Skip to content
Artwork for KacheliTV

KacheliTV

KacheliTV

KacheliTV — the world's stories, read aloud.

Looking for a story to fall asleep to, to ride with on a long drive, or to share at bedtime? Start here.

We read the folk tales and classics of every culture on Earth — complete and unabridged, never excerpts — in fresh English translations, performed by our cast of voices. The fairy tales of Ireland and Japan. The legends of India and Nigeria. Jamaica, the Netherlands, the Cherokee, the Norse — and the Russia of Pushkin and Krylov. The stories your grandmother knew, and stories from shores you've never heard — every culture in the spotlight, no one missed.

New tales arrive every week. Pick a shelf, press play, and let the world's grandmothers talk you to sleep.

Free always — here and on every podcast app. Prefer no commercials? Find us on Apple Podcasts.

From The Dog You Chose LLC, Gulfport, Florida. Public-domain sources, told with respect.

Find us:

YouTube — https://www.youtube.com/@KacheliTVFlorida

Telegram — https://t.me/kacheliTV

Website — https://dogyouchose.com

The Dog You Chose books — https://www.amazon.com/dp/B0FYSTBLQ3

Our cast is a company of AI-generated voices, performing fresh in-house translations of public-domain works from every culture.

Play
  • 497 episodes
  • Avg 30 min
  • English
Counted on this page — what you have heard stays on this device, so it is not something the list can be paged by.
  • S19 · E15
    October 24 · 30 min

    Japanese Ghost Tales — Part 15 of 19 (Ikiryō · Shiryō · The Story of O-Kamé · Story of a Fly)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Part fifteen of nineteen. Four more of Lafcadio Hearn's Japanese ghost tales, in his own prose — Old Stories IV to VII of Kottō (1902). In Ikiryō, the shadow of a living woman — the hatred she never speaks aloud — leaves her body night after night to torment the clever young clerk she fears will ruin her son, until confession and distance cure them both. In Shiryō, the dead governor Nomoto Yajiyémon returns in the body of his maid-servant, reckons his own accounts in his own hand, and exposes the clerks who framed his widow and children. In The Story of O-Kamé, a wife who dies too young keeps her husband's promise for him — returning every night until a priest's service lets her rest. And in Story of a Fly, the thrifty maid Tama, who saved for her parents' memorial rites, comes back in the season of greatest cold as a great fly, and is given a funeral of her own. Hearn's own notes are spoken where he set them. The episode opens and closes with its theme, heard also briefly between the stories. Under the shelf's standard, one passage is carried without its depiction, per the exclusion register: in Ikiryō, the clerk's nightly torment is told without the strangling the book describes — the haunting, the confession, and the cure stand whole. Chapters 0:41 Ikiryō 9:18 Shiryō 14:37 The Story of O-Kamé 23:40 Story of a Fly From Kottō (1902) by Lafcadio Hearn, public domain — the ghost tales of Hearn's Japanese collections, told in his own order within each book, in Hearn's own prose, lightly modernized. KacheliTV — world classics, read aloud.

    • Transcript
  • S21 · E13
    October 24 · 29 min

    The Gatiloke — Part 13 of 23 (The Frog and the Ox · The Male Donkey Who Imitated the Puppy · The Young Man Who Kept a Cat · The Young Man Who Kept a Dwarf Dog · The Dog That Lost Its Master, and the Great Hermit)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! The Gatiloke moves into the book's sixth part. A frog at the pond puffs itself up to match the great ox, and bursts for the striving. A donkey, seeing his master hug the puppy, leaps to be hugged himself, and is beaten with a stick for his trouble. A young man's beloved cat is made a maiden and his wife, yet every night the mice draw her back to her old nature. A dwarf dog, beaten for a soaked bundle of rice, wishes himself into a stick, and then into fire, rain, wind, an anthill, a buffalo and a rope, until he is a dwarf dog again. And a lost dog, made a lion by a hermit's mercy, plots against the very hand that raised him, and is made a dog again. The episode opens and closes with The Cello's Unfinished Promise as its theme, heard also briefly between the stories. Chapters: 01:31 — The Frog and the Ox 04:52 — The Male Donkey Who Imitated the Puppy 07:56 — The Young Man Who Kept a Cat 12:50 — The Young Man Who Kept a Dwarf Dog 21:48 — The Dog That Lost Its Master, and the Great Hermit From the Gatiloke by Suttantaprija Ind (1859–1924), Cambodia's treasury of Khmer folk tales, first published in parts in Phnom Penh in 1914–1921 — public domain, and told here in a fresh in-house English rendering made from the Khmer text, in the book's own order. Earlier holds stand as recorded in the collection's written register and in the descriptions of Parts 1–12: the question-chapter of the rascal who should be feared; Bhikkhu Sok, the Pnong teacher; the Singha-To who wanted the chief's daughter; the crocodile and the cart-driver; the hunter and the parrot; the fable of the old woman whom desire unmade; the abbot and his two students; the deer, the crow and the jackal; and the jackal and the elephant — each held back under house rule until it is ruled on by name. One further tale of the book's fifth part — the tale of the lion and the frog — is likewise held back under house rule: its close is a death baited and celebrated in the tale's open scene, and such a tale is not read until it is ruled on; it stands recorded in the register, in its place. One further tale of the book's fifth part — the tale of the rabbit and the tigress — is likewise held back under house rule: its climax is a sexual act done by guile on a trapped and unwilling other, and such a tale is not read until it is ruled on; it stands recorded in the register, in its place. One further tale of the book's sixth part — the tale of the goatherd boy — is likewise held back under house rule: its close is a killing by beating in the tale's open scene, and such a tale is not read until it is ruled on; it stands recorded in the register, in its place. KacheliTV — world classics, read aloud.

