔊 The KacheliTV podcast carries a new world folk tale every day — follow the show so the next story finds you. Jamaican folk tales, Anansi stories, Jamaican folk tales audiobook, Jamaican folklore, Martha Warren Beckwith, Caribbean folk tales, world folk tales, free audiobook

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  • S56 · E3
    October 20 · 47 min

    Palace Tales of Burma — Part 3: The Adventure of the Shan Prince

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Part Three of the shelf: the fifth story of Palace Tales (London and New York: Harper & Brothers, 1900) by H. Fielding — Harold Fielding Hall (1859–1917), who spent years in Burma in the government service and heard these stories in the palace world of Mandalay. Billed by author and book, as tales of the old Burmese court; not a survey of all Myanmar's peoples, and no completeness is claimed. Three of the book's tales stand set aside under the shelf's standing rule and are named in the shelf register; this, the book's longest tale, stands alone as one part, exactly as its fellows did. The Adventure of the Shan Prince — at sunset two riders come down from the Shan Hills: a Prince's younger brother, and Ma Ka, the girl he loves, who was to be married in four days to the Prince himself. They beg the Queen's protection. The Queen shelters the girl and charms easily; the King counts what a Shan rebellion could cost and will not decide. For nearly two weeks the palace prevaricates — the girl kept with a secretary's wife, the young Prince forbidden to see her, and, unknown to all, the elder Prince himself hidden in an inn in the outer city, waiting. On the night before the final answer must be given, he comes to the garden himself, and this time he woos the girl he had treated as a matter of business. What she answers, and how a ladder comes to be standing against the garden wall, is the tale. A romance of two elopements, read exactly as printed in 1900. Chapters: 0:00 Introduction 1:25 The Adventure of the Shan Prince H. Fielding, Palace Tales (London and New York: Harper & Brothers, 1900) — public domain. Narrated by Benedetto. Music: opening and closing theme, "Winter Palace Rhapsody" — heard at the introduction and the close only; the tale itself is read dry. KacheliTV — world classics, read aloud. Burmese folk tales · Myanmar folk tales · folk tales of Burma · Palace Tales · H. Fielding · Mandalay palace tales · world folk tales · free audiobook

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  • S54 · E3
    October 20 · 53 min

    Legends of Hawaii — Part 3 (Ke-ao-mele-mele, the Maid of the Golden Cloud)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! One long legend of old Hawaii, read whole and as printed. Ke-ao-mele-mele, the Maiden of the Golden Cloud, is born from the head of Hina and reared by Mo-o-inanea among the clouds of Ke-alohi-lani, with every cloud of the sky for her watchmen and servants. Her brother Kahanai, brought up by the gods at Waolani, is married by the gods' command to their sister Paliula — and then forsakes her for Poliahu, the maiden of the snow mantle on Mauna Kea. Paliula wanders the islands and learns the dances of Kauai; Ke-ao-mele-mele hears her singing in dreams, learns the hula from Kapo, the goddess of the dance, persuades her brother home, and at last is married herself to Kau-mai-liula, Twilight Resting in the Sky — while the dragons come to watch over the islands, and the wonderful trees Makalei and Makuukao are brought to the wedding feast. From "Legends of Gods and Ghosts" (1915) — legends of Hawaii collected and translated from the Hawaiian by W. D. Westervelt. Read as printed in the 1915 text, with one period descriptor rendered in neutral modern terms. Notes on the reading, at the weight the tale itself gives them: the marriages in this legend are made within the divine family, as the ancient myth orders them — Kahanai and Paliula are brother and sister, and Ke-ao-mele-mele marries her half-brother — presented by the text as the command of the gods and ancestors for the highest divine blood. Kane's word that the deserting chief "should be punished" is an order only; no punishment is depicted, and the brother is persuaded home. The chapter closes with the noisy fairy folk driven from Waolani and scattered over the islands, and with the natural death of the Maid and her husband and their rising as guardian spirits. Other chapters of this book are not read here. Excluded by name from "Legends of Gods and Ghosts": "The Ghost of Wahaula Temple," "Maluae and the Under-World," "A Giant's Rock-Throwing" and "Legendary Canoe-Making." Excluded by name from "Legends of Ma-ui": all chapters except "Maui's Kite Flying," including "Maui Snaring the Sun" and "Maui Finding Fire" — each turns on killing, on beating or on human sacrifice, which this programme does not carry. No completeness claim is made for either collection. Narrated by Bruno. Music: opening and closing theme, "The Longest Night by the River 2". Chapters: 00:00 Opening theme — "The Longest Night by the River 2" 00:36 Introduction 01:14 Ke-ao-mele-mele, the Maid of the Golden Cloud 🎧 Podcast: https://rss.com/podcasts/kachelitv/

