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Witches, Bitches, and Sluts

Xtina Rose

Witch. Bitch. Slut. These are just a sample of the many names women have been called throughout history through today.


Witches, Bitches, and Sluts is a twice-weekly show about how women get discredited through these labels, and why the false version so often outlives the real one. Every week, Xtina Rose digs into how women get reduced to one word. Some episodes tell one woman's story — the accusation, the truth, and why the myth stuck. Others go deeper into the research behind the pattern.


Rigorously researched, casually told — this isn't a lecture, it's the conversation you'd have with a friend who did way too much reading before showing up.

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  • 24 episodes
  • weekly
  • Avg 39 min
  • English
Counted on this page — what you have heard stays on this device, so it is not something the list can be paged by.
  • S1 · E14
    Monday · 55 min

    Putting the Witch Label on Trial Part 2: Permission to Burn

    "Some were prostitutes, but perhaps the saddest part of the case is that some were not." That's how a prosecutor talked about the women murdered by the Yorkshire Ripper, and it's exactly what this episode is about: not what a label says about a woman, but what it gives other people permission to do to her. Content Note: This episode discusses torture, murder, a massacre of civilians, and sexual violence. Please take care of yourself while you listen In Part 2, host Xtina Rose asks three questions. First, how does a label turn ordinary people into persecutors? We dig into the psychology of cruelty, from the Stanford Prison Experiment and Milgram's shock studies to My Lai, the surprising science of sadism, and one overheard word that made people punish strangers harder. Then, how did the witch go from a death sentence to a costume and a rallying cry? From Wicca and the feminists who hexed Wall Street to where the broom, the pointed hat, the cauldron, the black cat, and the green face really came from. And finally, what does the word still give people permission to do? "Ditch the witch," "witch hunt" as a shield for powerful men, and the women still being killed as witches this year. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E13
    Saturday · 40 min

    Bathsheba Sherman: The Conjuring of a Witch

    In The Conjuring, Bathsheba Sherman is a Satanist who sacrificed her baby and cursed the land before hanging herself. The real Bathsheba was a Rhode Island farm wife who died of a stroke at 73, and nobody said a bad word about her until 88 years after her death. Host Xtina Rose goes back to the records: the census, the will, the gravestones, and the three young children Bathsheba actually lost. We trace how a frightened family, two famous paranormal investigators, and a Hollywood blockbuster turned an ordinary grandmother into one of horror's best-known villains, why the movie's link to the Salem witch trials is backward, and how the legend got her real headstone smashed. Plus the true story of Prudence Arnold, the Warrens' track record, and the strange afterlife of the "Conjuring house." Content Note: This episode discusses the deaths of young children, suicide, and demonic possession. Please take care of yourself while you listen. If you're struggling, you can call or text 988. Please be kind: Bathsheba Sherman's grave is real, and people have vandalized it before. If you visit the Harrisville Cemetery, treat it with respect. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E12
    October 26 · 51 min