    • Transcript
  • S23 · E13
    October 24 · 23 min

    Folk Tales of the Philippines — Part 13 (Juan and Maria · The Enchanted Prince · The Prince's Dream)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Three more tales from Dean S. Fansler's Filipino Popular Tales, in a fresh in-house rendering, told by Amos. Juan and Maria. A poor beggar couple's cruel father drives his two children from home, and the brother and sister find shelter with a kind old woman in the forest. A black deer gives Juan golden armor, and a fighting cock hatched from Maria's egg wins at the cockpit — and both children rise to crowns of their own. Told by Anicio Pascual of Arayat, Pampanga. The Enchanted Prince. A prince who loves a young witch is forced into another marriage, and the scorned witch turns his whole city into a forest and him into a monkey in the tallest tree. Four centuries pass before a heartbroken girl sits beneath that tree and loves him more than anything else. Told by Pedro D. L. Sorreta, a Bicol from Virac, Albay. The Prince's Dream. A young king dreams of his father's hidden treasure of gold and diamonds, and the dream sends him to the city of Black, across a river by sphinx boat, to the palace of the king of the demons — who will unlock the last diamond chamber only for a maiden whose heart is untainted by any worldly passion. Told by Gregorio Frondoso, a Bicol of Tigaon, Camarines. A note on this part. Juan and Maria is told at its source weight: the father's threats are speech only, never carried out, and the deer is killed at its own bidding, in a single summary passage, for the golden armor it promises. In The Enchanted Prince, two ladies who came before are said to have died of fright, and the girl beneath the tree wishes to die — both stated, neither attempted or dwelt on. In The Prince's Dream, the 1921 printing's period term for the wealthy man of the city of Black is rendered in neutral modern language throughout; the tale's demon king and ghost are folk figures, not sacred matter. This part makes no claim to the whole book: Tales 38 and 39 stand held and stopped before it, and Tale 43, The Wicked Woman's Reward, was stopped at this build's gate for the owner's by-name ruling, as Tales 17, 26, 27, 30 and 33 stand held or stopped from earlier gates. Storytellers: Anicio Pascual · Pedro D. L. Sorreta · Gregorio Frondoso. Chapters: 00:45 Juan and Maria 05:44 The Enchanted Prince 09:47 The Prince's Dream Source: Dean S. Fansler (ed.), Filipino Popular Tales, Memoirs of the American Folk-Lore Society, Vol. XII (1921), Project Gutenberg eBook #8299 — public domain; fresh in-house rendering. Fansler's comparative notes are not read. Music: opening and closing theme, "Cypress in the Soil 2", with the same theme as a short separator between stories; no music under the narration. This is KacheliTV.

    • Transcript
  • S15 · E15
    October 24 · 9 min

    Folk Tales of India — Part 15 of 81 (The Bald Wife)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! A husband loves his younger wife best, and the younger wife treats the elder cruelly — sets her to all the menial work, stints her food, and at last tears out the single tuft of hair on her head and drives her from the house. Bald and cast off, the elder wife walks into the forest, where every small kindness she shows on the road is answered with a blessing: the cotton plant, the plantain tree, the Brahmani bull's shed and the tulasi plant each give her a gift, and the muni in the forest gives her long jet-black hair, beauty, and a basket that never empties. She comes home rich and beautiful, and repays cruelty with kindness — but her younger wife, hearing how it was done, hurries to the forest to take the same road, and learns that a blessing taken greedily, and a second plunge taken against instruction, undoes itself. Stories: 00:35 The Bald Wife A note on what is not read here. This part tells its tale whole and uncut. The shelf as a whole makes no claim to completeness: five tales from the five source collections are excluded whole under the house law, and two items are held for the owner's ruling by name; all are named in the shelf's exclusion register, not silently dropped, and nothing excluded here touches this part. From Folk-Tales of Bengal by Lal Behari Day (1883), public domain; told in a modern in-house rendering. Music: instrumental opening and closing theme. KacheliTV — world classics, read aloud.

