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The Messy Truth - Conversations on Photography

Gem Fletcher

Photo Director Gem Fletcher hosts The Messy Truth, a podcast dedicated to the world of contemporary photography featuring exclusive interviews with emerging and leading artists, curators and critics. Listen in to these candid conversations that unpack photography and why it connects us all in such transformational ways. Follow Gem’s Instagram @gemfletcher for images of photographs discussed in each episode.

Hosted on Acast. See acast.com/privacy for more information.

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  • 24 episodes
  • Avg 55 min
  • English
Counted on this page — what you have heard stays on this device, so it is not something the list can be paged by.
  • S1 · E112
    Monday · 1 hr 2 min

    Between Two Worlds - On the Work of Art

    In this episode, from my second salon titled, Between Two Worlds which took place in January 2026 at London’s Institute of Contemporary Arts (ICA) and supported by WePresent. The one day salon is an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socialised in—and yet it’s unclear exactly how. In this session, Gem Fletcher is joined by Rene Matić and Elle Pérez. Together they discuss, What is the work of art today? In an era of rising authoritarianism, the work of art is perhaps more consequential than ever. How can we use photography to preserve history? Is it possible to create lines of undeniability in an era where collective memory is clouded by constant crisis, and erasure is weaponised? How can photography speak to the ephemeral condition of living? And what role does community play in those ideas and gestures? Rene Matić Rene Matić is a London-based artist and writer whose practice spans photography, film, and sculpture, converging in a meeting place they describe as "rude(ness)" - an evidencing and honouring of the in-between. Matić riffs on a documentary, diaristic style of photography, with snapshots of everyday moments and poetic juxtapositions, which are then used to create installations, grouping images to surreptitiously bring out buried tensions and paradoxes. Recent solo exhibitions include Turner Prize 2025, Cartwright Hall Art Gallery, Bradford, UK (2025); Idols Lovers Mothers Friends, Arcadia Missa, London, UK (2025); AS OPPOSED TO THE TRUTH, CCA Berlin, Berlin, DE (2024); Rene Matić/Oscar Murillo JAZZ, Kunsthalle Wien Museumsquartier, Vienna, AT (2024); a girl for the living room, Martin Parr Foundation, Bristol, UK (2023); upon this rock, Kunstverein Gartenhaus, Vienna, AT (2023), upon this rock, South London Gallery, London, UK (2022), among more. Elle Pérez Elle Pérez lives and works in New York City. Pérez primarily works in photography and moving image, depicting intimate moments, emotional exchanges, and visceral details within their portraits, landscapes, and films. Recent solo exhibitions include: “Devotions,” Baltimore Museum of Art, Maryland (2023); “Host,” Commonwealth and Council, Los Angeles (2021); “Devotions,” Carnegie Museum of Art, Pittsburgh (2021); “from sun to sun,” Public Art Fund, New York (2019) and “Diablo,” MoMA PS1, New York (2018). Their work has been included in group exhibitions at the Whitney Museum of American Art, New York (2023); the Ballroom Marfa, Marfa, Texas (2022); the Renaissance Society, Chicago (2020); Barbican Centre, London (2020); Brooklyn Museum, New York (2019) and the Whitney Museum of American Art, New York (2019); among others. They are currently an Assistant Professor of photography at Yale University. They have previously held appointments as an Assistant Professor of Art, Film, and Visual Studies at Harvard University, and Dean at the Skowhegan School of Painting and Sculpture. They participated in both the 2022 Venice Biennale and the 2022 New England Triennial. Their solo exhibition, “Intimacies,” is currently on view at MASS MoCA, North Adams, Massachusetts. They were also recently awarded the 2022-23 Rome Prize in the visual arts. Follow Elle, Rene & Gem on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E111
    September 7 · 1 hr 13 min

