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Stageworthy

Now in its 10th year, Stageworthy is Canada’s theatre podcast, bringing you in-depth interviews with theatre artists, panel discussions, and more. Each week, host Phil Rickaby sits down with the people who make theatre happen: from household names to artists you should know. Whether you're an audience member, a theatre maker, or just plain curious about Canadian theatre, Stageworthy offers a front-row seat to the conversations shaping the industry. New episodes every Tuesday.

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Tuesday · 53 min
Antoni Cimolino on Leaving the Stratford Festival after 39 Years
Read transcript About This Episode: Antoni Cimolino has spent 39 years at the Stratford Festival: as actor, producer, executive director, and finally as artistic director since 2012. In this wide-ranging conversation with host Phil Rickaby, Cimolino reflects on what drew him to Stratford as a teenager, the moment a play on the thrust stage changed the course of his life, and the long arc from audacious young actor (who once offered toaster ovens in exchange for an audition) to the outgoing steward of one of the world's great theatre institutions. Cimolino talks candidly about programming his final season around themes of forgiveness and the power of theatre, the existential financial crisis the pandemic brought to Stratford, and why he ultimately stayed on longer than he had planned. He also digs deep into the unique demands of the thrust stage, the philosophy behind commissioning ambitious new Canadian work, and what it meant to shepherd the festival through a fundamental shift in how audiences consume entertainment. This is a generous, thoughtful conversation with someone who has dedicated his professional life to a single institution, and who leaves it, by almost any measure, in better shape than he found it. Guest: 🎭 Antoni Cimolino Antoni Cimolino is the artistic director of the Stratford Festival, a post he was named to in 2012, having served as general director, executive director and general manager, in addition to other roles. He began at the Stratford Festival in 1988, as an actor, taking on his first directing projects in the mid-1990s. Highlights of his career include playing Romeo to Megan Follows's Juliet; directing Richard Monette in Filumena, William Hutt in Twelfth Night, Brian Bedford in Love's Labour's Lost and Martha Henry in The Tempest; the creation of the multimillion-dollar Endowment Foundation; the renovation of the Avon Theatre and the creation of the Studio Theatre; and the building of the glorious new Tom Patterson Theatre. In 2013, his first season as Artistic Director, Cimolino introduced The Meighen Forum, a season-long series of more than 150 events illuminating the themes of the playbill and illustrating their relevance in today's world. That same season he directed The Merchant of Venice, with Tom McCamus and Scott Wentworth, and Mary Stuart, with Seana McKenna and Lucy Peacock, a production that was extended an unprecedented four times. His recent productions include The Winter’s Tale in 2025, Dion Boucicault’s London Assurance and Eduardo De Filippo's Grand Magic with Geraint Wyn Davies in 2023/2024, as well as Richard III and The Miser with Colm Feore in 2022; the English-language première of Birds of a Kind by Wajdi Mouawad; The Merry Wives of Windsor with Geraint Wyn Davies, Sophia Walker and Brigit Wilson; Napoli Milionaria! with Tom McCamus and Brigit Wilson; The School for Scandal with Shannon Taylor, Geraint Wyn Davies and Joseph Ziegler; Macbeth with Ian Lake and Krystin Pellerin; The Hypochondriac with Stephen Ouimette and Brigit Wilson; Hamlet and The Alchemist with Jonathan Goad; King Lear with Colm Feore (one of the top-selling Shakespeare productions in the Festival's history); and The Beaux' Stratagem with Colm Feore and Mike Shara. In 2014, Cimolino and Executive Director Anita Gaffney launched Stratford Festival On Film, an ambitious project to capture all of Shakespeare's plays. The productions from this ongoing initiative, along with films of some non-Shakespeare productions and original digital content are part of a massive catalogue of arts programming available on the Festival's subscription streaming platform, StratFest@Home. In 2018, Cimolino and Gaffney launched a $100-million campaign to build a new Tom Patterson Theatre. The campaign