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What's Contemporary Now?

What's Contemporary

Designed for curious minds, "What's Contemporary Now?" engages various thought leaders across cultural industries taking in their broad, compelling perspectives and unveiling their common threads.

Hosted by Christopher Michael

Produced by Sasha Grinblat

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20 episodes
Avg 35 min
English

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February 3 · 40 min
The Fifth Fashion Week, How Copenhagen Rewrote the Rules
Copenhagen Fashion Week marks its 20th anniversary at a moment when the fashion system is being asked to account for itself. In conversation with CEO Cecilie Thorsmark and COO Isabella Rose Davey, this episode examines how a regional fashion week evolved into a platform with global influence, and what that evolution reveals about the future of the industry. “Fashion weeks were falling out of sync with the world around us. They were celebrating fashion in a bubble, while everything else was changing.” CEO Cecilie Thorsmark “What feels contemporary now to me is generosity.” COO Isabella Rose Davey Episode Highlights: A reflection on Copenhagen Fashion Week’s evolution from a regional showcase into a global platform with cultural and economic impact over its 20-year history. Insight into how Cecilie Thorsmark redefined the purpose of a fashion week, shifting it from celebration alone to a system that engages with responsibility, progress, and accountability. A candid discussion about implementing binding sustainability requirements, including the real challenges of enforcement, support, and industry resistance. An exploration of why sustainability works best as infrastructure rather than storytelling, and how Copenhagen embedded it into participation itself. A deep dive into CPHFW NEWTALENT and what emerging designers actually need today, beyond visibility, including mentoring, financial literacy, and long-term business support. A reframing of the term “emerging designer,” challenging age-based definitions and highlighting reinvention, experience, and second chapters. A conversation about the advantages of being small, agile, and human, and why Copenhagen’s scale allows for experimentation and intimacy that larger fashion weeks often lose. A thoughtful examination of why brands should be allowed to end, evolve, or transform without stigma, and how creative energy changes form rather than disappears. Cultural insight into why Copenhagen feels different, touching on quality of life, generosity, openness, and the city’s ability to foster genuine connection during fashion week. A closing reflection on what feels contemporary now, distilled into two values that define the platform’s ethos moving forward: responsibility and generosity. Learn more about your ad choices. Visit megaphone.fm/adchoices
January 26 · 41 sec
On the Road in Copenhagen
With a quick trip to Copenhagen for the city's 20th anniversary fashion week, we will be attending the shows, interviewing the organizers, and participating on a panel with Vogue business to explore the idea of what a magazine is today. Their impressive programming, in addition to the designers, includes an impressive array of subject matter that warrants a timely exploration and we'll be back on Monday with a full episode sharing all of the juicy details. Learn more about your ad choices. Visit megaphone.fm/adchoices
S6 · E14
January 19 · 50 min
Yoon Ahn on AMBUSH, Subculture, and One Foot In, One Foot Out
The episode follows AMBUSH’s evolution from jewelry made for friends to a brand that Yoon describes as a platform, shaped by experimentation rather than a rigid business plan. She speaks candidly about learning in real time, being paid to learn, and why every job and skill eventually becomes useful. From research as a daily practice to AI as a tool that can accelerate creative work without replacing it, Yoon makes a case for staying open, resisting the urge to live in boxes, and trading horizontal expansion for deeper, more human storytelling. Her definition of what feels contemporary now is simple and powerful, pursuing who you are fearlessly, and staying uniquely human in a world increasingly driven by algorithms. Episode Highlights: A childhood shaped by movement and solitudeGrowing up between Korea, Hawaii, California, and Seattle, Yoon reflects on how constant relocation fostered independence, imagination, and an ability to adapt quickly to new environments. Solitude as a creative advantageTime spent alone became a space for imagination rather than isolation, laying the groundwork for curiosity, inner confidence, and long-term creative resilience. Subculture as a formative educationFrom Seattle’s grunge era to Tokyo’s club scene, Yoon describes how underground culture, music, and nightlife taught her more about identity and community than any formal training. Discovering design through curiosity, not strategyHer path into graphic design and later fashion emerged organically through interests in magazines, presentation, and visual storytelling, rather than a