    Between Two Worlds - On the Future of PhotoBooks

    In this episode, from my second salon titled, Between Two Worlds which took place in January 2026 at London’s Institute of Contemporary Arts (ICA) and supported by WePresent. The one day salon is an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socialised in—and yet it’s unclear exactly how. In this session, Gem Fletcher is joined by Bruno Ceschel, Brian Paul Lamotte and Lillian Wilkie. Together they discuss, What’s next for PhotoBook publishing? PhotoBook publishing has grown exponentially over the last decade, contributing to the evolving narrative of photography. At this moment of seeming abundance, it feels important to consider the economic, environmental, political and cultural realities moving forward for publishers and artists. What values are shaping the wider culture of PhotoBook publishing? How is the current market evolving? Is it possible to create new forms of the medium that adequately express the strange, unmapable shape of our present? Bruno Ceschel Bruno Ceschel is the founder and director of Self Publish, Be Happy (SPBH), an organization dedicated to visual culture, education, and community. Since 2010, SPBH has organized events at institutions such as Tate Modern, MoMA PS1, and Kunsthal Charlottenborg. Its collection of over 3,000 artists’ books is housed at the Maison Européenne de la Photographie in Paris. As Publishing Director at SPBH Editions, Ceschel has published works by authors including Vince Aletti, Carmen Winant, Charlie Engman, and Mari Katayama. He is a visiting lecturer at École cantonale d’art de Lausanne (ECAL) and Cornell University. Brian Paul Lamotte Brian Paul Lamotte is an independent graphic designer and educator based between Milan and Zürich, specializing in art and photography publishing. Trained in graphic design at Central Saint Martins, his practice is grounded in close collaboration with artists, editors, and printers and is characterized by a research-driven approach to image-led solutions, minimal typography, and material sensitivity in the production of the book form. He has designed and produced books and various printed projects for select publishers and cultural institutions, including Aperture Foundation, Dashwood Books, Edition Patrick Frey, Fondation Louis Vuitton, MACK, MAST Foundation, MoMA, Rizzoli and SPBH Editions, where he is currently the art director. Lillian Wilkie Lillian Wilkie is a writer, editor and publisher based in London and East Sussex. Her practice and research focus on artist publishing and its communities, photography and its contexts, and marginal fashion media. She is the Director of Chateau International, an independent imprint producing books, zines, editions and programming. Whilst prioritising female and non-binary artists and writers, Chateau International works with a range of international collaborators who share its interests in the counterculture, fashion, feminism, radical politics, community organising and practices of photography. Lillian is co-Director of Bound Art Book Fair at the Whitworth Art Gallery, Manchester, a key annual event that builds and sustains communities around print publishing practices whilst exploring the potential for expanded forms of publishing that engage or interact with performance, music, sculpture, fashion, moving image and activism. In 2024, she co-organised INVENTORY, a major publishing programme at Cromwell Place, London. Follow Brian, Bruno, Lillian & Gem on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E110
    August 31 · 1 hr 18 min

    Between Two Worlds - On Photography And...

    In this episode, from my second salon titled, Between Two Worlds which took place in January 2026 at London’s Institute of Contemporary Arts (ICA) and supported by WePresent. The one day salon is an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socialised in—and yet it’s unclear exactly how. In this session, On Photography And, Gem Fletcher is joined by Jack Davison, Ronan Mckenzie, and Hanna Moon, three artists who have taken risks in an attempt to create new models of publishing, exhibiting and making. Together they discuss the following questions: What is the state of the photography industry? And how might we retool it for the future? As artists, we have inherited this sprawling, decreasingly functional cultural apparatus known as the photo world. So, what can we do about it? How might we possibly retool or scavenge from its remains to rebuild it anew? Can we imagine new models of making and distribution that address systemic issues? Is it possible to create a more expansive practice with less compromise? And how can we cultivate new community standards that support many, rather than a few? British photographer Jack Davison effortlessly embraces digital, analogue, black and white and colour photography. His works depict the human figure, architecture, animals, objects, landscapes and townscapes; yet his subject is always photography itself. Davison's playful and curious approach is shaped by the equally formative space of online platforms like Flickr and Tumblr, where he first developed his craft as a young man taking pictures in the Essex countryside. Davison had his debut UK solo exhibition at Cob Gallery and a further solo exhibition at Foam Fotografiemuseum, Amsterdam. His portrait photography is included in the permanent collection of The National Portrait Gallery, London. He is the founder of the imprint Helions. Ronan Mckenzie is a multidisciplinary artist whose practice includes photography, curation, and design. Alongside creative still and moving image works for a number of titles and brands including Vogue, Luncheon, Wall Street Journal, Clinique, Glossier and Nike, Ronan continues to work on special projects including designing a chess board for W Budapest, interviewing Carrie Mae Weems for The Barbican, creative direction for musician anaiis, writing for Apartamento and leading educational programmes for Gucci Changemakers. Curatorially, her collaborators include The V&A, The RA, Carl Freedman Gallery, London Design Festival and Somerset House. In addition to working on numerous projects for others, Ronan founded her own gallery and community space HOME (2020-2023), as well as her label SELASI (2020-present). Hanna Moon is an artist, photographer and creative interlocutor, born in South Korea, and based in London. Her first critically-acclaimed contribution to fashion culture was her launch of A Nice Magazine, created by Moon for her graduation from Central St Martins, London, in 2014. Intentionally working with ideas and subjects outside of the conventions of fashion photography, Moon has defined herself as an important new voice in the field. Moon breathes new life into fashion with her personal narratives and truths, and her acute sense of how to create the visuals of our time. Follow Hanna, Ronan, Jack & Gem on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E109
    August 25 · 1 hr 4 min