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  • S23 · E11
    October 20 · 27 min

    Folk Tales of the Philippines — Part 11 (Cecilio, the Servant of Emilio · Chonguita · Who is the Nearest Relative? · With One Centavo Juan marries a Princess)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Part 11 of Folk Tales of the Philippines continues in the book's own order at Tale 28. A cheated servant boy, a monkey bride, a grandfather's riddle, and a gambler's single centavo carry these four tales — each won by wit or sheer brass reasoning. In "Cecilio, the Servant of Emilio," the orphan Cecilio, paid a tenth of his due for four years' service, loses his purse twice to highway robbers, wins it back with an old woman's magic cane, and at last buys her guitar — whose music makes everyone dance, master, magistrate, and soldiers alike, until the cheat is confessed and the boy is freed the richest man in the town. Told by Sancho B. de Leon, a Tagalog from Santa Cruz, Laguna. In "Chonguita," Don Juan's bride proves a monkey — and then the cleverest embroiderer and painter in the kingdom, until the feast-day moment that sets her free of the spell. Told by Pilar Ejercito, a Tagalog from Pagsanjan, Laguna. In "Who is the Nearest Relative?", a grandfather's story within the story poses its hard question: a wife may free only one of three captives — her husband, her son, or her brother. Told by Leopoldo Uichanco, a Tagalog of Calamba, Laguna. In "With One Centavo Juan marries a Princess," a found centavo becomes a cake, a chicken, a dog, an iron bar, a river, and a princess — each step argued so well that the king himself cannot answer it. Told by Gregorio Frondoso, a Bicol. A word on these tales, told plainly. In "Cecilio," the two robbers who first take the boy's purse fight each other over it and die of their wounds, told in summary; the old woman's cane rains blows on armed robbers who have threatened the boy's life, stopping the moment each surrenders, no injury described; the death sentence on the boy is undone in the tale itself. In "Chonguita," the king's death conditions stand as speech only, never carried out, and the monkey-bride's disenchantment — her husband hurls her against the wall in a single clause, and she stands a beautiful woman in the same breath — is carried at the book's own weight. Three single words of the 1921 printing are corrected in our rendering, plain compositor's slips: "turn away," "fails to do," and "timidly." The tales around this stretch stand as gated: "The Indolent Husband," "The Golden Lock," and "The Three Humpbacks" stand held at this collection's gate, awaiting the owner's ruling, as does "An Act of Kindness" before this part; Tale 17 remains held, untouched. The book's footnote markers are kept out, and its comparative notes stand in the book, unread here. The book's storytellers, kept with honour: Sancho B. de Leon ("Cecilio, the Servant of Emilio"); Pilar Ejercito ("Chonguita"); Leopoldo Uichanco ("Who is the Nearest Relative?"); Gregorio Frondoso ("With One Centavo Juan marries a Princess"). Chapters: 00:34 — Cecilio, the Servant of Emilio 09:57 — Chonguita 15:22 — Who is the Nearest Relative? 21:55 — With One Centavo Juan marries a Princess Source: Dean S. Fansler (ed.), Filipino Popular Tales, Memoirs of the American Folk-Lore Society, Vol. XII (1921) — the tales written down in English by the Filipino narrators credited above; public-domain 1921 edition (Project Gutenberg eBook #8299). The collectors' notes stand in the book, unread here. Our telling is a fresh in-house rendering of the 1921 text. Music: opening and closing theme, "Three Pairs of Yellow Eyes". Thank you for listening — the Philippine tales continue on this shelf. 🔊 The KacheliTV podcast carries a new world folk tale every day — follow the show so the next story finds you.