predefined career plan. Being paid to learn as a philosophyYoon frames early jobs, including PR and corporate design work, as opportunities to learn on someone else’s dime, reinforcing her belief that no experience is wasted. AMBUSH as an organic unfoldingWhat began as jewelry made for friends evolved naturally into a brand, then into a platform, driven by experimentation, relationships, and responding to real demand rather than market forecasting. Tokyo as a creative accelerantMoving to Japan exposed Yoon to layered subcultures, cross-pollination between music and fashion, and a culture open to hybridity, shaping AMBUSH’s DNA. Fashion as communication, not productYoon describes fashion as a visual language for expressing identity and connection, rather than simply clothing or commercial output. AI as a tool, not a replacementShe speaks openly about embracing AI as a powerful assistant that can accelerate research and execution, while insisting that creative intent and thinking cannot be outsourced. What feels contemporary nowFor Yoon, being contemporary today means fearlessly pursuing who you are, resisting algorithmic pressure, and staying grounded in humanity, curiosity, and purpose rather than chasing scale. Learn more about your ad choices. Visit megaphone.fm/adchoices
S6 · E13
January 12 · 47 min
Asad Syrkett on Interiors, Identity, and the Human Touch
Asad Syrkett joins What’s Contemporary Now? for a wide-ranging conversation about design as a cultural language and the quiet ways environments shape identity, memory, and access. From a childhood spent moving through New York City’s homes, department stores, and streets, to a new chapter living and working in Milan, he reflects on how early encounters with the built world formed a lifelong curiosity long before he had the vocabulary of architecture or interiors. Grounded in his background in architectural history and editorial leadership, Asad speaks to why design is never neutral, how interiors hold narrative and emotional weight, and why aspiration today feels less about status than self-knowledge. As attention splinters and taste is increasingly mediated by screens rather than experience, the conversation returns to what endures: craft, context, and the human touch as the most contemporary forces shaping how we live now. “If you like it, I love it. I’d rather a space reflect real engagement with the self than something copied from Instagram.” - Asad Syrkett Episode Highlights: Living in Milan versus passing through itAsad reflects on the shift from visiting Milan for work to truly living there, and how permanence deepens relationships, curiosity, and cultural exchange beyond the churn of Salone and design week. A childhood shaped by environments, not fashionGrowing up in Harlem and New York City, Asad became attuned early to how homes, retail spaces, and objects reflect identity, class, and aspiration, long before he had the language for design. The built world is never neutralFrom department stores to shop windows, he describes how cities teach us, early on, that design encodes power, values, and social difference. Curiosity as a lifelong engineRaised by a family deeply invested in culture, music, books, and dance, Asad traces how being encouraged to ask questions shaped his editorial and intellectual instincts. Why architectural history unlocked everythingStudying architectural history at Columbia gave him context and language for instincts formed in childhood, connecting design to authority, religion, economics, and social structures. A career guided by sustainability of curiosityMoving between journalism, design studios, digital media, and business wasn’t about restlessness, but about building an intellectually sustainable life around design. Context over aestheticsAs an editor, Asad emphasizes that interiors don’t exist in a vacuum, they are social, political, and emotional artifacts shaped by history, access, and intention. Access versus upward mobilityHe challenges the idea that design is about “upward mobility,” reframing it instead as access, self-knowledge, and environments that reflect inner growth rather than status alone. Italy as a culture of makersLiving in Milan has sharpened his appreciation for Italian design’s deep respect for craft, family-run production, and material knowledge passed down through generations. What’s contemporary now: the human touchIn a digital, accelerated world, Asad argues that the most contemporary thing is work shaped by human skill, physical effort, and deep commitment to craft, things technology cannot replicate. Learn more about your ad choices. Visit megaphone.fm/adchoices
S6 · E12
January 5 · 59 min
Kyle Hagler and Emil Wilbekin on Native Son, Visibility, and the Business of Culture
For our first episode of 2026, we sit down with Kyle Hagler and Emil Wilbekin for a deeply personal and wide-ranging conversation at the intersection of Native Son, culture, and media. We begin with formative histories shaped by strong women, faith, and instinct, before tracing how both have navigated long careers defined by pivots, visibility, and cultural responsibility.