    Aspen Mays - On Mystery

    In this episode, On Mystery, Gem Fletcher talks to Aspen Mays about her archival interventions and darkroom transgressions that challenges us to reflect upon the profound experience of looking - looking at us and looking at the world. Aspen’s work exists in a myriad of forms, but what remains consistent through her work is the tension between oppositional forces like irreverence and defiances, the far and the near, construction and deconstruction, knowing and unknowing ,precision and chaos, the ordinary and the exceptional, the visible and the invisible - this is the lifeblood of her work. In short, her innovative practice is about imagining new possibilities of seeing and being. Aspen Mays is an artist whose work investigates photography’s relationship to science, chance, and material transformation. In 2010, Mays was a Fulbright Scholar in Santiago, Chile, where she spent time with astrophysicists using the world’s most advanced telescopes to look at the sky. Her publication, Where We've Been, Where We're Going, Why?, was shortlisted for the First Photobook Award by the Aperture Foundation in 2016. She took part in the inaugural cohort (2022-2024) of Unseen California, a research initiative inviting artists to engage with the Nature Reserve System of the University of California. Mays is a 2026-2027 Guggenheim Fellow. Honors also include an American Academy of Arts and Letters Purchase Prize in 2021 and a Rauschenberg Residency in Captiva, Florida in 2025. Her work has been written about in Art Forum, Aperture, Foam, The New Yorker and the New York Times. She is represented by Higher Pictures. Follow Aspen @aspenmays & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E108
    July 17 · 1 hr 3 min

    Naima Green - On Practice

    In this episode, Gem Fletcher talks to Naima Green about her exhibition, ‘Instead, I spin fantasies’ presented at ICP in New York in 2025/26. The show, which was curated by Elisabeth Sherman, grapples with the concept of pregnancy and parenthood through constructed self-portraits, landscapes and still-lifes—blurring the line between documentary, performance, construction and vernacular modes. Throughout the work. Green probes the conventional expectations and representational tropes of motherhood, while also creating an expanded space for considering the experience of pregnancy and parenthood in America. Naima Green is an artist and educator who pictures individuals and communities to document their vibrant relationships to place and pleasure. She engages with various photographic forms, sound, installation, and experimental film. Throughout her collaborative practice, Green accesses and prioritises the nature of intimacy, safety, and self-recognition. Often working in lush and watery environments, she presents windows into multidimensional experiences of seawater and its pathways: beauty, buoyancy, overwhelm, and submersion. Oral and written histories are critical to her process; by synthesising archival research with outreach and conversation with current sitters, she frames picture-making as a continuum and her still images as kinetic, living histories. Naima has had solo shows at Astor Weeks, Baxter Street CCNY, and Fotografiska, all NY, and the Institute of Contemporary Art at VCU, Richmond, VA. She has exhibited in group shows at the Getty Research Institute, University of Texas at Austin, Mass MoCA, BRIC, The Studio Museum in Harlem, Bronx Museum of the Arts, Houston Center for Photography, and Gallery Factory, Minneapolis, MN, and others. She has been an artist-in-residence at Fountainhead Arts, Baxter Street CCNY, Bronx Museum, Center for Photography at Woodstock, MASS MoCA, Penumbra Foundation, Pocoapoco, and Vermont Studio Center, amongst others. Her work is in the permanent collections of the Barnard College Library, Decker Library at MICA, Flaten Art Museum, Fleet Library at RISD, The Getty Research Institute, Hessel Museum of Art, High Museum of Art, International Center of Photography Library, Musuem of Modern Art, Museum of Modern Art Library, Hirsch Library at the Museum of Fine Arts, Houston, National Gallery of Art, Smart Museum of Art, Smith College Museum of Art, and Teachers College, Columbia University. Follow Naima @naimagreen & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E107
    June 15 · 50 min