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  • S73 · E1
    October 20 · 15 min

    Armenian Folk Tales — Part 1: The Fairy Nightingale

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! One tale opens a new shelf: from "The Golden Maiden, and other folk tales and fairy stories told in Armenia" (Cleveland and New York, 1898), collected and told by A. G. Seklemian (1864–1920), an Armenian scholar and pastor who settled in America and set down the tales as he had heard them from the mouths of the people. Billed by collector and book, exactly as printed in 1898; not a survey of all Armenian tales, and no completeness is claimed for one tale of twenty-nine. The Fairy Nightingale — a king builds a splendid church, and three times a mysterious monk comes out of the fog to tell him that one thing is lacking: the Fairy Nightingale. His three sons set out by three roads — one from which a traveller returns, one from which he may return or may not, and one from which he never returns. The youngest wins what strength cannot take, and he wins it by courtesy: he praises a poisoned river as the water of immortality, a thorn grove as the flower of Paradise; he gives the meat to the wolf and the grass to the lamb, opens the door that was shut and shuts the door that was open. Left in a well by his own brothers, he is drawn out by women gleaning barley — and his first act in the city is to set those brothers free. A tale of courtesy, gratitude and forgiveness, read exactly as printed in 1898. Twenty-two of the book's tales wait for the parts that follow; six were set aside under the channel's content law, each named in the shelf's register. Chapters: 0:00 Introduction 1:44 The Fairy Nightingale A. G. Seklemian, The Golden Maiden, and other folk tales and fairy stories told in Armenia (Cleveland and New York: The Helman-Taylor Company, 1898) — public domain. Narrated by Scratch. Music: opening and closing theme, "Before the Pines End 2" — heard at the introduction and the close only; the tale itself is read dry. KacheliTV — world classics, read aloud. Armenian folk tales · Armenian fairy tales · A. G. Seklemian · The Fairy Nightingale · The Golden Maiden · Mount Ararat · world folk tales · free audiobook

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  • S69 · E1
    October 20 · 26 min

    Folk Tales of Togo — Part 1 (Safudu Kwaku · The Spider and Her Friend · The Seven Hunters · The Spider and the Chief · God, the Antelope and the Hyena · The Yam That Set Up a King)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Six fables of the Ewe people, in a fresh English translation made for this reading from Jakob Spieth's Die Ewe-Stämme (Berlin, 1906), his great record of the Ewe of Togo — the opening of our Togo shelf. In Safudu Kwaku, a small boy no one believes in turns out to be the very one the silk-cotton tree has been waiting for, and his sweet voice founds a town. In The Spider and Her Friend, a self-grinding millstone grinds honey and palm wine until greed gets the last word. In The Seven Hunters, seven brothers go to war with Tomi, the giant of the wilderness — and the youngest saves them all with nothing but a footprint full of sand. In The Spider and the Chief, the Spider lends her gold away without a surety and learns the proverb the hard way. In God, the Antelope and the Hyena, God's own cook very nearly ends up in the pot instead of the antelope. And in The Yam That Set Up a King, a single yam, passed from farm to farm, grows so big it settles a whole people's argument — and leaves us the tale's closing lesson on the worth of a working tool. Spieth prints the ordeal honestly: in the first tale the innocent leaps seven times onto swords and needles, takes no harm, and heaven itself intervenes — the tale is told as he recorded it, uncut. Chapters: 0:00 Introduction 2:34 Safudu Kwaku 5:26 The Spider and Her Friend 9:10 The Seven Hunters 13:05 The Spider and the Chief 15:12 God, the Antelope and the Hyena 18:25 The Yam That Set Up a King Sources and selection: Spieth's Fabeln chapter holds eleven fables; five are not read here — Sehle, The Spider and the Leopard, The Woman and the Bird Aloe, The Spider and Yiyisa, and Death and the Spider — because each turns on depicted harm, which this channel does not read aloud. Two period racial terms in the last tale's dialogue have been rendered in neutral modern words; the facts and the sentences stand unchanged. Our Togo reading therefore opens with these six fables and claims no more than that: Part 2 will turn to Spieth's parables and his chapters on the language of birds. Source: Jakob Spieth, Die Ewe-Stämme: Material zur Kunde des Ewe-Volkes in Deutsch-Togo (Berlin, 1906) — public domain; fresh in-house translation from the German. Narrated by Scratch. Music: opening and closing theme, "The Longest Night by the River 2" — heard at the introduction and the close only; the tales themselves are read dry. KacheliTV — world classics, read aloud. Ewe folk tales · Togo fairy tales · Jakob Spieth · African fables · Spider trickster tales · West African folk tales · world folk tales · free audiobook