Dec 23, 2025 · 1 min
Happy Holidays!
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S6 · E11
Dec 15, 2025 · 49 min
Angelo Flaccavento on Taste, Doubt, and the Beauty of Uncertainty
Angelo Flaccavento has long been one of fashion’s most distinctive critical voices — sharp yet empathetic, rigorous yet imaginative, always willing to question his own certainties. In this conversation, he traces his path from a Sicilian childhood spent absorbing magazines in boutique backrooms to becoming a writer whose clarity and candor designers both fear and admire. We discuss the formative power of self-doubt, the responsibility of the critic in an era shaped by branding and algorithms, and why genuine surprise has become fashion’s rarest commodity. Angelo reflects on taste as a lifelong education, the tension between fantasy and reality, and the importance of staying fluid rather than defined in a moment obsessed with categorization. “I’m a dreamer, but not an escapist. Fantasy has to somehow crash to the ground in order to become reality.” - Angelo Flaccavento Episode Highlights: A Sicilian childhood shaped by boutiques and early fashion literacy Angelo grew up in Ragusa surrounded by family-run boutiques at the height of Italy’s fashion boom. Magazines, Versace dresses, Guy Bourdin images, and the glamour of the early ’80s became his first education in style and visual culture. Discovering i-D and turning Ragusa into his personal London Getting a subscription to i-D as a teenager becomes a defining moment. He reads each issue obsessively, treating it as a window into a world he hasn’t yet reached — the foundation of his sharp, culturally attuned eye. From aspiring designer to critic: finding the right medium Though he once dreamed of being a designer, he realized he was more drawn to ideas, imagery, and interpretation. Writing became his path, encouraged by teachers who sensed his voice before he did. A voice that evolves rather than settles Angelo talks about tone and style as living entities — shaped by constraints, sharpened by editors, and never fixed in place. He values clarity, concision, and atmosphere, always pushing himself toward more precision. Doubt as a creative engine He sees doubt not as insecurity but as momentum, calling it “the essence of progress.” Self-questioning keeps him open, curious, and resistant to stagnation. Criticism as decoding, not destruction For Angelo, the critic’s role is to cut through PR storytelling and help readers understand what they’re actually seeing. He believes in honesty delivered with generosity — critique as illumination, not cruelty. Maintaining integrity in a political, PR-driven industry He speaks openly about the emotional and professional navigation required each season, from access issues to difficult conversations, and why seeing shows live is essential to telling the truth. Fashion’s power to surprise Angelo celebrates the rare, electric moments when a show shifts the mood of the entire industry — reminders of why fashion still matters and how a collection can rewire the cultural conversation. Taste as instinct refined over a lifetime For him, taste is a mix of instinct and education — shaped by art history, architecture, vertical lines, trial and error, and everything one has ever seen. Taste is biography turned into perspective. What is contemporary now: resisting definition Angelo concludes that the most contemporary stance is fluidity — refusing to let algorithms, labels, or nostalgia define us, and staying open enough to see the world anew. Learn more about your ad choices. Visit megaphone.fm/adchoices
S6 · E10
Dec 8, 2025 · 42 min
Camille Miceli on Pucci, Play, and Joie de Vivre
Camille Miceli brings a vivid, almost incandescent joie de vivre to Pucci, treating color, movement, and intuition as both vocabulary and philosophy. Her worldview is shaped by an upbringing steeped in art and fashion, and by formative chapters with Alaïa, Lagerfeld, Jacobs, and Raf Simons — each adding a layer to her finely tuned sense of glamour and discipline.
S6 · E9
Dec 1, 2025 · 35 min
Matthew Whitehouse and The Face of Today
In this episode, Matthew Whitehouse reflects on the winding path from a rainy Lancashire childhood and a brief burst of band-life glamour to leading The Face, a title forever suspended between myth and reinvention. He speaks with disarming clarity about reviving an icon without embalming it, insisting that the magazine’s only true mandate is to capture the texture of now — not nostalgia, not futurism, but the pulse of the present.
