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The Late Set

Nate Chinen, Josh Jackson

Jazz is a conversation — and that’s what The Late Set is all about. Nate Chinen and Josh Jackson convene every two weeks for straight talk and in-depth interviews with featured guests. Just like a hang at the end of the gig, in the back of the club, it’s direct, unfiltered and illuminating, revealing the music and its culture in a deeper light.

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  • 27 episodes
  • fortnightly
  • Avg 55 min
  • English

Episodes 27

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  • #62
    June 9 · 51 min

    Yeah No, with Chris Speed and Jim Black

    When Chris Speed formed Yeah No in the late 1990s, there was no lane for its hybrid style, which drew from both post-punk and post-bop, with shoegaze and Balkan klezmer folded into the mix. Speed, a multi-reedist, had intrepid partners in trumpeter Cuong Vu, bassist Skúli Sverrisson and drummer Jim Black — each a sonic visionary, and all committed to a shared band ideal. Since then, the musicians have pursued other projects in far-flung locales. So it felt momentous this spring when Yeah No kicked off a reunion tour at Solar Myth under the auspices of Ars Nova Workshop, whose inaugural show the band played more than 25 years ago. Before the performance, Speed and Black sat down for an onstage interview with Nate Chinen, whose history with the band stretches back to that era. Chapters 00:00 — Intro 07:00 — Interview with Chris Speed and Jim Black 42:30 — “This I Dig” Special thanks to Beau Gordon, Mark Christman and the folks at Ars Nova Workshop and Solar Myth. Want to support The Late Set? Become a WRTI member: wrti.org/donate Follow us on Instagram: instagram.com/wrtimusic Subscribe to our YouTube: youtube.com/@WRTImusic Write us an email: editor@wrti.org

  • #61
    May 26 · 51 min

    Miles Davis at 100

    Miles Davis is a source of endless fascination — so for his centennial episode,…

  • #60
    May 12 · 1 hr 5 min

    Monk con Clave, with Carlos Henriquez

    For more than 25 years, bassist Carlos Henriquez has been the beating heart of the rhythm section in the Jazz at Lincoln Center Orchestra, as well as other bands led by Wynton Marsalis. He’s done more than his share of swinging in those settings. But as a product of the Nuyorican community, Henriquez has also remained deeply rooted in clave — the pulse at the center of folkloric Afro-Latin music. In this episode, he joins Josh Jackson to discuss Monk con Clave, his dynamite new album with the JALC Orchestra, featuring special guests including pianist Gonzalo Rubalcaba and percussionist Pedrito Martínez. Henriquez also reflects on his formative path through jazz education, and weighs in on a timely question of succession. Chapters 00:00 — Intro 03:05 — Interview with Carlos Henriquez 40:36 — Carlos Henriquez performs “I Mean You” (solo bass) and discusses his bass inspirations 1:00:28 — “This I Dig” Want to support The Late Set? Become a WRTI member: wrti.org/donate Follow us on Instagram: instagram.com/wrtimusic Subscribe to our YouTube: youtube.com/@WRTImusic Write us an email: editor@wrti.org

  • #58
    April 14 · 54 min

    Organic Music, with Irreversible Entanglements

    Irreversible Entanglements can always be trusted to push revolutionary concerns to the fore. But the band puts just as much stock in community, as we’ll hear in this provocative and lively episode. Four of the group’s five members — vocalist Camae Ayewa (aka Moor Mother), trumpeter Aquiles Navarro, saxophonist Keir Neuringer, and bassist Luke Stewart — joined Josh Jackson at The Fabric Workshop and Museum for a listening session and public discussion of Don Cherry’s 1972 album Organic Music Society, as a tie-in to the exhibition The Living Temple: The World of Moki Cherry, presented by Ars Nova Workshop. The band also talked about Future Present Past, its knockout fifth release, and the imperative of speaking truth to power, now as ever. The band also discusses Future Present Past, its knockout fifth release, along with the enduring imperative of speaking truth to power — now as ever. Chapters 00:00 — Intro 04:30 — Interview with Irreversible Entanglements 46:47 — “This I Dig” Want to support The Late Set? Become a WRTI member: wrti.org/donate Follow us on Instagram: instagram.com/wrtimusic Subscribe to our YouTube: youtube.com/@WRTImusic Write us an email: editor@wrti.org

  • February 22 · 42 min

    Radio Repost: New Pinnacle, with Brandee Younger

    Tonight at 8 p.m., WRTI will air the latest episode of The Late Set Radio Hour featuring harpist, composer and bandleader Brandee Younger. To get you ready for the broadcast, we’re (re)sharing our original May 2025 podcast interview with Brandee, taped live before a sold-out Solar Myth show presented by Ars Nova Workshop. The broadcast features music spanning her 2025 release Gadabout Season and her re-imagining of Dorothy Ashby’s work on Brand New Life. Younger reflects on using the studio as a creative tool and embracing the harp’s full expressive range — from glissandos to groove. Host Nicole Sweeney guides us through Brandee’s profound connection to Alice Coltrane, including performing on Coltrane’s harp and collaborating with Ravi Coltrane. The episode also spotlights fellow harpist Ashley Jackson, who speaks about the spiritual resonance of Younger’s music and how these works are entering the modern harp canon. Listen Sunday at 8 p.m. on WRTI or stream the full episode online: wrti.org Want to support The Late Set? Become a WRTI member: wrti.org/donate Follow us on Instagram: instagram.com/wrtimusic Subscribe to our YouTube: youtube.com/@WRTImusic Write us an email: editor@wrti.org

Showing 1–20 of 27 episodes