    • Transcript
  • S14 · E10
    October 24 · 29 min

    Popular Tales from the Norse — Part 10 of 14 (The Husband Who Was to Mind the House · Dapplegrim)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Two tales from Dasent's collection, read in first-edition order. First, "The Husband Who Was to Mind the House": a cross husband swears his wife does nothing right, so for one day they change work — she goes to the hay-field, and he minds the house. The churn, the ale-barrel, the pig, the cow on the thatched roof, the rope down the chimney and the porridge pot undo him one after another, until his goodwife comes home and cuts him down. Then "Dapplegrim": a youngest son takes twelve mares for his share, and the great dapple-grey foal who suckles them all grows into a horse without match in the world. On Dapplegrim's back — and by Dapplegrim's counsel at every pinch — the lad rides up a wall of glass to free the Princess from the Troll's hill, lets the sun into the king's hall, fetches Dapplegrim's own match out of Hell, and wins the hide-and-seek on which the wedding turns. Told as printed in Dasent's text. In "Dapplegrim", each year's foals are culled at the horse's own instruction, carried in a single summary clause each year with nothing shown; the wild beasts fall to fighting among themselves over the cast-out carcasses in one reported clause; and the king's threats against the lad are never carried out. In the first tale, the husband's kick leaves the pig lying as if dead in the middle of his disasters. Nothing in either tale is shown being killed, wounded or beaten in scene. Chapters: 00:35 Introduction 00:40 The Husband Who Was to Mind the House 05:51 Dapplegrim From Popular Tales from the Norse (first edition, 1859), translated by George Webbe Dasent from the tales collected by Peter Christen Asbjørnsen and Jørgen Moe — a fresh in-house modernised rendering. Narrated by Bruno. Music: opening and closing theme, "The River's Dying Vision 2", with a short excerpt between the stories. 🎧 Podcast: https://rss.com/podcasts/kachelitv/

    • Transcript
  • S8 · E59
    October 24 · 29 min

    The Thousand and One Nights — Noureddin Ali of Cairo and His Son Bedreddin Hassan — Part One of Five

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Two brother Viziers of Cairo, Shemseddin and Noureddin Ali, quarrel one night over the dowry of children not yet born — and by morning the younger has ridden out of Egypt with saddle-bags of gold and no thought of return. In Bassora the old Vizier takes him into his house, gives him his daughter, and in time lays the vizierate itself at his feet. On the same night, in Cairo and in Bassora, the two brothers wed; on the same day their wives bear a daughter and a son — the very cousins of the quarrel. Young Bedreddin Hassan grows up in his father's palace, the marvel of Bassora, and at fifteen receives from his dying father the written secret of his birth and five behests for his life. Part One of Five. A note on what is not read here. In Payne's book this tale is told by the Vizier Jaafer inside "The Three Apples". That frame tale is not read in this programme: a husband's murder of his wife is its plot engine, and it is excluded whole under this shelf's rule that violent tales are excluded, never softened. No completeness is claimed for that stretch of the book. The tale of Bedreddin Hassan itself is read whole in five parts, in Payne's order; Part One is read entire, with no passage cut. Chapters: 00:35 Introduction 01:21 Noureddin Ali of Cairo and His Son Bedreddin Hassan — Part One Fresh in-house rendering from John Payne's translation, The Book of the Thousand Nights and One Night (1882–84). Music: "Avian Impressions" (instrumental) — opening and closing theme, with a short excerpt at the tale's scene break. KacheliTV — world classics, read aloud.

    • Transcript
  • S7 · E12
    October 24 · 32 min

    Fairy and Folk Tales of the Irish Peasantry — Part 12 of 25 (Bewitched Butter (Donegal) · The Horned Women · The Witches' Excursion · The Confessions of Tom Bourke — Part One)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Four pieces from W. B. Yeats's Fairy and Folk Tales of the Irish Peasantry (1888), read in the order Yeats printed them, from the section "Witches, Fairy Doctors". First, "Bewitched Butter (Donegal)" by Letitia Maclintock: the Hanlons' Kerry cow gives no more milk after Grace Dogherty has milked her, and nine new pins boiled in a pint of the milk bring the truth knocking at the door. Then "The Horned Women" by Lady Wilde: twelve witches, horned from one to twelve, come carding and spinning by night, until the Spirit of the Well teaches the mistress of the house how to break their spells and bar the door against them. Next, "The Witches' Excursion" by Patrick Kennedy: Shemus Rua snatches his housekeeper's red cap, cries the flying charm, and soars to a castle cellar in England — and very nearly pays for the journey on the gallows. Last, "The Confessions of Tom Bourke" (Part One) by T. Crofton Croker: Tom Bourke of Kilworth, farmer and fairy doctor, begins his confessions with the cure of his little son, given over by the physicians — the night in the cow-house, his father's ghost at the bedside, and the goat that dropped dead at sunrise. A note on what is not read here. Between the first and second of these pieces Yeats prints three more witch tales — "A Queen's County Witch", "The Witch Hare", and "Bewitched Butter (Queen's County)". They are not read in this programme: each turns on a violent death told in scene — a witch whipped into the open and dying in torment while her cabin is burned, a hare shot and tracked by its blood, and an old woman set upon by dogs and found dying in her own blood. No completeness is claimed for that stretch of the section. "The Confessions of Tom Bourke" is a long piece and is read in two parts; it continues in Part Thirteen. Chapters: 00:35 Introduction 01:38 Bewitched Butter (Donegal) 04:24 The Horned Women 10:03 The Witches' Excursion 15:42 The Confessions of Tom Bourke — Part One From Fairy and Folk Tales of the Irish Peasantry, edited by W. B. Yeats (1888), public domain; told in a fresh in-house rendering. Music: "Spotlight After Midnight — Slow Pulse" (instrumental) — opening and closing theme, with a short excerpt between stories. KacheliTV — world classics, read aloud.