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  • S25 · E10
    October 20 · 24 min

    Folk Tales of Jamaica — Part 10 (The Grateful Dead · Boy and His Master · Three Pieces of Advice · Skilful Brothers · The Three Sillies · A Misunderstanding · Big-Head, Big-Belly, Little-Foot · Goat in the Lion's Den · The Lion's Head · Molly May)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! KacheliTV stays in Jamaica, in Martha Warren Beckwith's Jamaica Anansi Stories of 1924 — tales Jamaican storytellers told her, their names kept. Part Ten closes the book's third country, the Modern European Stories — the last stretch, Tales 119 to 138, read in full at the gate. In "The Grateful Dead," Jack pays the debts of three beaten dead men and buries them, and the dead repay him — three pelicans carry him home over the sea. In "Boy and His Master," a boy who learned the Old Witch's magic turns pig, mare, dove, ring and grain of corn, and learns one mark more. "Three Pieces of Advice" trades a year's wages for three sentences — and every one pays. "Skilful Brothers" settles thirty pounds three ways for a mother saved from an eagle. "The Three Sillies" sends a young man to find three fools foolisher than that family — and he finds them. "A Misunderstanding" is a fortune of whiskers and a pocket handkerchief. "Big-Head, Big-Belly, Little-Foot" tells its three brothers twice over. In "Goat in the Lion's Den," the lion asked to baptize two kids names them Dinner, Breakfast Tomorrow, and Dinner Tomorrow. "The Lion's Head" counts one head up to twenty and frightens two lions home. And "Molly May" eats Anansi's whole turkey and sets master and guest running. Passages stand as told at the book's own summary weight: in "The Grateful Dead" the man who threw Jack overboard is hanged by the point of his tongue in the closing clause; in "Boy and His Master" the duel ends as the grain of corn, turned cat, wipes off the rooster's head in one clause; and in "Big-Head, Big-Belly, Little-Foot" the brothers' name-deaths befall them in single clauses, by no hand. Excluded at the gate, recorded plainly: "Three Brothers and the Life-Tree"; "Dancing to Anansi's Fiddle"; "Anansi Kills His Grandmother"; "White Belly and Anansi"; and "Monkey Hunts Anansi" — each turning on an enacted killing or mutilation. Held for the owner's ruling: "The Language of Beasts" and "The Pannier-Jar." Passed and banked for Part Eleven: "Anansi Claims the Dinner," "Anansi Seeks His Fortune," and "Anansi and the Pig Coming from Market." No completeness is claimed for this stretch. Storytellers, kept with honour: Richard Morgan of Santa Cruz Mountains ("The Grateful Dead," "Boy and His Master," "Three Pieces of Advice," "Skilful Brothers"); Charles Roe of Maroon Town ("The Three Sillies"); Florence Tomlinson of Lacovia ("A Misunderstanding"); Arthur Brown of St. Ann's Bay and James Smith of Claremont ("Big-Head, Big-Belly, Little-Foot"); Henry Spence of Bog, Westmoreland ("Goat in the Lion's Den"); Joseph Macfarlane of Moneague ("The Lion's Head"); and Emily Alexander of Mandeville ("Molly May"). Chapters: 01:33 The Grateful Dead 05:38 Boy and His Master 08:55 Three Pieces of Advice 11:44 Skilful Brothers 12:49 The Three Sillies 15:46 A Misunderstanding 17:08 Big-Head, Big-Belly, Little-Foot 18:26 Goat in the Lion's Den 20:36 The Lion's Head 21:35 Molly May Source: Martha Warren Beckwith, Jamaica Anansi Stories, Memoirs of the American Folk-Lore Society, Vol. XVII (1924); public-domain 1924 edition (Project Gutenberg eBook #72735). Our telling is a fresh in-house rendering of the 1924 text. Music: opening and closing theme, "The Cello's Unfinished Promise 2". Thank you for listening. 🔊 The KacheliTV podcast carries a new world folk tale every day — follow the show so the next story finds you. Jamaican folk tales, Anansi stories, Jamaican folk tales audiobook, Jamaican folklore, Martha Warren Beckwith, Caribbean folk tales, world folk tales, free audiobook