    Putting the Witch Label on Trial - Part 1: Making of a Witch

    "All witchcraft comes from carnal lust, which is in women insatiable." A Dominican inquisitor wrote that in 1486, and over the next three centuries, tens of thousands of people, most of them women, were executed as witches. After three episodes in Salem, host Xtina Rose zooms all the way out to find out how the witch was made. We start with an Old English word that had a male and a female form, then go through five hundred years when the church officially called witchcraft a delusion and a Christian king made burning a witch a capital crime. From there, the story turns: heresy hunters, a papal bull, and the Malleus Maleficarum built a new figure, the devil-worshipping woman in a secret conspiracy. We walk into the torture chambers of Nördlingen and ask whether the men doing it enjoyed it, find out why the Spanish Inquisition became the skeptic in the room, test whether the witch hunts were really a war on women healers, and finally answer the question from the Bridget Bishop episode: were women who owned land more likely to be called witches? Content Note: this episode includes detailed descriptions of torture, including the torture of a pregnant woman and sexual violence against women during interrogation, as well as execution by burning and hanging. Please take care of yourself while you listen. Look these up The Malleus Maleficarum, Montague Summers's 1928 translation: https://standardebooks.org/ebooks/heinrich-kramer/malleus-maleficarum/montague-summers Johann Linden's eyewitness account of the Trier witch hunt: https://history.hanover.edu/texts/trier.html Johannes Junius's letter to his daughter (Bamberg, 1628): https://en.wikipedia.org/wiki/Johannes_Junius Rebekka Lemp's letters from prison, translated by Brian Pavlac: https://www.brianpavlac.org/witchhunts/lempletters.html Friedrich Spee, Cautio Criminalis (1631), excerpt: https://germanhistorydocs.ghi-dc.org/pdf/eng/82_Spee_ENG.pdf The Survey of Scottish Witchcraft, University of Edinburgh (search the accused): https://witches.hca.ed.ac.uk/ Mary Parker's case file, including her sons' petition about the sheriff: https://salem.lib.virginia.edu/n98.html The 1451 manuscript of Martin Le Franc's Le Champion des Dames, with one of the earliest pictures of a woman on a broom The Maria Holl fountain in Nördlingen, Germany: "In memory of the steadfast Maria Holl" Studies Carol F. Karlsen, The Devil in the Shape of a Woman (1987). Of the 344 people accused of witchcraft in New England between 1620 and 1725, 267 were women. Among the women whose families she could trace, those who had inherited, or stood to inherit, because there were no brothers or sons made up 64% of the women prosecuted, 76% of those convicted, and 89% of those executed. David Harley, "The Myth of the Midwife-Witch," Social History of Medicine (1990). When historians went back to the trial records, midwives didn't show up among the accused any more often than you'd expect by chance. The Survey of Scottish Witchcraft, University of Edinburgh. 3,837 people accused under the Scottish Witchcraft Act between 1563 and 1736. 84% were women. Folk healing appears in the accusations against only about 4%. Owen Davies, Popular Magic: Cunning-Folk in English History (2003). About two-thirds of England's "cunning folk," the local healers and charm-sellers, were men, and they were rarely prosecuted. The Spanish Inquisition's records, 1540–1700. More than 44,000 trials and about 826 people executed in person, but very few witch executions compared with Germany. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E11
    October 20 · 55 min

    Bridget Bishop: "I know not what a witch is"

    "How do you know then that you are not a witch?" Bridget Bishop answered that she didn't know what a witch was, and seven weeks later she was the first person hanged in Salem. In the last of our three Salem episodes, host Xtina Rose separates the real Bridget Bishop from the "lusty" tavern keeper of ghost-tour legend, a woman built partly out of someone else's life. We follow a widow from Norwich, England, through an abusive marriage, a public gagging in the Salem market, and a witch rumor that followed her for twelve years. Then come the April 19 examination, the ripped coat, the neighbors with grudges, the poppets in the cellar wall, the body search, a demon who supposedly tore up the meetinghouse, and the June 10 hanging, alone. Finally, how a red wool top became a whole personality, the ghost in the apple orchard, and why she had to wait 309 years, until Halloween 2001, to be cleared. Content Note: This episode discusses domestic violence, the deaths of children, a forced body search, imprisonment, and execution. Please take care of yourself while you listen. LOOK THESE UP: Bridget Bishop's 1692 court records (her examination and every deposition against her), Salem Witch Trials Documentary Archive: https://salem.lib.virginia.edu/n13.html The April 18, 1692 arrest warrant, with Bridget's name squeezed in, Peabody Essex Museum: https://pem.quartexcollections.com/Documents/Detail/warrant-for-the-apprehension-of-giles-cory-mary-warren-abigail-hobbs-and-bridget-bishop-with-summons-for-witnesses-and-officers-return/4608 Her death warrant and the sheriff's return, Massachusetts Archives: https://digitalarchives.sec.state.ma.us/uncategorised/IO_2c8cc799-148c-40b0-82da-0dbeb53e48e6/ Proctor's Ledge Memorial, Salem The old Lyceum Hall on Church Street, Salem, on the site of her apple orchard Ghost Hunters, Season 3, "Salem Witch" (the TAPS investigation of the Lyceum): https://www.youtube.com/watch?v=x4XlVLvNer4 Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • October 16 · 13 min