    • Transcript
  • S16 · E21
    October 24 · 20 min

    Fairy Tales of Japan — Part 21 of 24 (Lord Cuttle-Fish Gives a Concert · Yorimasa, the Brave Archer · Watanabe Kills the Great Spider)

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Three more tales from old Japan continue the shelf's second book — William Elliot Griffis's Japanese Fairy World, in a shelf that brings together the two founding English collections, Ozaki's and Griffis's, read in full, in their own order. First, Lord Cuttle-Fish Gives a Concert: the Queen of the World under the Sea, well again after her long illness, hears strange music from the mansion of her palace physician, slips out with only her two maids, and from a green rock above his garden watches Lord Cuttle-Fish play three instruments at once — guitar, shoulder-drum and bass drum — while a lobster holds his candle and the tai, the gar-fish, the frog and the scandalised mackerel sing the chorus. Then, Yorimasa, the Brave Archer: the emperor Narahito cannot sleep for the frightful night-beast — monkey-headed, tiger-bodied, serpent-tailed — that howls and scratches on the palace roof, and Yorimasa, newly made chief guard, strings his bow and keeps the stormy night watch with his faithful retainer. Last, Watanabe Kills the Great Spider: Raiko lies sick while the three-eyed imp Mitsume Kozo plagues his chamber; his men follow the trail to a cavern in the mountains and find what waits there, and Raiko, recovered, receives the mikado's commission and sets out in disguise with his four trusty men. A note on the second and third tales. In Yorimasa, the stroke itself is not read here: the passage that tells the shot and the beast's end is left unread, and the tale passes from the night watch to the congratulations, the famous sword and the marriage, which stand complete. In Watanabe Kills the Great Spider, the strokes are likewise not read here: Raiko's sword-cut and the fight in the cavern are left unread, and the tale passes from the spider found in the gloom to the triumphant return and the feast, which stand complete. No completeness is claimed for those passages. Chapters: 00:35 Introduction 01:31 Lord Cuttle-Fish Gives a Concert 14:03 Yorimasa, the Brave Archer 17:08 Watanabe Kills the Great Spider From Japanese Fairy World by William Elliot Griffis (1880), public domain; told in fresh in-house renderings. Music: "Desert Cello Rhapsody" (instrumental) — opening and closing theme, with a short excerpt between stories. KacheliTV — world classics, read aloud.

    • Transcript
  • S106 · E4
    October 24 · 21 min

    Madagascar Tales — Part 4: The Cow and the Sow · The Rat and the Kinaoly · The Hen and the Rat · Better to Die than to Be Ashamed · The King Who Wanted a Child

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Six tales from Madagascar, collected by Charles Renel and published in Paris in 1910 in his Contes de Madagascar — heard in English in a fresh translation made for this series, from Tsimihety, Bara, Betsimisaraka, Tanala and Betsileo storytellers. A cow and a sow hold a beauty contest in a village street. A kinaoly dances his way out of danger. Two birds squeeze each other's heads into new shapes. A hen scatters grain in the dark for a friend who cannot feed by day. A plain youngest son wins the bride his handsome brothers could not — and a seed planted by a king's youngest daughter grows into a tree that bears silver, coral and pearls instead of fruit. Stories in this episode: 0:35 Introduction 1:34 The Cow and the Sow 3:11 The Rat and the Kinaoly 6:01 Ratakatra and Ratsintsina 7:41 The Hen and the Rat 9:03 Better to Die than to Be Ashamed 13:18 The King Who Wanted a Child Source: Contes de Madagascar, collected by Charles Renel (Ernest Leroux, Paris, 1910) — public domain; translated from the French for KacheliTV. Narrated by Benedetto. Music: "Pastoral Awe" (instrumental) — opening and closing theme, with a short excerpt between stories. Madagascar tales, Malagasy folklore, Charles Renel, the cow and the sow, the king who wanted a child, African folk tales, bedtime stories, KacheliTV

    • Transcript
  • S122 · E1
    October 24 · 21 min

    Ainu Tales — Part 1: The Origin of the Hare · The Owl and the Tortoise · How a Man Got the Better of Two Foxes · The Two Foxes, the Mole, and the Crows · The Stolen Charm · The Fox and the Tiger · The Punishment of Curiosity

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Seven Ainu folk tales as taken down in Hokkaidō in 1886 and rendered in English by Basil Hall Chamberlain in Aino Folk-Tales (London, 1888) — the opening episode of a new shelf, drawn from the tales told to Chamberlain by Penri of Piratori, Ishanashte, Kannariki and Kuteashguru, and freshly rendered for this series. Snowballs pelted by the children of the sky become the first hares, white-bodied and black-eared. The owl of the land and the tortoise of the sea marry their children, and settle who eats the river fish. A man overhears two foxes plotting a horse-swap, runs the trick himself, and buys his life back with a promise. Two foxes in human shape trade counterfeit treasures in a village that is itself a counterfeit, and are sent home to fruit and friendship. A puppy, a fox-cub and a rat dance before an ogre while the stolen charm is nibbled out of its box. The fox outruns and outroars the tiger without moving a paw. And one man's curiosity, reaching through a window, costs a whole people their provider. Stories in this episode: 0:35 Introduction 1:52 The Origin of the Hare 3:26 The Owl and the Tortoise 4:28 How a Man Got the Better of Two Foxes 8:53 The Two Foxes, the Mole, and the Crows 12:36 The Stolen Charm 16:31 The Fox and the Tiger 18:58 The Punishment of Curiosity Source: Aino Folk-Tales (London, 1888) by Basil Hall Chamberlain — public domain; fresh in-house English rendering. Narrated by Lulu. Music: "Istanbul Cello Nocturne" (instrumental) — opening and closing theme, with a short excerpt between stories. Ainu folk tales, Ainu Tales, Basil Hall Chamberlain, Aino Folk-Tales, Hokkaido folklore, fairy tales, animal tales, trickster tales, KacheliTV