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  • S31 · E7
    October 20 · 20 min

    Folk Tales of Cabo Verde — Part 7 (The Wonderful Travellers · The Stolen Ring · Dutiful and Undutiful)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Folk Tales of Cabo Verde, Part Seven. Three tales from Elsie Clews Parsons' Folk-Lore from the Cape Verde Islands (1923), collected from Cape Verdean storytellers in New England and first printed in 1923 — read aloud as Parsons printed them, in the order she printed them. The Wonderful Travellers (No. 82): Manuel, the youngest of three poor brothers, is kind to a leprous old man and is given a boat that runs on land and sea. He gathers a wonderful crew — Porter, who carries the ship ashore on his shoulder; Shooter, who can shoot a fly off a cheek; Eater; Runner, with one foot here and one in California; Drinker; and Hearer, whose ear is open to everything in the world — and with their feats he wins Bright-Moon, whose light shames every other bride. Declared for this tale, in plain sight: Eater's feats are folk-tale gluttony — a feast laid for four hundred, and the king's cows and horses eaten in the pasture; Shooter shoots the little devil down from the mast and brings him to the ship, and shoots close past the sleeping Runner's eyes to wake him — nobody is wounded or killed anywhere in the tale; and Eater's "Give him to me, I'll eat him up" is words only. It stands as Parsons printed it, declared here rather than softened. The Stolen Ring (No. 86): a boy who would rather fish than go to school catches a fish siren, who gives him a ring that grants whatever is wished. The ring is stolen away to another island, and it is the boy's rescued friends — a little dog, a little cat and a little rat, who swim the sea between the islands — who steal it back for him, lose it in the waves, and talk the crabs into fetching it up from the bottom of the sea. Dutiful and Undutiful (No. 89): Anton, the youngest of three brothers, chooses his dying mother's blessing over money, shelters a leper who proves to be God, and carries San Anton's note to heaven where his unkind brothers would not. Declared for this tale: early on, the two elder brothers beat Anton's hand with a stick so that it swelled — one clause, the cruelty his kindness answers; and the brothers' end is told as fate, not shown — they die and go to hell, Anton dies and goes to heaven, and takes the seat at heaven's door that his blessing promised him. These are three of the tales that passed this shelf's reading gate. The rest of Parsons' collection is being read in full, tale by tale; the tales that do not pass are named, with the reason, in the collection's written register. Nothing violent is framed or softened — it is left out, and the register says so. CHAPTERS 00:00 Opening Theme 00:50 The Wonderful Travellers 06:57 The Stolen Ring 14:21 Dutiful and Undutiful Source: Elsie Clews Parsons, Folk-Lore from the Cape Verde Islands, Parts I–II (Memoirs of the American Folk-Lore Society, Vol. XV, 1923) — public domain; text from the Internet Archive. Narration: Violetta (KacheliTV). Music: opening and closing theme, "Tampa Across the Water 2" — heard at the introduction and the close only; the tales themselves are read dry. Cape Verdean folk tales · Cape Verdean fairy tales · Cape Verdean folk tales audiobook · Cape Verdean folklore · Elsie Clews Parsons · West African folk tales · world folk tales · free audiobook

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  • S55 · E2
    October 20 · 22 min