S6 · E8
Nov 24, 2025 · 51 min
Recho Omondi’s Candor, Curiosity, and The Cutting Room Floor
Recho Omondi, host of The Cutting Room Floor, handles candor with the ease of someone who has little interest in performance and every interest in clarity. Over seven years, her once-modest podcast has steadily entered the cultural foreground, helped along by her habit of thinking — and learning — in public.
S6 · E7
Nov 17, 2025 · 44 min
The World According to LDSS
In his first-ever podcast interview, Ludovic de Saint Sernin traces the journey from a nomadic childhood to becoming one of fashion’s most closely watched voices. He talks about the diary-like beginnings of his brand, the Mapplethorpe collaboration that became a full-circle moment, and why he sometimes becomes his own muse.
S6 · E6
Nov 10, 2025 · 42 min
The New Masculinity, According to Samuel Hine
For GQ’s global fashion correspondent Samuel Hine, clothes have always been more than fabric; they were a form of identity long before they became his career. Growing up as an identical twin in Chicago, he learned early that style could be a language of individuality.
S6 · E1
Nov 3, 2025 · 46 min
Sarah Ball on Editing What’s Contemporary Now at WSJ. Magazine
At this year’s WSJ. Magazine Innovator Awards, Billie Eilish asked, “If you’re a billionaire, why are you a billionaire? Give your money away” — a line that instantly reverberated far beyond the room. It was a reminder of the event’s magnetic pull and its place as a mirror for culture’s contradictions. Under Editor in Chief Sarah Ball, WSJ. Magazine has become precisely that kind of reflection: glamorous, self-aware, and culturally indispensable.
S6 · E4
Oct 27, 2025 · 46 min
Tish Weinstock Is an Amorphous and Contemporary It Girl
Talking to Tish Weinstock offers the kind of unfiltered honesty — or, as she calls it, radical honesty — that every interviewer hopes to find in a guest. She has a unique ability to move between the frivolous and the deeply meaningful with equal parts wit and whimsy, leaving you to wonder whether she’s someone who refuses to take herself too seriously or simply someone who won’t struggle against whatever feels truthful in the moment. Whether you know her from her work as a writer, her time in front of the camera or on the runway, or simply as a familiar face at all the right parties, she’s one to watch for anyone curious about culture and the people shaping it. In a conversation that spans her early experiences with loss and grief, the chaos of her intern years, and a recent visit to a trauma retreat in America, this episode has a little something for everyone. “When I wrote that piece called I’m an intern, not an idiot and someone from upstairs came running in to tell me to take it down, that’s when I realized your words actually matter, that they can shake something even if the system doesn’t want them to.” - Tish Weinstock Episode Highlights: On early influences Tish grew up in London in a traditional home marked by early loss, gravitating to darker, sardonic heroines and art that felt surreal, spooky, and sincere. On first contact with fashion She obsessed over ad campaigns on her bedroom wall and later realized that what drew her in was storytelling through images as much as clothes. On finding the door in A chance encounter at a friend’s house led to internships at Tank and Garage where she learned the grind and took her first steps into writing. On writing as power At i-D she published I’m an intern, not an idiot and learned that words move systems even when the system pushes back. On becoming a beauty writer by accident She did not care about products at first and then noticed beauty as identity and language in a new wave of body positivity, drag, and Instagram natives. On Isamaya French and Dazed Beauty Collaborating there showed her how beauty can merge subculture, technology, and art long before the wider culture caught up. On creativity and authenticity The work sings when the obsession is real and it falls flat when the topic is traffic bait that she does not care about. On writing today Substack rekindled her love of writing as a living diary where immediacy and imperfection feel more honest than highly polished feeds. On wellness and the mind A week without a phone at a trauma program helped her reframe negative thoughts and confirmed that presence is a practice not an arrival. On what is contemporary now Radical honesty feels most alive today since culture is saturated with performance and curation and audiences are hungry for what is real. Learn more about your ad choices. Visit megaphone.fm/adchoices