    • Transcript
  • S123 · E1
    October 24 · 32 min

    Tatar Tales — Part 1: The Prince's Son Who Went Seeking the Bird · The Hare · The Two Ears of Wheat · The Three Sons

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Four Tatar folk tales from the fourth part of Vasily Radlov's Proben, published at St. Petersburg in 1872 — the opening episode of a new shelf. Radlov collected these tales from the Siberian Tatars — the Baraba Tatars and the Tatars of the Tara, Tobolsk and Tyumen districts — and printed his own German translation beside the Tatar texts; the English here is freshly rendered in-house from his German. A great bird carries off a ruler's storehouses of gold and silver, and the youngest son follows it down the road of no return — where his brothers drive the grey wolf away and are left eating their shoes, the youngest shares his dinner with it, and the wolf's kindness carries him through the bird, the seven horses, the golden zither and the prince's daughter, until every prince gives his prize away for nothing. A hunter builds his whole fortune on a hare he has not shot yet. Two ears of wheat tell the truth about who will eat them. And three brothers — a carpenter, a shoemaker, and the youngest, who spent his whole inheritance on a mirror that outshines the sun — feed and clothe a prison full of starving men, and set them free. Stories in this episode: 0:35 Introduction 1:59 The Prince's Son Who Went Seeking the Bird 17:53 The Hare 19:11 The Two Ears of Wheat 21:07 The Three Sons Source: Proben der Volkslitteratur der türkischen Stämme, Part IV (St. Petersburg, 1872) by Vasily Radlov — public domain; fresh in-house English rendering from Radlov's German translation. Narrated by Mira. Music: "Blazing Fire" (instrumental) — opening and closing theme, with a short excerpt between stories. Tatar folk tales, Tatar Tales, Vasily Radlov, Siberian Tatar, fairy tales, wonder tales, trickster tales, bedtime stories, KacheliTV

    • Transcript
  • S115 · E4
    October 23 · 19 min

    Faroese Folk Tales — Part 4: Marjun and the Magic Scythe · The Summoning of the Rats · Olavur and the Driftwood Tree · The Crow's Daughter · The Runaway Pot

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Faroese Folk Tales — Part 4: Marjun and the Magic Scythe · The Summoning of the Rats · Olavur and the Driftwood Tree · The Crow's Daughter · The Runaway Pot Part Four of KacheliTV's Faroese Folk Tales — five more tales in a fresh English translation from Jakob Jakobsen's Færøske Folkesagn og Æventyr (Copenhagen, 1898–1901), the great collection of the legends and fairy tales of the Faroe Islands. Marjun of Ordavik, called Wise Marjun, sets the young man who loves her foster-daughter a hard condition: he must mow the whole home-field without whetting his scythe even once. A kindly neighbour lends him a wondrous scythe — with one strange warning: never look at the edge. Then, an Icelander strong in magic is hired to rid two island groups of their rats, and reads the great summoning at Baktangi — but when the rats are all gathered, the men of Eysturoy try to break their bargain. Olavur in the Parlour, the rich and clever man of Kvannasund, is refused the great driftwood tree he wants for his new smoke-room, and pays the Svinoy men back with three tides of conjured surf. The Crow's daughter eats so daintily at table — half an egg yolk, picked out with a pin — that her suitor thinks her a wife who will be light to feed; what he sees through a hole in the smoke-room wall at midnight tells another story. And a poor couple trade their only cow for a little crock pot that runs out of the house every morning — and comes home each time fuller than it went. Stories in this episode: 0:35 Introduction 1:49 Marjun and the Magic Scythe 4:38 The Summoning of the Rats 6:58 Olavur and the Driftwood Tree 10:28 The Crow's Daughter 12:48 The Runaway Pot Source: Færøske Folkesagn og Æventyr, collected and edited by Jakob Jakobsen (Copenhagen, 1898–1901) — Sagn No. 74 (More about Marjun Lavarsdóttir), Sagn No. 84 (The Summoning of the Rats), Sagn No. 87 (Ólavur in the Parlour), Æventyr No. 20 (The Crow's Daughter) and Æventyr No. 28(a) (The Pot That Ran Away), in a fresh English translation made for KacheliTV. Narrated by Orson. Music: "Blazing Fire" (instrumental) — opening and closing theme, with a short excerpt between stories. Keywords: Faroe Islands folklore, Faroese folk tales, Jakob Jakobsen, fairy tales audiobook, Scandinavian folklore, folk tales podcast, storytelling, magic scythe, runaway pot

    • Transcript
  • S121 · E1
    October 23 · 21 min

    Romani Tales — Part 1: The Snake Who Became the King's Son-in-Law · The Hen That Laid Diamonds · The Five Trades · Winter