    Daniel Shea - On Seeing and Knowing

    In this episode, Gem Fletcher talks to Daniel Shea about his latest book, Distribution which began with a simple question: how do you photograph a forest? In this roving conversation they explore the genesis of Distribution while discussing everything from the personal and often painful journey of artmaking to the future of photobooks and much more in between. What is interesting about Daniel's work is his simultaneous desire for order and complexity - essentially offering more rigorous ways to think about how we move through and experience the world. Daniel Shea is an artist based in New York City. He has published a number of books including Distribution, Ex Nihilo and 43-35 10th Street. He has exhibited internationally including at The Pavilion of the United States during the Venice Biennale of Architecture, Foam, Amsterdam, and The Museum of Contemporary Photography, Chicago. He has been a resident artist at Light Work and His photographs have appeared in The New Yorker, Frieze and Fantastic Man Follow Daniel @danielpshea & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E106
    June 7 · 44 min

    Amelia Abraham - On Sex, Clubs and Dissent

    In this episode, Gem Fletcher talks to Amelia Abraham about her latest book, Sex, Clubs, Dissent: Visualising Queer Nightlife, where she crafts an expansive visual exploration of queer nightlife in all its many iterations. The book is a love letter to those who went out and stayed out, felt the urge to document or reflect what was happening, or who have used their artmaking to dream new modes of being into existence. The book also asks what our decades-long quest to catalogue and understand nightlife spaces through photography and film can tell us about our various relationships with them, reflecting on the ways that photography intersects with pleasure, politics, and protest. Amelia Abraham is a journalist and author from London. She writes for Art Review, The Guardian, The Observer, Dazed, AnOther, and other titles on arts, culture and more. Her books include Queer Intentions: A (Personal) Journey Through LGBTQ+ Culture and We Can Do Better Than This: 35 Voices on the Future of LGBTQ+ Rights. Her first edited photography book, Sex, Clubs, Dissent: Visualising Queer Nightlife, was published this year by MACK Books. Follow Amelia @amelia_abraham & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E105
    May 11 · 50 min

    Ahndraya Parlato - On the Inbetween

    In this episode, Gem Fletcher talks to Ahndraya Parlato about her latest book, TIME TO KILL an interrogation of gendered aging, unpacking the ideals of beauty, caretaking, and maternal and domestic duty imposed on women over the course of their lives. In our roving conversation, we talk about selfhood, motherhood, sacrifice, visibility, censorship, the potency when you get text and image to work as you imagined and what happens to a project after its release. Ahndraya Parlato has a BA from Bard College and an MFA from California College of the Arts. She has published four books: TIME TO KILL [Mack Books 2026] Who Is Changed and Who Is Dead, (Mack Books, 2021), A Spectacle and Nothing Strange, (Kehrer Verlag, 2016), and East of the Sun, West of the Moon(in collaboration with Gregory Halpern), Études Books, 2014. She has exhibited work at: Spazio Labo, in Bologna, Italy, Silver Eye Center for Photography, Pittsburgh, PA, The Aperture Foundation, New York, NY, and The Swiss Institute, Milan, Italy. Ahndraya has been awarded residencies at Light Work and The Visual Studies Workshop, and grants from Light Work, and the New York Foundation for the Arts. She has been a nominee for the ICP Infinity Award, the Paul Huf Award from the FOAM Museum in Amsterdam, and the SECCA Award from the San Francisco Museum of Modern Art and is a 2024 Guggenheim Foundation Fellow. She has taught in the Bard College and Cornell Image Text MFA programs and is currently an Assistant Professor at the Rochester Institute of Technology. Follow Ahndraya @Ahndraya_Parlato & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E104
    March 2 · 35 min