    Folk Tales of Paraguay — Part 2 (Roe-Choveg · The Stones of the Alto Paraná · The Pueblo Emboré)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Six more legends from the great Guaraní country of the Iberá lakes and the Alto Paraná — lands that today span Paraguay and the Argentine provinces of Corrientes and Misiones. The first comes from Filiberto de Oliveira Cézar's "Leyendas de los indios guaraníes" (Buenos Aires: Jacobo Peuser, 1892); the five that follow were collected in the Misiones country by Juan Bautista Ambrosetti for his "Supersticiones y leyendas" (Buenos Aires: La Cultura Argentina, 1917). All are heard here in a fresh English translation made for this programme. Beside a camp fire in the Iberá, old Vizcacha explains the blue cold: it is the breath of Aiñac-Cabayú, the devil's white horse, whose neigh draws every wild herd in the country after it. Then, up the Alto Paraná, the stones themselves carry the stories — the great lizard that left its cave at Teyú-Cuaré, the cattle a saint led away at Suindá-Cuá, the footprints of Saint Thomas at Santo Pi-pó, and the girl turned to stone at Ita-Guaimí, before whom travellers still lower their voices. Last, the Pueblo Emboré: the Jesuits' hidden treasure town, whose houses have no doors, and which no expedition has ever found again. Filiberto de Oliveira Cézar (1856–1910), "Leyendas de los indios guaraníes" (1892), and Juan B. Ambrosetti (1865–1917), "Supersticiones y leyendas" (1917) — both public domain. These are Guaraní and Misiones legends from those two books, billed by their people and their collectors — not a survey of the whole of Paraguay. Of the Oliveira Cézar book's thirteen legends, two were built in Part 1 and one here; nine were set aside under the shelf's content register and one remains held for a ruling. Eleven further items from Ambrosetti's Misiones chapters were set aside under the same register, and two stand benched for Part 3; the full register is kept with the shelf's canon. Narrated by Benedetto. Music: opening and closing theme, "The River's Dying Vision". Chapters: 01:46 Roe-Choveg — The Blue Cold 08:48 The Wall of Teyú-Cuaré — The Lizard's Cave 12:56 The Wall of Suindá-Cuá — The Owl's Cave 14:51 The Stones of Santo Pi-pó — The Saint's Hands and Feet 15:40 The Stone Ita-Guaimí — The Old Stone 17:43 The Pueblo Emboré — The Hidden Town Guaraní folk tales · Paraguay folk tales · Guaraní legends · South American folk tales · Filiberto de Oliveira Cézar · Juan Bautista Ambrosetti · world folk tales · free audiobook

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  • S56 · E2
    October 20 · 26 min

    Palace Tales of Burma — Part 2: Fresh Butter and Salt

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Part Two of the shelf: the fourth story of Palace Tales (London and New York: Harper & Brothers, 1900) by H. Fielding — Harold Fielding Hall (1859–1917), who spent years in Burma in the government service and heard these stories in the palace world of Mandalay. Billed by author and book, as tales of the old Burmese court; not a survey of all Myanmar's peoples, and no completeness is claimed. For this part, every remaining tale of the book was read in full: three are set aside under the shelf's standing rule and stand named in the shelf register, and the book's other tales follow in later parts. Fresh Butter and Salt — a rainy night in the palace, the storm keeping everyone indoors, and the King calls for a story to make them laugh. The old tale-teller Maung Lat tells of a jungle village that had never seen butter, and of its two rival wise men, Maung Lon and Maung Ba Lu, each determined to be thought the cleverer. Maung Lon floors the village with a word he does not understand himself — "tawbat," butter — and both men slip away to the great city to find out what it means. One comes home certain that a tawbat is a small, round, green thing, very bitter; the other, that it is a huge animal, as high as a house and twice as wicked. Under the big tree the dispute nearly comes to blows — until the headman, who knows no more than anyone else, settles it for good: a young tawbat is a small green fruit, and when it is old, it is an animal. A gentle village comedy, read exactly as printed in 1900. Chapters: 0:00 Introduction 1:36 Fresh Butter and Salt H. Fielding, Palace Tales (London and New York: Harper & Brothers, 1900) — public domain. Narrated by Bruno. Music: opening and closing theme, "Pizzicato Childhood" — heard at the introduction and the close only; the tale itself is read dry. KacheliTV — world classics, read aloud. Burmese folk tales · Myanmar folk tales · folk tales of Burma · Palace Tales · H. Fielding · Mandalay palace tales · world folk tales · free audiobook

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  • S68 · E1
    October 20 · 28 min