S6 · E3
Oct 20, 2025 · 39 min
Adam Selman Tells Us Victoria’s Secret
The morning after his show debut as Victoria’s Secret’s new Creative Director, Adam Selman joined me to talk through the emotions still vibrating from the night before. The conversation moved from backstage calm to creative catharsis, touching on the full-circle moment of opening the show with Jasmine Tookes, who walked his first-ever presentation years ago. This isn’t a conversation about lingerie or spectacle, it’s more about connection, leadership, and the power of joy as a design principle. Adam spoke about collaboration as communion—how designing with rather than for transforms the room—and how lessons from Rihanna, his “School of Rihanna,” continue to inform how he leads and creates today. He also shared what it means to step away and return stronger, finding the space between Adam the man and Adam the brand, and discovering how quiet became his greatest teacher. “I think joy is contemporary now. Feeling is contemporary now. Celebration is really what it’s all about.” — Adam Selman Episode Highlights: On The Morning After the Show — Recorded just hours after his Victoria’s Secret debut, Adam reflects on the calm, joy, and sense of unity that defined the show’s atmosphere. On Full-Circle Moments — Opening with Jasmine Tookes, who walked his first-ever show when he had his own brand, marked a personal and poetic return to where it all began. On Collaboration Over Command — Rather than dictating looks, Adam co-created them alongside the models, inviting input and feedback to build genuine creative connection. On Working with Carlyne Cerf — He calls their partnership effortless, built on laughter and instinct. “She finishes my sentences,” he says. On Diversity with Intention — Rejecting tokenism, he focused on authenticity: “We’re all sick of ticking boxes.” Casting was rooted in real conversation, relationships, and shared respect. On Joy as Practice — For Adam, joy isn’t decorative—it’s foundational. He sees joy as the most contemporary expression of creativity and leadership. On Learning from Rihanna — He calls his years designing with her “the School of Rihanna,” a masterclass in courage, collaboration, and cultural fluency. On Stepping Back to Move Forward — Time away from his brand gave him space to recalibrate. Through meditation and reflection, he found peace between Adam the man and Adam the brand. On The Maker’s Mindset — A lifelong builder, he’s never afraid to fix what breaks. “You can’t be afraid of it. You have to own it, make it, fix it.” On What’s Contemporary Now — For Adam, it’s joy, connection, and the courage to redefine beauty through authenticity rather than perfection. Learn more about your ad choices. Visit megaphone.fm/adchoices
S6 · E2
Oct 13, 2025 · 34 min
Observant and Optimistic, AREA’s Nicholas Aburn
Nicholas Aburn’s path to AREA was never a straight line. He grew up watching CNN Style with his mother, worked full time at Prada while studying at Central Saint Martins, and famously failed under Louise Wilson before showing his collection anyway and becoming the first in his class to get a job when he was hired by Tom Ford.
S6 · E1
Oct 6, 2025 · 41 min
The Shape of Reverence with Jerry Lorenzo
When we first thought to sit down with Jerry Lorenzo, we planned to talk about culture, fashion, the first official womenswear collection from Fear of God, and the unique background that made his future feel wide open — though not necessarily destined for fashion.
Sep 29, 2025 · 52 sec
Season 6 Trailer
What’s more contemporary than the pursuit of happiness? The restless task of creating it, sustaining it, sharing it. It’s a game not so far from that of the creative class, with its inevitable demand for the next turn, the next gesture, the next affirmation of relevance.
Jul 7, 2025 · 1 min
A Season in Progress, A World in Flux
What type of topics would you like us to tackle? Who are your dream guests?
S5 · E18
May 19, 2025 · 40 min
Editing Creative Culture with System Magazine’s Jonathan Wingfield
In recent years, it’s become harder to tell whether fashion can still stand on its own, without leaning on the scaffolding of sport, film, or whatever cultural tentpole happens to be in rotation. But with the sustained relevance of System and the sharp ambition behind its latest expansion, Editor-in-Chief Jonathan Wingfield offers a clear answer: yes—fashion can still trade on itself.

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