    Chieska Fortune Smith - On Collective Learning

    In this episode, Gem Fletcher talks to Chieska Fortune Smith about her journey through photography and the role of collective learning in her practice. She came to photography through Flickr, the social media platform which earnestly engaged so many of us in the medium. It was a place to upload and share your pictures, while getting feedback from other enthusiasts. Chi’s trajectory pivoted when met Brett Walker on the platform, a photographer in his own right, who mentored a group of budding photographers in London. This model of collective learning was formative for Chi and her peers and gave her the foundations of which she continues to build upon today. In our conversation we talk about the different strands of life, culture and influence which inform her work, what keeps her going and how she moves through the photo industry. Chieska Fortune Smith is born of an African-American soul singer and a Japanese classical dancer. Her work is rooted in classical timelessness and stories with twists of obscurity and illusion. She is heavily influenced by street photography and vintage found imagery from the early 20th century. She has featured in prominent magazines and books including Sixteen Journal, Vanity Fair, and designer Simone Rocha’s debut monograph, and is currently working on a personal project that delves into her Japanese and black American roots. She is based in London. Follow Chi @chieskafortunesmith & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E103
    Dec 22, 2025 · 1 hr 15 min

    Between Two Worlds - On Future Storytelling with Kathy Ryan

    Welcome back. To celebrate reaching the 100th episode of the podcast, I collaborated with the team at the International Centre of Photography in New York City, to host a one day salon. My motivation was to gather the community together in person and start talking about where we stand in photography. Titled, Between Two Worlds, the salon was an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socialised in—and yet it’s unclear exactly how. Before you dive in, I wanted to share what I told the audience at the salon - there are no tidy or easy answers here. In fact my expectation is that these conversations will involve a lot of complexity and contradiction, but holding space for, and embracing this chaos, is in my opinion, the urgent work that needs to be done. In this episode I discuss the future of storytelling with Kathy Ryan For three decades, Kathy Ryan, the longtime director of photography at The New York Times Magazine, pioneered her own vision for visual storytelling. Her signature approach to masterful commissioning was rooted in unexpected cross-assignment, blurring boundaries between genres and creating space for photography to be interpretive and elaborate - a powerful voice unto itself. Kathy is an icon. She has truly had more impact than any other magazine director of photography in our time. Within photography circles, she is a genuine legend. Now, as she enters a new era of her career as an artist, curator and educator, I wanted to talk to Kathy about her new chapter and what it means to shift from the role of directing images to making them herself. I also wanted to speak to her, now she is untethered from an insitution, about her take on the future of storytelling and the role of the photographer in preserving history, challenging misinformation, and safeguarding the integrity of our shared narratives. Follow Kathy & Gem on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Thank you to the whole team at ICP for collaborating on this project. Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E102
    Dec 8, 2025 · 52 min

    Between Two Worlds - On Documentary

    Welcome back. To celebrate reaching the 100th episode of the podcast, I collaborated with the team at the International Centre of Photography in New York City, to host a one day salon. My motivation was to gather the community together in person and start talking about where we stand in photography. Titled, Between Two Worlds, the salon was an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socialised in—and yet it’s unclear exactly how. Before you dive in, I wanted to share what I told the audience at the salon - there are no tidy or easy answers here. In fact my expectation is that these conversations will involve a lot of complexity and contradiction, but holding space for, and embracing this chaos, is in my opinion, the urgent work that needs to be done. In this session On Documentary, I was joined by Stacy Kranitz, Abdul Kircher, and Sinna Nasseri. Amongst the doom and upheaval that defines life in the 2020s, from political extremism and war, the dizzying technological domination and the profound shifts in perception and attention, the role of documentary photography has never felt so consequential. Amongst this chaos, the protocols of the genre are shifting and new questions are emerging: What happens to documentary photography if we no longer trust in images? How is the changing media landscape impacting how images function? And can new forms of the medium emerge that adequately express the strange, unmapable shape of our present? Projects mentioned: Stacy Kranitz - The year after a denied Abortion and the conversation about the project Abdul Kircher - Rotting From Within Sinna Nasseri - LA Fires Follow Stacy, Abdul, Sinna & Gem on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Thank you to the whole team at ICP for collaborating on this project. Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E101
    Nov 24, 2025 · 1 hr 1 min