    LABELED: THIS WEEK - October 15, 2026

    Whores. Not attractive enough. Disgusting. Defined by their job. This week, those labels landed on women at the gym, a sexual assault survivor, a TV host who explained the law, and the women at the center of an Australian football scandal. In this Labeled: This Week, host Xtina Rose looks at Shane Gillis calling women "whores" in his Saturday Night Live monologue and Dan Levy's response; Megyn Kelly's attack on Jane Doe in the Cornell gang rape; the backlash against Sunny Hostin for explaining New York's voluntary intoxication law on The View; and the Sydney Swans Pullman Hotel case, where Nick Blakey got a blockbuster trade to North Melbourne while the women are in hiding. Plus bladder cancer written off as a UTI, Sophie Cunningham valued for attendance over points, Coco Gauff called a cheater, and one number on how few sexual assaults are reported. In every story, one question: who benefits from these women being labeled? See a woman labeled this week? Send it my way in a DM on Instagram @the.wbs.pod or email thewbspod@gmail.com. It might end up in the database, and maybe on the show. If you liked this episode, follow, share, and leave a rating or review. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E10
    October 12 · 48 min

    Rebecca Nurse: "Innocent as the Child Unborn"

    In June 1692, a Salem jury found 71-year-old Rebecca Nurse not guilty of witchcraft. The court refused to accept it, and three weeks later she was hanged. In the second of three Salem episodes, host Xtina Rose follows the respected church grandmother who proved that no one in Salem Village was safe. We cover the girl who saw a ghost she couldn’t name, the examination where Rebecca was judged for her dry eyes, the 39 neighbors who risked their names to defend her, and the question she didn’t answer because she couldn’t hear it. Then we follow her family’s twenty-year fight to clear her, from her accuser’s public apology to a granite monument, and ask why turning her into a saint might hide the real lesson of Salem. Content Note: This episode discusses imprisonment, execution, the deaths of children, and a forced body search of an elderly woman. Please take care of yourself while you listen. Read the records yourself: Rebecca Nurse’s 1692 examination, the neighbors’ petition, and her own appeal are free online at the Salem Witch Trials Documentary Archive: https://salem.lib.virginia.edu/n94.html Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • October 9 · 8 min

    LABELED: THIS WEEK - October 8, 2026

    Labeled: This Week — A weekly roundup of women who got labeled in the news, because my database can’t keep up. THIS WEEK: Inconsistent. Monster. Doesn’t belong. Liar. This week, those labels were applied to a sexual assault survivor, a mother on trial, two Senate candidates, and a group of women in Hollywood. In the first Labeled: This Week, host Xtina Rose catches up on two ongoing cases: the Cornell lawsuit that put a prosecutor’s decisions under scrutiny, and the Lindsay Clancy mistrial. Then she looks at the week’s new labels, from the president’s slur against Senate candidate Dr. Annie Andrews to JD Vance telling Angie Nixon she doesn’t belong in America, to a New York Times investigation into women who say professionals were paid to destroy their reputations. In every story, one question: who benefits from these women being labeled? See a woman labeled this week? Send it my way in a DM on Instagram @the.wbs.pod or email thewbspod@gmail.com. It might end up in the database, and maybe on the show. If you liked this episode, follow, share, and leave a rating or review. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E9
    October 5 · 48 min

    Tituba: "The Devil Came to Me"

    "I have done nothing." That's the first thing the 1692 court record says Tituba told the magistrates. By the end of the day, she'd confessed to meeting the Devil, and the Salem witch trials had begun. In the first of three Salem episodes, host Xtina Rose separates what the records actually say about Tituba from three centuries of invention. We cover the enslaved "Indian woman" in the minister's house, the loaded questions that made her confess, the girls who went quiet when she said what the room wanted, and the thirteen months in jail that ended with her being sold for her fees. Then we follow how later writers turned her into a Black Caribbean "voodoo" witch leading girls in the woods, from a Victorian illustration to The Crucible, and how that myth lets them off the hook. CAUTION: This episode discusses slavery, racism, and a confession that was beaten out of a woman, as well as imprisonment and execution. Please take care of yourself while you listen. Read the records yourself: Tituba's actual 1692 examinations are free online at the Salem Witch Trials Documentary Archive: https://salem.lib.virginia.edu/n125.html Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E8
    September 28 · 48 min

    Stevie Nicks: "I'm not a witch. Get a life!"