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Romani Tales — Part 1: The Snake Who Became the King's Son-in-Law · The Hen That Laid Diamonds · The Five Trades · Winter Four Romani folk tales as collected and rendered in English by Francis Hindes Groome in Gypsy Folk-Tales (London, 1899) — the opening episode of a new shelf, drawn from the tales Groome gathered from Romani tellers and the collectors who wrote them down across Europe, and freshly rendered for this series. A childless old couple raise a little snake on sweet milk, and the snake asks for a king's daughter — then fells a forest in a night, ripens a field of millet by daybreak, and builds a golden bridge with golden fruit trees, before he casts his shape at the wedding house and stands revealed. A poor man's hen lays diamond eggs, and the gifts written on the third egg — an emperorship, a fortune every night, and the seer's sight — go not to the merchant who schemes for them but to the three sons who shared the hen. A sailor invites four working men aboard his ship, and every one of them has a trade to be about. And a poor old woman gives her whole stocking of winter savings to the beggar who says his name is Winter — and gets it back, with interest, out of a tree. Stories in this episode: 0:35 Introduction 2:08 The Snake Who Became the King's Son-in-Law 9:45 The Hen That Laid Diamonds 18:47 The Five Trades 19:55 Winter Source: Gypsy Folk-Tales (London, 1899) by Francis Hindes Groome — public domain; fresh in-house English rendering. Narrated by Magnolia. Music: "Winterstille" (instrumental) — opening and closing theme, with a short excerpt between stories. Romani folk tales, Romani Tales, Francis Hindes Groome, Gypsy Folk-Tales, fairy tales, wonder tales, trickster tales, bedtime stories, KacheliTV

    • Transcript
  • S79 · E4
    October 23 · 24 min

    Italian Popular Tales — Part 4: Godmother Fox · A Feast Day · The Three Brothers · The Cook · The Thoughtless Abbot

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Italian Popular Tales — Part 4: Godmother Fox · A Feast Day · The Three Brothers · The Cook · The Thoughtless Abbot Part Four of the Italy shelf: Italian popular tales, from Italian Popular Tales (Boston and New York: Houghton, Mifflin and Company, 1885) by Thomas Frederick Crane (1844–1927), Professor of the Romance Languages in Cornell University, who collected these stories from the great Italian collections of his day — above all the Sicilian tales of Giuseppe Pitrè of Palermo, to whom the book is dedicated — and translated them into English himself. Billed by collector and book, as the tales Crane gathered; not a survey of all Italian tradition, and no completeness is claimed. The tales were screened in the order they stand in Crane's book under this shelf's standing rule, and a great many were set aside — every one stands named, with its reason, in the shelf register. Godmother Fox — a little fox's well-furnished house is carried away by Godmother Goat, and every animal in turn tries to win it back, until the smallest of them all, the mouse, speaks up. A Feast Day — a boatman's wife leaves the fowl boiling and goes to hear a mass; the cat and the dog eat it all, and then stick fast, one to another, under the kitchen beams — and so does everyone who tries to pull them free. The Three Brothers — a nonsense tale in which two brothers have no clothes and one has no shirt, the guns are broken or have no barrel, the hare was never caught, and the pot has no bottom. The Cook — a lord who eats and drinks without thinking is set three impossible questions by the king, and his cook answers them all with the skin of an ass and a cart-load of rope. The Thoughtless Abbot — a rich abbot who never had a thought must count all the stars in heaven in three days and three nights, and his old servant counts the hairs on an ox-hide instead. Chapters: 0:35 Introduction 2:47 Godmother Fox 5:30 A Feast Day 11:50 The Three Brothers 15:13 The Cook 17:31 The Thoughtless Abbot Thomas Frederick Crane, Italian Popular Tales (Houghton, Mifflin and Company, 1885) — public domain. Narrated by Felix. Music: opening and closing theme, "Urgent Rhythms," also heard as a short separator between the stories — the tales themselves are read dry. KacheliTV — world classics, read aloud. Italian folk tales · Italy fairy tales · Thomas Frederick Crane · Italian Popular Tales · Giuseppe Pitrè · Godmother Fox · A Feast Day · The Thoughtless Abbot · free audiobook

    • Transcript
  • S120 · E1
    October 23 · 23 min

    Sámi Tales — Part 1: The Salmon and the Perch · The Wild and the Tame Animals · The Sea People · The Mermaid · The Kadnihak

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Sámi Tales — Part 1: The Salmon and the Perch · The Wild and the Tame Animals · The Sea People · The Mermaid · The Kadnihak Five tales of the far north from the collection of Jens Andreas Friis (1821–1896), the Norwegian scholar who lived among the Sámi of Finnmark and took their stories down from their own telling — printed at Christiania in 1871 and heard here in a fresh English rendering made for this series. This episode opens the shelf: folk tales only, from the tales-and-legends half of Friis's book. A salmon who is certain no fish alive can outswim him is pricked, challenged and outboasted by a little red perch with fins like needles. A boy on the road warns every animal bound for the priest's wedding — and that is why some animals are wild and free to this day, and others are tame. A quiet boy is rowed through the fog-roof to the town of the sea people, where his own people's fishing looks very different from below. A mermaid combing her hair on a rock rewards the brother who would not let her be shot. And the underground Kadnihak come driving in a noisy train toward the tents, and are turned back by an old woman's words. Stories in this episode: 0:35 Introduction 2:19 The Salmon and the Perch 4:37 The Wild and the Tame Animals 9:32 The Sea People 16:05 The Mermaid 19:44 The Kadnihak Source: Lappisk Mythologi, Eventyr og Folkesagn (Christiania, 1871) by Jens Andreas Friis — public domain; fresh in-house English rendering from the Norwegian. Narrated by Bruno. Music: "2-23" (instrumental) — opening and closing theme, with a short excerpt between stories. Sámi folk tales, Sámi tales, Jens Andreas Friis, Arctic folk tales, Norwegian folklore, mermaid tale, animal tales, bedtime stories, KacheliTV