    Between Two Worlds - On Contemporary Art

    Welcome back. To celebrate reaching the 100th episode of the podcast, I collaborated with the team at the International Centre of Photography in New York City, to host a one day salon. My motivation was to gather the community together in person and start talking about where we stand in photography. Titled, Between Two Worlds, the salon was an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socialised in—and yet it’s unclear exactly how. Before you dive in, I wanted to share what I told the audience at the salon - there are no tidy or easy answers here. In fact my expectation is that these conversations will involve a lot of complexity and contradiction, but holding space for, and embracing this chaos, is in my opinion, the urgent work that needs to be done. In this session on contemporary art. I’m joined today by three brilliant artists, thinkers and writers - Farah Al Qasimi, Charlie Engman and Gideon Jacobs. What we understand an image to be is becoming completely reimagined. As photography slowly loses its utility value as a communication tool, does it have the opportunity to be a slippery, strange and miraculous medium of possibilities? From where we stand today, what is the work of art? And what role does photography play in those ideas and gestures? Projects mentioned: Charlie Engman - Cursed Farah Al Qasimi - Toy World Gideon Jacobs - On Images Follow Farah, Charlie, Gideon & Gem on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Thank you to the whole team at ICP for collaborating on this project. Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E100
    Nov 11, 2025 · 49 min

    Between Two Worlds - On Portraiture

    Welcome back. To celebrate reaching the 100th episode of the podcast, I collaborated with the team at the International Centre of Photography in New York City, to host a one day salon. My motivation was to gather the community together in person and start talking about where we stand in photography. Titled, Between Two Worlds, the salon was an attempt to describe the feeling of existing in two image worlds, the one we think we know, and the new one emerging. We can sense that this new image world operates differently to the one we were socialised in—and yet it’s unclear exactly how. Before you dive in, I wanted to share what I told the audience at the salon - there are no tidy or easy answers here. In fact my expectation is that these conversations will involve a lot of complexity and contradiction, but holding space for, and embracing this chaos, is in my opinion, the urgent work that needs to be done. In this session On Portraiture, I was joined by Avion Pearce, Caroline Tompkins and Alexander Coggin. Three fascinating photographers, each with their own distinct approach to imaging people, and yet their strategies overlap and intersect in different ways. Throughout history, Portraiture has played a critical role in how we understand people and ourselves, revealing a myriad of ideas about the maker and the sitter. In an era where identities and communities are yet again being erased or reduced, Portraiture feels particularly pertinent to me right now. Projects mentioned: Caroline Tompkins - Bedfellow Avion Pearce - In The Hours Before Dawn Alexander Coggin - Micheal Follow Caroline, Avion, Alexander & Gem on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Thank you to the whole team at ICP for collaborating on this project. Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E99
    Nov 4, 2025 · 51 min

    Gideon Jacobs - On Images

    In this episode, Gem Fletcher talks to writer and artist Gideon Jacobs. For the last few years, Gideon has been grappling with our relationship to images and technology, posing theories about its potential futures. Despite his beat not being politics, many of his most potent essays, in particular those for the LA Review of Books, use the root of politics to untangle the changing state of images and the ways in which reality is being reimagined through image production and strategy in dark and surreal ways. In this episode, we cover a lot of ground, trying to unravel how the value of images is shifting and what the potential outcome or implications of this could be, to which there are several possibilities, but for Gideon, our relationship to technology comes front and centre. Gideon Jacobs is a New York based writer contributing fiction and nonfiction to The New Yorker, The New York Times, Artforum, BOMB Magazine, The Drift, Heavy Traffic, aMONG others. Alongside his writing, he is currently performing a one man show called Images: A Show, a performance as a Second Commandment fundamentalist preacher, directed by Ruby McCollister. He has lectured at a number of institutions including the Museum of Contemporary Art of Rome and the New School, NYC. Gideon is currently working on a novel about images. Articles mentioned: Trump l’Oeil (LA Review of Books) Player One and Main Character (LA Review of Books) AI is the Future of Photography… (New York Times) Follow Gideon @gideon___jacobs & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E98
    Oct 27, 2025 · 44 min

