
transcript
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One of the most important documents we posses about J.S. Bach— indeed the first biographical writing— is his obituary, written by his son, C.P.E., and his student, Agricola.
Also referred to as the ‘Nekrolog,’ the obituary appeared in Mizler’s (yes, the Society of Musical Sciences gentleman) publication, Musikalische Bibliothek, in its very last installment.
In this brief portrait of the greatest composer, we are struck by the renown of his family tree, the unanimous admiration of all those who heard Bach, but ultimately by the humility of his spirit despite his towering achievements.
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The obituary is also important because it contains Bach’s ‘first list of works.’ The five cantata cycles and five passions mentioned in the list are addressed in this article on Bach’s missing works:
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