    Tales of the Kanuri — Part 1 (A Priest Who Had a Heathen Friend · A Servant of God · A Cunning Girl)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Three stories of the Kanuri of Bornu, the old kingdom on the western shore of Lake Chad. A learned priest who knows every book refuses to take his one friend — a heathen who keeps none of the rules — with him to Mecca, and learns at the mosque gate which of the two our Lord counts a heathen. A Servant of God understands the speech of every beast, bird and rat in the house, until his wife makes him tell her why he laughs. And a cunning girl, set to twine thread for two rival suitors racing to sew a dress, settles the contest — and chooses her own husband — by the length of a thread. Source: S. W. Koelle, "African Native Literature, or Proverbs, Tales, Fables, & Historical Fragments in the Kanuri or Bornu Language" (London: Church Missionary House, 1854) — Section II, Stories Nos. 2, 3 and 5, read in book order. Koelle wrote the tales down word for word from Bornu tellers and printed them in Kanuri with his own English translation; this reading is a fresh English rendering of that printed translation, made for this episode. Public-domain text; the reading follows the Internet Archive copy of the 1854 edition. Notes on the reading: "heathen" is the tellers' own word in these stories — the word the first tale itself turns inside out — and is kept as they used it. The second story closes with the teller's own moral about secrets, kept whole as recorded. One further story of the same section was read in full and left out under this shelf's standing rule that stories turning on depicted violence are excluded rather than softened: No. 4, "An Old Man Who Had Six Sons", in which four sons die in turn — in battle, by hanging, by murder and by a robber's killing. The book's opening story, No. 1, "A Story about Friendship", is held for a separate ruling and is not read here. This Part 1 is a first selection from the book, not the complete Kanuri collection; the book's twelve fables remain for later parts. Narrated by Mira. Music: opening and closing theme, "Three_Pairs_of_Yellow_Eyes". Chapters: 00:00 Opening theme 01:32 A Priest Who Had a Heathen Friend 16:14 A Servant of God 21:29 A Cunning Girl 🎧 Podcast: https://rss.com/podcasts/kachelitv/

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  • S67 · E1
    October 20 · 17 min

    Folk Tales of the Solomon Islands — Part 1 (The Heron and the Turtle)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! A new shelf opens with three stories from the Solomon Islands, told whole from "The Melanesians: Studies in their Anthropology and Folk-lore," by R. H. Codrington, published at the Clarendon Press, Oxford, in 1891. Codrington translated his stories from manuscripts written for him by people of the islands themselves, and he printed the home of every story beside its title. Of the thirty-one stories in his chapter of stories, three carry Solomon Islands homes — one from Florida Island, and two from Bugotu, on Ysabel Island. Those three are told here, in the book's order. The Heron and the Turtle — a heron, its foot caught fast in the coral as the tide rises, is freed by a turtle for the price of a sea-urchin, and promises to return the favour. When the people of Hagelonga net the turtle and fence him in for tomorrow's cooking, the heron keeps its word the only way it can: it dances. Passage note, exactly as told: the turtle is caught and meant for the pot, but he is danced free before any harm is done; no killing is depicted. The Story of Kamakajaku — from his hill at Gaji, Kamakajaku sees the sea turn black, wades out to dip salt-water where the blackness lies, and is swallowed whole by a great kingfish, which carries him east to the rising of the sun. He wins free, follows the Sun to the village of the Sun's children, gives them fire for their food, and is let down to earth again on a cane. Passage note, exactly as told: Kamakajaku cuts the fish's belly open from inside with the obsidian in his ear and leaps out — a survival escape told in one line, with no gore and no human harm. The Story of Samuku — Samuku, scolded by his wife and sent to see his dead father and mother in Tuhilagi, paddles there alone, spends a night among the company of ghosts at the Ghosts' Mangroves, and is taken in by the people of another place, with whom he stays for the rest of his life. Of the book's thirty-one stories, three are told in this part — all three of the stories Codrington labels with Solomon Islands homes. The other twenty-eight carry other island homes in the book — the Banks Islands, the Torres Islands, the New Hebrides and their neighbours — and are not claimed for this shelf. No more than that is claimed. Chapters: 0:00 Introduction 1:50 The Heron and the Turtle 8:25 The Story of Kamakajaku 13:58 The Story of Samuku R. H. Codrington, The Melanesians: Studies in their Anthropology and Folk-lore (Oxford: Clarendon Press, 1891) — public domain. Narrated by Violetta. Music: opening and closing theme, "Three Pairs of Yellow Eyes" — heard at the introduction and the close only; the stories themselves are read dry. KacheliTV — world classics, read aloud. Solomon Islands folk tales · Melanesian folk tales · R. H. Codrington · Florida Island tales · Bugotu Ysabel Island · Pacific folk tales · world folk tales · free audiobook

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Showing 321–340 of 493 episodes