    Donna Ferrato - On Justice

    In this episode, Gem Fletcher talks to Donna Ferrato, a fearless photojournalist who has redefined how the world sees domestic violence through her groundbreaking work. Her seminal book Living With the Enemy [published by Aperture] sparked a global reckoning, exposing the hidden realities of abuse and igniting conversations that continue to drive change. In this conversation, Donna shares her radical approach to image making, what she went through to get her work seen, and her lifelong mission of wielding the camera as a tool for justice. In 2021, Donna received a grant from the Mayor’s Office to End Gender-Based Violence to build and install a public art installation on a human scale in the form of a prison cell sculpture of mirrored steel which symbolized a portal into the lives of criminalized survivors of domestic violence. Donna's work has been recognized with numerous prestigious honors, including the W. Eugene Smith Grant in Humanistic Photography, the Robert F. Kennedy Award for Outstanding Coverage of the Plight of the Disadvantaged, the IWMF Courage in Journalism Award, the Missouri Medal of Honor for Distinguished Service in Journalism, Artist of the Year at the Tribeca Film Festival, and the Look3 Insightful Artist of the Year. In 2008, New York City declared October 30th “Donna Ferrato Appreciation Day,” and in 2009, she was honored by the judges of the New York State Supreme Court for her tireless advocacy for gender equality. In 2025, she was awarded an honorary doctorate from John Jay College of Criminal Justice for her lifelong commitment to justice, truth, and the transformative power of photography. Donna's photographs are held in major institutional collections including the Museum of Fine Arts Boston, the Cleveland Museum of Art, the Library of Congress, and the International Center of Photography in New York City, as well as in private collections such as those of Celso Gonzalez-Falla, the Marrus Family Fund, Keri Jackson and Adrian Kunzel, Ann and Alex Russ Family Fund. She is represented by the Daniel Cooney Gallery in Santa Fe, New Mexico. Follow Donna @donnaferrato & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E97
    Oct 20, 2025 · 48 min

    Lisa Barnard - On Perception

    In this conversation Lisa Barnard talks to Gem Fletcher about her new exhibition, You Only Look Once, at c/o Berlin which considers perception in relation to both human and machine experience. She addresses the complexity of technological progress and the ecological resources on which its promises depend. Her research focuses on California, unfolding a multilayered, fragmented and nonlinear story that encompasses photographs, an immersive video installation, archival interventions, alternative printing strategies and AI-generated image analyses that weave together in the creation of a dense visual entanglement. Lisa Barnard is a British artist and lecturer whose photography focuses on real events. In her projects, she combines classical documentary methods such as photography, audio, video, and text with contemporary visual strategies and digital technologies. She brings together her interest in aesthetics and current debates on the materiality of photography with political questions surrounding new ecological efforts, technological developments, science, and the industrial military complex. Barnard is an associate professor and head of the online masters in documentary photography at University of South Wales. She regularly exhibits her work and has published three monographs: Chateau Despair (2012, GOST, supported by Arts Council England), Hyenas of the Battlefield: Machines in the Garden (2014, GOST, supported by Albert Renger-Patzsch prize), and The Canary and the Hammer (2019, MACK, supported by Getty Images Prestige Grant). Follow Lisa @lisacbarnard & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E96
    Sep 15, 2025 · 1 hr