    It's SPOOKY Season! ...Aaaaand I'm sick, so pardon my nasal voice. This is the first of our Spooky Season Witch episodes, and I am starting with an ICON. Although most of my episodes focus on women who were damaged by their labels, occasionally I'll occasionally feature a woman who triumphed over her label. I'm going to call those Icon episodes, and our first one is Stevie Nicks. -- "I am not a witch. Get a life." That's what Nicks told fans in 1998 — more than two decades into a career, people still couldn't stop asking about her supposed spellcasting. In this episode of Witches, Bitches, and Sluts, host Xtina Rose traces how "Rhiannon," a 1976 television performance, and a decade of New Age fascination and Satanic Panic backlash turned a working songwriter into a supposed sorceress. We cover the double standard that let David Bowie play an alien without comment while Nicks got treated as a confession, what the label actually cost her — a year spent afraid of her own wardrobe, credibility as a songwriter, and years of a hidden addiction the mystique helped obscure — and how she eventually took the label back on her own terms, from American Horror Story to two solo Rock and Roll Hall of Fame inductions. Content note: this episode discusses drug and alcohol dependency and stalking-adjacent fan behavior. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E7
    September 21 · 47 min

    The Trap of Mammy, Jezebel, and Sapphire

    The fastest way to misunderstand a Black woman is to reach for a familiar label. We start with the one Michelle Obama names so plainly: how easily Black women get tagged as “angry,” then we pull the thread back through history and forward into research that shows what those snap judgments can do. I walk through three stereotypes that work together like a trap: Mammy, Jezebel, and Sapphire. Mammy isn’t just a costume from old films it’s a story that made slavery and domestic labor look like devotion, then got replayed through minstrelsy, advertising like Aunt Jemima, and Hollywood roles that rewarded self-sacrifice. From there, we connect Mammy to the modern “Strong Black Woman” expectation and the mental health toll of being praised for endurance while being denied care. Then we shift to Jezebel and Sapphire, two labels that police desire and punish resistance. We talk about how sexual violence gets excused through stereotype, how media representation trains audiences to see Black women’s bodies as public property, and what studies reveal about implicit bias that shows up in seconds. Finally, we bring Sapphire into the workplace, where words like “aggressive” or “difficult” can hide unequal standards, and we name the constant “shifting” Black women may do just to avoid being misread. If this resonates, listen to the full episode, share it with someone who needs the language for what they’ve seen, and leave a rating or review so the show can reach more people. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E6
    September 14 · 48 min

    Hattie McDaniel: Not Your Mammy

    "I have never apologized for the roles I play." Hattie McDaniel wrote that in 1947, seven years after becoming the first Black person to win an Academy Award, for playing Mammy in Gone with the Wind. In this episode of Witches, Bitches, and Sluts, host Xtina Rose looks at how that role came to cover up the woman who played it. Before Hollywood, Hattie was a singer, songwriter, radio star, and comedian. After the Oscar, studio publicity told audiences she was Mammy in real life, critics like the NAACP's Walter White attacked her choices, and Hollywood kept offering her the same maid roles. We cover her famous "$700" answer, the segregated table at her own Oscar ceremony, the court case she fought to keep her home, and the mystery of her missing Oscar plaque. Content Note: This episode discusses slavery, racism, segregation, and racist stereotypes in film, including blackface, with brief mentions of lynching and sexual violence. You'll also hear historical quotes that use outdated racial language. Please take care of yourself while you listen. Listen My favorite Hattie McDaniel song: "Any Kind of Man Would Be Better Than You" — https://youtu.be/q8vIbm8DbdI Bob Corley as Beulah, "The Slogan Contest" — https://www.oldtimeradiodownloads.com/comedy/beulah/the-slogan-contest-1947-05-07 Watch Hattie McDaniel winning Best Supporting Actress, 12th Academy Awards (1940) — https://youtu.be/e7t4pTNZshA?si=yXToM4SzLn1nHFnV The Mad Miss Manton (1938), "I didn't ask her up" scene (starts at 1:29) — https://www.youtube.com/watch?v=XcHzfx9uCjs&t=89s Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E6
    September 14 · 47 min