exceeded its goal and the new theatre opened in May 2022, winning a number of architectural awards, including the Governor General's Medal in Architecture, the global MasterPrize Award, the UK Civic Trust Award and the Design Excellence Award from the Ontario Association of Architects, as well as the OAA's People's Choice Award. Cimolino, now in his 39th season at the Festival, is the director of the 2026 production of The Tempest at the Festival Theatre and Saturday, Sunday, Monday at the Avon Theatre. More with Antoni Cimolino: 🎬 Documentary: This Above All: The Theatrical Life of Antoni Cimolino - available on CBC Gem Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy
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October 27 · 1 hr 13 min
Steffi DiDomenicantonio Has Some Hot Takes on Musical Theatre in Canada
About This Episode: This week on Stageworthy, Phil talks with Steffi DiDomenicantonio: actor, musical theatre artist, and Canadian Idol alumna better known as Steffi D. From the very first question, the conversation takes off into a frank and energetic discussion about the state of musical theatre in Canada: the shortage of venues, the lack of homegrown stars, the price of tickets, and more. Guest: 🎤 Steffi DiDomenicantonio Montreal born and Ottawa raised Steffi DiDomenicantonio is a bilingual Dora Award nominated performer who has appeared on stages and screens for almost 20 years. Most notably, she played the role of Ilse over 600 times in 44 cities in the first Broadway national tour of Spring Awakening, was a Top 5 finalist on Season 4 of Canadian Idol and performed the role of Janice & Others in the original Canadian cast of the smash-hit musical Come From Away over 1,300 times in Canada and on tour in the United States. Her other favourite theatre credits include leading lady turns in productions of Cabaret, Next to Normal, The Last Five Years, The Addams Family, The Rocky Horror Show, Cinderella, Rock of Ages and the Heated Rivalry musical. On the small screen, she has appeared in over 60 TV shows, movies and commercials including Transplant, Frankie Drake, The Umbrella Academy, Mayday, Star Trek, Crawford, Murdoch Mysteries, Stage Fright (with Meatloaf) and Chucky. Steffi was named after tennis legend Steffi Graf and she is a proud Italian French-Canadian musical theatre nerd slash Liza Minnelli lookalike who loves karaoke, trivia, thrifting, horror movies, poutine and Taylor Swift, all at once or separately and in no particular order. Her current record breaking DuoLingo streak is over 1,545 days long. Connect with Steffi 🌐 Website: www.steffid.ca 📸 Instagram: @steffid5 Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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October 20 · 1 hr 3 min
Ron Kennell on Clown Noses, Dark Places, and Why Comedy Is Harder Than Drama
About This Episode: This week, Phil sits down with Ron Kennell, Canadian actor, emerging playwright, and former George Brown College classmate, for a wide-ranging conversation that spans decades of theatre-making, international adventure, and the stubborn will it takes to keep going in this industry. Ron has spent nearly a decade at the Stratford Festival, made his Shaw Festival debut, appeared on Star Trek: Strange New Worlds, and voiced characters in video games. He's also a writer, with a commissioned play about local Ontario psychic Vera McNicol and several screenplays on the go. Guest: 🎭 Ron Kennell From CBS’s Star Trek to CBC’s Sort Of. From the Stratford Festival to the Fadjr Theatre Festival in Iran. From touring - kids show in Quebec’s Arctic Circle, to playing a drag queen in the legend of George McBride at the Arts Centre in Vancouver. From voice acting in Far Cry (Primal) to writing feature film Dr Cabbie. Ron had had a varied career developed and sustained through his roots in the theatre. Connect with Ron 📸 Instagram: @resident_artisan Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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October 13 · 1 hr 2 min
Annie Luján & Veronica Hortigüela are Bringing Chaos to the Monastery with Monks