    • Transcript
  • S106 · E3
    October 23 · 31 min

    Madagascar Tales — Part 3: The Leper Who Stole a Gourd · The Rendezvous · The Two Companions and the Thirty Piastres · Ankamantatra · The Guinea Fowl and the Caiman · The Rat and Andriandahy

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Madagascar Tales — Part 3: The Leper Who Stole a Gourd · The Rendezvous · The Two Companions and the Thirty Piastres · Ankamantatra · The Guinea Fowl and the Caiman · The Rat and Andriandahy Fifteen tales from Madagascar, collected by Charles Renel and published in Paris in 1910 in his Contes de Madagascar — heard in English in a fresh translation made for this series, from Tanala, Sakalava, Betsimisaraka, Tsimihety and Antankarana storytellers. A leper steals a gourd and cannot put it down. Two companions argue for two hours over thirty piastres they do not have. A goat turns out to be a man, an ox and a dog all at once. A snake lends his eyes and never gets them back. A guinea fowl goes to a funeral that is not one — and a rat, having cured a chief's son, chooses the strangest reward ever granted. Stories in this episode: 0:35 Introduction 1:58 The Leper Who Stole a Gourd 4:02 The Rendezvous 6:18 The Man Without Teeth 7:28 Men and Women 8:21 The Two Companions and the Thirty Piastres 10:16 Ankamantatra 12:10 The Three Brothers and the Stone 13:50 The Three Men 15:25 Ratsibiloka and Ratsiririatra 17:10 Ratakatra and Rafihiaka 20:09 The Guinea Fowl and the Caiman 24:04 The Vintsy and the Kankafotra 26:11 The Guinea Fowl and the Hen 27:57 The Guinea Fowl and the Cock 29:38 The Rat and Andriandahy Source: Contes de Madagascar, collected by Charles Renel (Ernest Leroux, Paris, 1910) — public domain; translated from the French for KacheliTV. Narrated by Madame de Pamplemousse. Music: "Pastoral Awe" (instrumental) — opening and closing theme, with a short excerpt between stories. Madagascar tales, Malagasy folklore, Charles Renel, guinea fowl and the caiman, Ankamantatra, African folk tales, bedtime stories, KacheliTV

    • Transcript
  • S115 · E3
    October 23 · 23 min

    Faroese Folk Tales — Part 3: Guttormur, the Lawman's Son · Kolvur and the Sheep Thieves · Rasmus of Oyri · Daniel's Fishing Ground · Anfinnur and His Sons · The Lawman's Daughter · The Scarlet Jacket

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Faroese Folk Tales — Part 3: Guttormur, the Lawman's Son · Kolvur and the Sheep Thieves · Rasmus of Oyri · Daniel's Fishing Ground · Anfinnur and His Sons · The Lawman's Daughter · The Scarlet Jacket Seven more tales from the Faroe Islands, from Jakob Jakobsen's Faroese Folk Legends and Fairy Tales (1898–1901), in a fresh translation made for KacheliTV. A lawman's son carries a silver cup of coins to a king on one outstretched arm — and a queen's kindness turns his errand into a fortune. Kolvur catches sheep thieves with a pot of boiling broth and a soundly locked door. Rasmus of Oyri finds a small hairy fish in a boat that is no fish at all, and a silver cup no one can explain. Daniel marks out a fishing ground that no other boat can find. Anfinnur's eight sons quarrel over a drifted chest of fine cloth — and a mantle fit for a lord's lady undoes them all. A lawman's daughter hides in a turf stack while a French man-of-war anchors below her father's farm. And a shepherd who borrows a scarlet jacket with gold buttons must run the race of his life across the hills of Sondum, with its owner striding after him. Stories in this episode: 0:35 Introduction 2:12 Guttormur, the Lawman's Son 6:53 Kolvur and the Sheep Thieves 8:52 Rasmus of Oyri and the Hairy Fish 10:26 Daniel's Fishing Ground 12:05 Anfinnur and His Sons 14:49 The Lawman's Daughter 18:33 The Shepherd of Sondum and the Scarlet Jacket Source: Færøske Folkesagn og Æventyr (Faroese Folk Legends and Fairy Tales), edited by Jakob Jakobsen (S. L. Møllers Bogtrykkeri, Copenhagen, 1898–1901) — public domain. The translation was made fresh for KacheliTV from Jakobsen's Faroese text. Narrated by Scratch. Music: "Wind Swept Flight" (instrumental) — opening and closing theme, with a short excerpt between stories. Faroese folk tales, Faroe Islands, Jakob Jakobsen, hidden folk, sheep thieves, fishing ground, folk tales, bedtime stories, KacheliTV

    • Transcript
  • S79 · E3
    October 23 · 24 min

    Italian Popular Tales — Part 3: The Shepherd Who Made the King's Daughter Laugh · The Peasant and the Master · The Treasure · The Shepherd · Vineyard I Was and Vineyard I Am · The Parrot · Mr. Attentive · The Story of the Barber