    Hattie McDaniel - Not Your Mammy

    Hattie McDaniel's Oscar Speech "Any Kind of Man Would be Better than You" by Hattie McDaniel Bob Corley as Beulah The world remembers Hattie McDaniel as a milestone, and too often as a stereotype. We’re telling the story that gets lost when one role becomes a person’s whole identity, and asking the uncomfortable question her career forces on us: what if the thing that makes you famous also makes it harder for people to see you? We follow Hattie from her Kansas beginnings and a childhood filled with music to the hard-earned skills of vaudeville, radio, and recording in the 1920s. When the Great Depression hits, we watch her take service work to survive, then turn a late-night “volunteer talent” moment into a springboard to Hollywood. Once she arrives in Los Angeles, the opportunity comes with a catch: again and again, the industry casts her as “the help,” even as she makes those limited parts vivid through timing, expression, and authority that can flip a scene on its head. Then comes Gone with the Wind, the “Mammy” role, and a publicity machine that pushes audiences to confuse the actress with the character. We dig into Black newspaper criticism, the conflict with NAACP leader Walter White, and why blaming individual performers can distract from the studio decision makers who control scripts, budgets, and what kinds of Black lives are allowed on screen. We also confront the cruel irony of history: Jim Crow exclusion at the Atlanta premiere, a whites-only Oscars venue, and Hattie seated apart after making Academy Awards history. We close with what people often miss: her work on Beulah, her Sugar Hill housing fight, her community support during wartime, and the strange legacy of her missing Oscar plaque and its later replacement at Howard University. If you care about film history, Black Hollywood, media representation, and how stereotypes shape real lives, listen now, then subscribe, share, and leave a rating or review so more people can find the full story. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E5
    August 31 · 57 min

    The Dragon Lady, The Lotus Blossom, and the Asian Woman

    Lucy Liu once said she was afraid people would run from her on the street because of a character she played. The label that followed her home is more than a hundred years old. In this System Episode, host Xtina Rose follows the Dragon Lady and the Lotus Blossom: two labels for Asian women that sound like opposites but were built to work as a team. From Afong Moy on display in 1834 and the Page Act of 1875, through Madame Butterfly, Fu Manchu's daughter, American military bases across Asia, Miss Saigon and Memoirs of a Geisha, she traces where the labels came from and how they traveled. Then she looks at what the research says they do to real women, from a scale that measures gendered racism to a study of dating preferences, and why Lucy Liu, Sandra Oh and Michelle Yeoh all had to push back. And she answers the question that ties it together: what actually makes these labels go away? Content Note: this episode discusses racism, the sexualization of Asian women, suicide in fiction, and the 2021 Atlanta spa shootings. Please take care of yourself while you listen. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E5
    August 31 · 53 min

    Dragon Lady, Lotus Blossom, and Asian Women

    A character shouldn’t be able to haunt an actor on the sidewalk, yet Lucy Liu’s fear after playing Ling Wu points to something bigger than celebrity. We’re digging into the Dragon Lady and Lotus Blossom stereotypes and how they teach audiences to read Asian American women as either dangerous and hypersexualized or sweet, passive, and disposable. These labels didn’t start with one actress and they don’t end on a screen, they shape the way real people get approached, desired, dismissed, and feared. We trace the history from Sax Rohmer’s Fu Manchu and Yellow Peril panic to Madama Butterfly’s tragic devotion template, then connect it to the research that explains why “hostile” and “flattering” portrayals work together. Using ambivalent sexism theory, the stereotype content model, and the Bias Map, we link perception to harm, including what happens when conditions feel threatening and scapegoating rises. Then we get concrete with peer-reviewed work on media representation, the Gendered Racial Microaggression Scale for Asian American women, and findings on fetishization, submissiveness expectations, media invalidation, and the mental health toll. Finally, we test the hopeful claim that things naturally improve over time and show why it’s not about the calendar, it’s about control. From The Joy Luck Club and Crazy Rich Asians to Ally McBeal and Ghost in the Shell, representation changes when Asian American creators hold the pen. If this gave you a new lens, subscribe, share with a friend, and leave a review so more listeners can find the show. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E4
    August 24 · 41 min