    Liz Johnson Artur - On Taking Time

    I Will Keep You in Good Company, the latest book by Liz Johnson Artur brings together pages and fragments from over twenty years of her personal workbooks she has kept since the early 1990s. These books are a kind of private, experimental playground where she shaped her photographic language through layering, cutting, annotating, and assembling: a space for processing not only images, but life itself. Each page is a tactile surface, combining photographic prints on canvas, tracing paper, faxes, and photo stock with screen-prints, handwriting, and clipped texts. The result is a sensorial, intimate archive of moments lived and witnessed – of friends, family, strangers, lovers – held with care and attention. In this conversation, Gem and Liz talk about the workbooks and Liz’s journey making them throughout her career. They also talk about the power of stubbornness, finding your tools, overcoming shyness, how she has integrated her work into her life and the importance of being yourself within the institution. Follow Liz @lizjohnsonartur & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E95
    Sep 7, 2025 · 1 hr 11 min

    Vince Aletti - On Collecting

    In this episode Gem talks to writer and curator Vince Aletti about his most recent book Physique—which showcases rare photographic prints from the underground gay magazine of the same name—collated from his own private collection. Spanning the 1930s to the early 1960s, these photographs chronicle a hidden, coded world of homoerotic imagery. Physique reveals a forgotten chapter of American gay culture in which photographic prints served as a lifeline, connecting a community of men under threat while also providing solace, pleasure, and empowerment amid oppression. In their roving conversation, they talk about obsessions, Queer culture, FOMO, writing, the importance of incongruous connections, Bad Bunny and the evolving codes of masculinity. Vince Aletti is a writer, critic, curator and book maker. He is a regular contributor to the New Yorker and has also written for Aperture, Artforum, Document, amongst other titles. Vince was the art editor of the Village Voice from 1994 to 2005 and the paper’s photo critic for twenty years. In 2005, he won the International Center of Photography’s Infinity Award for writing. He has made many books, most recently, The Drawer and Physique made in collaboration with Self Publish Be Happy and Mack. Vince lives and works in Manhatten Follow Vince @vincealetti & Gem @gemfletcher on Instagram. If you've enjoyed this episode, please rate and review. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E94
    May 12, 2025 · 36 min

    Charlotte Jansen - On Discovery

    In this episode, Gem Fletcher talks to Charlotte Jansen, writer and Photo London curator. They discuss mechanics behind photography fairs, how she approaches the curatorial process and how this aspect of the industry can support the work of emerging artists. Charlotte Jansen is a British Sri Lankan author, journalist and critic based in London. She is the curator of Discovery at Photo London and writes on contemporary art and photography for The Guardian, The Financial Times, The New York Times, British Vogue and ELLE, among others. She is the author of Girl on Girl: Art and Photography in the Age of the Female Gaze, and Photography Now. Follow Charlotte @omfgnoway & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

  • S1 · E93
    Apr 21, 2025 · 53 min

    Carolyn Drake and Andres Gonzalez - On Collaboration

    In this episode, Gem Fletcher talks to photographers and longtime partners Carolyn Drake and Andres Gonzalez about their collaborative project and book, “I’ll let you be in my dreams if I can be in yours,” published by Mack. For the last five years, the two artists have traversed the border between Mexico and the United States, working together for the first time and ruminating on ideas about human connection, migration and the mechanics of photography itself. In this conversation they talk about the reality of collaboration, and how as they studied the borderlands they were faced with an unavoidable reckoning that, over time, offered them a deeper understanding of each other and their work. Carolyn Drake works on long term photo-based projects seeking to interrogate dominant historical narratives and creatively reimagine them. Her practice embraces collaboration and has in recent years melded photography with sewing, collage, and sculpture. She is interested in collapsing the traditional divide between author and subject, the real and the imaginary, challenging entrenched binaries. Andres Gonzalez is a visual artist based in Vallejo, California. His book “American Origami” (2019) won the Light Work Photo Book Award, and was shortlisted for the Paris Photo–Aperture Book Awards. We featured “I’ll let you be in my dreams if I can be in yours,” his first collaborative project with fellow photographer, and life partner, Carolyn Drake, which saw them spend five years traversing the border between Mexico and the United States, capturing moments and characters from their individual perspectives. Follow Carolyn @drakeycake & Andres @andresvgonzalez & Gem @gemfletcher on Instagram. If you've enjoyed this episode, PLEASE leave us your feedback in the Apple Podcast store. Thank you for listening to The Messy Truth. We will be back very soon. For all requests, please email hello@gemfletcher.com Hosted on Acast. See acast.com/privacy for more information.

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