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Italian Popular Tales — Part 3: The Shepherd Who Made the King's Daughter Laugh · The Peasant and the Master · The Treasure · The Shepherd · Vineyard I Was and Vineyard I Am · The Parrot · Mr. Attentive · The Story of the Barber Part Three of the Italy shelf: Italian popular tales, from Italian Popular Tales (Boston and New York: Houghton, Mifflin and Company, 1885) by Thomas Frederick Crane (1844–1927), Professor of the Romance Languages in Cornell University, who collected these stories from the great Italian collections of his day — above all the Sicilian tales of Giuseppe Pitrè of Palermo, to whom the book is dedicated — and translated them into English himself. Billed by collector and book, as the tales Crane gathered; not a survey of all Italian tradition, and no completeness is claimed. The tales were screened in the order they stand in Crane's book under this shelf's standing rule, and a great many were set aside — every one stands named, with its reason, in the shelf register. The Shepherd Who Made the King's Daughter Laugh — a poor shepherd finds a ring that makes whoever wears it sneeze without stopping, and wins a princess who has not laughed for years; then, from prison, a basket of black and white figs wins back his stolen treasures one by one. The Peasant and the Master — a jest about mice, who cannot eat a poor man's cheese but can eat the points of his master's ploughshares. The Treasure — a story that cannot be finished until ten million million ants have crossed a river one by one in a nutshell boat. The Shepherd — a story that must wait, too, for the sheep to get over the stream. Vineyard I Was and Vineyard I Am — a steward's wife, suspected in silence, answers in a verse, and a king's oath proves her innocent. The Parrot — a viceroy, changed into a parrot, keeps a merchant's daughter from every visitor with the promise of a story, until her father comes home. Mr. Attentive — the story that lasts a long time and is never explained. The Story of the Barber — a nursery trifle, very short indeed. Chapters: 0:35 Introduction 2:50 The Shepherd Who Made the King's Daughter Laugh 13:17 The Peasant and the Master 14:48 The Treasure 16:09 The Shepherd 16:53 Vineyard I Was and Vineyard I Am 19:22 The Parrot 22:05 Mr. Attentive 23:11 The Story of the Barber Thomas Frederick Crane, Italian Popular Tales (Houghton, Mifflin and Company, 1885) — public domain. Narrated by Mira. Music: opening and closing theme, "Desert Cello Rhapsody," also heard as a short separator between the stories — the tales themselves are read dry. KacheliTV — world classics, read aloud.

    • Transcript
  • S92 · E3
    October 23 · 27 min

    Patrañas: Spanish Stories, Legendary and Traditional — Part 3: What Ana Saw in the Sunbeam

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! One long story from Patrañas, Rachel Harriette Busk's collection of Spanish stories, legendary and traditional (London, 1870), read in the book's own order after Part Two. Ana lies on the thyme-bed and looks through the sunbeams, and tells her little friend Lolita what she sees there: the little sprites who paint the flowers, teach the insects to hum and the birds to sing — and the story of Pura, the poor orphan girl the sprites never forgot, whose lace they wove, whose great stew they cooked, whose wedding sweet they perfumed, and whose three poor guests taught her husband a lesson he never forgot. In this part: 0:35 — Introduction 2:00 — What Ana Saw in the Sunbeam Source: Rachel Harriette Busk (1831–1907), Patrañas; or, Spanish Stories, Legendary and Traditional (London: Griffith and Farran, 1870) — public domain. The stories were screened in the order they stand in the book under this shelf's standing rule; those set aside or held stand named, with their reasons, in the shelf register, and the book's saints' legends and religious legends remain held for a separate ruling. Music: the instrumental theme "Tampa Across the Water" is heard at the opening and the close. There is no music under the reading. KacheliTV — world classics, read aloud.

    • Transcript
  • S107 · E3
    October 23 · 21 min

    Zulu Tales — Part 3: Umkatshana · Unthlangunthlangu

    Got something to say to this podcast? Send a voicemail, and you might hear yourself on the next episode! Zulu Tales — Part 3: Umkatshana · Unthlangunthlangu Two more tales of the Zulus, taken down in their own words and translated by the Reverend Canon Henry Callaway for his Nursery Tales, Traditions, and Histories of the Zulus (1868) — stories told in the kraals of Natal, many of them by women to children. Umkatshana follows a rheebuck down a hole in the earth and comes to the people who live beneath, where his own friends send him home again. And in Unthlangunthlangu, a king's chief wife, pregnant for years while the other wives bear and rear their children, at last gives birth to a great snake — which is cast into a pool and left, while the king and his people fly to another country and leave the mother behind. But the snake in the pool is not what it seems, and one day ten beautiful children ride out on oxen raised from bones, crying at every village gateway: "We are seeking for our mother." Stories in this episode: 0:35 Introduction 1:30 Umkatshana 3:55 Unthlangunthlangu Source: Nursery Tales, Traditions, and Histories of the Zulus, collected and translated by Henry Callaway (Trübner and Co., 1868) — public domain. Narrated by Lulu. Music: "Golden Monologue" (instrumental) — opening and closing theme, with a short excerpt between stories. Zulu tales, Zulu folklore, Henry Callaway, Umkatshana, Unthlangunthlangu, African folk tales, bedtime stories, KacheliTV

    • Transcript
Showing 241–260 of 497 episodes