    Anna May Wong: A Thousand Deaths

    "When I die, my epitaph should be: I died a thousand deaths." Anna May Wong was Hollywood's first Chinese American star, and the industry kept killing her off. In this episode of Witches, Bitches, and Sluts, host Xtina Rose follows a third-generation Angeleno from sneaking onto film sets as a kid to becoming the actress whose early roles shaped the "Dragon Lady" and "Lotus Blossom" stereotypes. We cover why she left Hollywood for Europe; why she was paid less than the white co-star who played her father in yellowface; and how she lost the lead in The Good Earth and turned down the villain role they offered instead. We also cover why China rejected her as "too American," and the one role in Flower Drum Song that went to yellowface. It was hers. Content Note: This episode discusses racism, including the racist bullying of children, anti-Chinese immigration laws, and a description of foot-binding. Please take care of yourself while you listen. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E4
    August 24 · 45 min

    Anna May Wong: A Thousand Deaths

    Hollywood didn’t just typecast Anna Mae Wong, it built a whole set of “acceptable” fates around her and then acted like those limits were natural. We pull apart how a third-generation Chinese American woman from Los Angeles became one of the first true movie stars of the 1920s and 30s, while the industry still insisted she could only be a threat, a sacrifice, or a lesson for somebody else’s story. We follow the real-world machinery behind the Dragon Lady stereotype and the Lotus Blossom archetype, from early breakout roles like The Toll of the Sea and The Thief of Baghdad to scene-stealing performances in Shanghai Express. Along the way, we connect her life to the wider context Hollywood rarely acknowledges: anti-Chinese racism, the Chinese Exclusion Act, and the studio system’s comfort with Yellowface. Then the trap snaps shut with the Hayes Code’s ban on interracial romance, a “rule” that becomes an excuse to deny her the one role everyone expected she’d finally get: Olan in MGM’s The Good Earth. We also trace what happens after the snub: Wong’s first trip to China and the pain of being rejected as “too American,” the smaller films where she finally gets more control, her World War II relief work, and the late-career recognition that arrives with sharp edges, including the dream part she never gets to play in Flower Drum Song. We end with how historians and modern culture are reclaiming her legacy, and why her story still explains so much about representation in film and television today. Subscribe, share this with a friend who cares about film history, and leave a review so more people can find the show. *Special Appearance by my golden Bao Bao (aka Dumpling) Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E3
    August 17 · 38 min

    Dumb or Deadly? Examining the Dumb Blonde and the Femme Fatale

    "I know I'm not dumb and I know I'm not blonde." Dolly Parton's joke is funny, but the label behind it has been following women for centuries. In this System Episode, host Xtina Rose traces two labels that look like opposites: the dumb blonde and the femme fatale. From a Paris courtesan in the 1770s to Theda Bara's invented Sahara backstory and Barbara Stanwyck's blonde wig, she follows how a beautiful woman gets filed as harmless or as a threat. Then she puts both labels on trial with 50 years of research: an IQ study that found blondes aren't any dumber, a résumé that earned less with different hair, mock jurors who went easy on a pretty defendant until her crime involved a man, and the 2019 "femme fatale effect." Plus a roll call of women the world decided were dumb or dangerous, from Judy Holliday and Paris Hilton to Rita Hayworth and Monica Lewinsky. Content Note: This episode discusses racism, abuse, the sexual exploitation of enslaved Black women, and a woman's execution. Please take care of yourself while you listen. Studies in this episode Zagorsky (2016), "Are Blondes Really Dumb?" Kyle & Mahler (1996), hair color and a résumé Weir & Fine-Davis (1989), "'Dumb Blonde' and 'Temperamental Redhead'" Dechter (2015), hair color and real paychecks Johnston (2010), "Physical Appearance and Wages: Do Blondes Have More Fun?" Heflick et al. (2011), what happens when people focus on a woman's appearance Heflick & Goldenberg (2009), "Objectifying Sarah Palin" Heilman & Saruwatari (1979), "When Beauty Is Beastly" Sigall & Ostrove (1975), "Beautiful but Dangerous" Sheppard & Johnson (2019), "The Femme Fatale Effect" Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E3
    August 17 · 33 min