About This Episode: Annie Luján and Veronica Hortigüela are the creators and performers behind Monks, a two-person clown show about a pair of medieval Spanish monks who invite a wagon full of strangers to spend a day at their monastery; and chaos ensues. What started as a self-funded, unscripted experiment at the Toronto Fringe in 2024 became one of the hottest tickets in the city, spawning multiple remounts and a triumphant run at the Edinburgh Festival Fringe before returning home to Toronto for a full production at Tarragon Theatre. Guests: 🎭 Annie Luján & Veronica Hortigüela Annie Luján (she/her) is a Dora Award-winning Costa Rican-Canadian actor and clown. She is a graduate of the 2022 Soulpepper Academy and Concordia University. As a clown, Annie has trained/worked internationally in Italy, the U.S., the U.K. and Canada. Her credits include: Laura Secord’s Thing (Crow’s - Upcoming), Dance Nation (Coal Mine), The Welkin, King Lear (Soulpepper), A Little Closer (The Vault) Last Landscape (Bad New Days), Comedy of Errors (The Grove) and Storybook Search (Bad Hats). Veronica Hortigüela (she/her) is a Dora-Award winning Spanish-Canadian actor, clown, and playwright, born and raised in Scarborough, Ontario. She is one half of the creative/performance team behind MONKS (Tarragon, Edinburgh Fringe, Theatre Centre, Crow’s, County Stage, Toronto Fringe). She's passionate about seeing theatre through various phases of development and has had the pleasure of working with Canadian Stage, Crow’s, Buddies in Bad Times, Stratford, Tarragon, Factory, Shakespeare in the Ruff, and YPT on the development of new plays. Performance credits include: The Shoplifters [Upcoming], Bremen Town, Feast (Tarragon Theatre), The Bidding War, Prodigal (Crow’s Theatre), Casimir and Caroline (Howland Co., Dora Award - Best Ensemble), Little Women, Every Little Nookie (Stratford Festival) and Dry Land (Cue6). Connect with Annie & Veronica: 📸 Instagram: @monksonstage Get Tickets to Monks @ Tarragon Theatre October 20-November 8: https://tarragontheatre.com/plays/tarragon-season-26-27/monks/ Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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October 6 · 58 min
Kelly Taylor and Hools Kay are Un (Capital F) Famous in Toronto
About This Episode: Kelly Taylor is the kind of artist who doesn't wait for permission. When the roles aren't coming, she writes them. When she doesn't get into fringe, she books her own theatre. When she needs a director, she calls a friend she trusts, Hools Kay. That spirit is exactly what Un (Capital F) Famous is built on: a show about an actress who loses everything and has to find her way back to the art that made her fall in love with performing in the first place. In this conversation, Kelly and Hools talk about how the show came together, what it was like growing up in a clown family, Fringe touring and much more! Guests: 🎭 Kelly Taylor and Hools Kay Kelly Taylor is a jill-of-all-trades who has extensive experience wearing many different creative hats. Hailing from a family of literal- clowns, comedy runs through the this purple haired millennial veins. Kelly is a voice actor specializing in animation, a writer, a producer and an actor. Kelly creates comedy inspired by her zany life and engages her audiences through her personal flare and eternal optimism. A neurodivergent, queer, creative, Hools Kay has been around the block for all things art making. After spending the last 7 years working on creating their own series and having that bubble burst abruptly this past summer, Hools is super stoked to be in the director's chair for their Toronto directorial debut. As an actor, Hools can be found doing interactive performances with companies across the city like The Dinner Detective and EscapeShow. They have always found brilliance in collective creation with passionate artists, and working alongside Kelly Taylor fits that description perfectly. Connect with Kelly & Hools Kelly's Instagram: @itskellytaylor Hools' Instagram: @hookslaybae Get tickets to Un (Capital F) Famous: https://www.eventbrite.com/o/kelly-taylor-121616969983 Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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September 29 · 1 hr 8 min
Jay Northcott is Bringing Joy, Blackness, and Bootycandy to Buddies in Bad Times