    Dumb or Deadly? Examining the Dumb Blonde and the Femme Fatale

    A single look can get a woman filed as sweet and harmless or cold and dangerous, and the switch can happen in seconds. We start with Dolly Parton’s iconic joke about the “dumb blonde” label (and the way Marilyn Monroe and Britney Spears echo the same pressure), then trace where these stereotypes came from and why they keep returning in new forms. We walk the long history of blonde hair as a Western beauty ideal, then set it beside the ancient lineage of the femme fatale, from mythic temptress to film noir’s calculating “fatal woman.” Next, we map both characters onto real psychology: the stereotype content model shows the dumb blonde as high warmth and low competence, while the femme fatale flips to low warmth and high competence. Ambivalent sexism ties the knot, revealing “benevolent” and “hostile” reactions as two sides of the same response to a beautiful woman. Then we get concrete with research. A large dataset analysis finds the dumb blonde’s central claim is simply false: blondes don’t score lower on intelligence tests. So what’s being measured? Studies show that directing attention to a woman’s appearance drops how competent, warm, and moral she seems. We also dig into experiments where attractiveness helps women in low-status roles but becomes a penalty for authority, plus courtroom and modern workplace findings that capture the “femme fatale effect,” including how insecurity in the audience can drive distrust. If you’ve ever watched a woman get praised as “cute” until she asks for power, pay, or credibility, this one will feel uncomfortably familiar. Subscribe, share this with a friend, and leave a review with the moment that hit you hardest. Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E2
    August 10 · 50 min

    Marilyn Monroe: "You have to be smart to play dumb"

    "I've often been asked, does it bother you when someone refers to you as a dumb blonde? It never has. You see, I've always known I wasn't." Marilyn Monroe said that in 1954, and the world still didn't believe her. In this episode of Witches, Bitches, and Sluts, host Xtina Rose traces how 20th Century Fox built the "dumb blonde," from the femme fatale role in Niagara that worked too well to the breathy voice built from a stutter. Then she shows how Monroe played along on purpose, until she refused, founded her own production company, and won one of the biggest contract fights of the era. We cover what the label cost her: zero Oscar nominations, a biographer who called her "a lover of books who did not read" without ever meeting her, and a psychiatric stay she walked into voluntarily and couldn't walk out of. We also cover why it stuck, and how she's still being exploited 70 years later. Content Note: This episode discusses child sexual abuse, domestic violence, mental illness and involuntary psychiatric confinement, drug use, and suicide. Please take care of yourself while you listen. Look these up (every image or clip the episode tells you to find): Her Blue Book Agency photos as a brunette Love Happy publicity-tour photos (1949) Philippe Halsman's "jumpology" Life cover (1959) Eve Arnold's photo of Monroe reading Ulysses Monroe on The Jack Benny Show (1953), and Jayne Mansfield's version of the same sketch Her personal library: https://themarilynmonroecollection.com/ Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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  • S1 · E1
    August 10 · 35 min

    "Are Women Human?"

    Content note: this episode discusses slurs, sexual shaming, racism, and harassment. Are women human? Obviously. So why do we have so many words that turn women into categories: the b*tch, the sl*t, the witch, the gold digger, the crazy ex? In this first episode of Witches, Bitches, and Sluts, host Xtina Rose starts with Dorothy L. Sayers's 1938 question, "Are Women Human?" and explores research on how labels work. We cover labeling theory, why words for women become insults, the psychology of warmth and competence, Ambivalent Sexism Theory, and the backlash that competent women face at work. Xtina also shares her own story: being called a sl*t before her first kiss, being cast as the villain in her divorce, and why she unmatches men who "love Asian women." Finally, she explains why she's reclaiming these words and what it would take to actually treat women as human. Mentioned in this episode "Labour" by Paris Paloma: https://youtu.be/jvU4xWsN7-A (don't miss 2:45) Join the conversation on Instagram @the.wbs.pod, or share your story with me at thewbspod@gmail.com Find the sources for every episode on the website: wbspodcast.com For collabs, sponsorships, and business inquiries: info@wbspodcast.com Love the show? Help keep it going by buying me a coffee. Written, produced, hosted, and edited by Xtina Rose. Music by Stephen Mexler and Xtina Rose.

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