In this episode: Jay Northcott is a director, educator, and multidisciplinary artist whose work is rooted in joy, specificity, and a deep commitment to centring the full humanity of Black and queer artists. In this conversation, Jay joins Stageworthy host, Phil Rickaby to talk about Bootycandy, Robert O'Hara's wildly funny and emotionally complex play running at Buddies in Bad Times Theatre in association with Obsidian Theatre; and why a play written by an American offers a powerful opportunity to interrogate what it means to make distinctly Canadian art. Guest: 🎭 Jay Northcott Jay (They/Them) is a multidisciplinary Creator, Director, Producer, and former Big Brother Canada contestant. Central to Jay’s creative and artistic practice is their advocacy for marginalized communities including Palestinians, Indigenous, Black, Racialized, Queer, Trans folks and beyond. The art they create is a window into their world, soul, values, and imagination. Art is freedom and freedom breathes life. Credits include: 7 METHODS OF KILLING KYLIE JENNER (Obsidian Theatre), KING LEAR (Stratford Festival), COTTAGERS AND INDIANS (Watermark Theatre, PEI), CONCORD FLORAL (Randolph College), 21 BLACK FUTURES (Obsidian Theatre, CBC), THE PARASITE (Theatre Outrè), PREMIUM CONTENT (Major Matt Mason). Connect with Jay: 📸 Instagram: @jaythemcott Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve, Makambe Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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September 22 · 57 min
Erin Shields is Bringing Deaf and Hearing Worlds Together in To A Flame
About This Episode: Playwright Erin Shields joins Phil for a wide-ranging conversation about To a Flame, her loose adaptation of Edgar Allan Poe's The Fall of the House of Usher, a production fifteen years in the making that features both deaf and hearing performers and is performed in spoken English and American Sign Language. Erin also reflects on a remarkable year of productions, from Mary, Mary, Mary, Mary to Medusa to You Always, and how the pandemic, gave her the space to experiment with form in ways she hadn't before, and much more! Guest: ✍️ Erin Shields Erin Shields is a Canadian playwright, actor and educator based in Toronto. Most of her work highlights the negation or misrepresentation of women in classical texts by adapting these stories through a feminist lens for a contemporary audience. She likes making large plays for large stages. Her work has played across Canada and beyond. Connect with Erin 🌐 Website: www.erinshields.ca 📸 Instagram: @shieldserin1 Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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September 15 · 1 hr 4 min
Jacklyn Francis on Why Theatre Matters More Than Ever Right Now
Jacklyn Francis has been making theatre in Canada for more than three decades, and in this conversation she brings the kind of hard-won perspective that only comes from years of navigating the industry's rhythms, disappointments, and genuine joys. In this episode, they talk about what it really feels like to work at a major festival like Stratford, the art of understudying, the strange grief that follows closing night, and much more! Guest: 🎭 Jacklyn Francis Jacklyn Francis is a proud Canadian stage and screen actor whose career spans more than three decades across theatre, film and television. She most recently starred as Alice in Sexy Laundry, at the Drayton Festival Theatre. A longtime member of the Stratford Festival company, her Stratford credits include Forgiveness, As You Like It, 1939, Hamlet-911, Henry VIII, Julius Caesar, To Kill a Mockingbird, The Changeling, Pride and Prejudice and Richard III. She has also performed leading roles at theatres across Canada, including the Citadel Theatre, Canadian Stage, Blyth Festival, Thousand Islands Playhouse, The Sudbury Theatre Centre, The Globe Theatre, Equity Showcase, Shakespeare in The Ruff, Buddies in Bad Times, Theatre Northwest, Resurgence, Shakespeare by the Bay and appearances at The Toronto Fringe. On screen, Jacklyn’s recent credits include HBO’s Welcome to Derry, NBC’s Brilliant Minds and Ruby and the Well, alongside appearances in Murdoch Mysteries, Rookie Blue, Flashpoint, Little Mosque on the Prairie, Missing and Our Hero. A graduate of George Brown Theatre School with additional professional development at the Banff Centre/Citadel Theatre, Jacklyn is a recipient of the Jean A. Chalmers Apprentice Award and the Tanya Award in recognition of excellence at the Stratford Festival (in 2018, Jacklyn was the first actor ever to win this award) Connect with Jacklyn 📸 Instagram: @jacklynjax Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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September 8 · 1 hr 11 min
Curtis Campbell has something to say about AI in the arts
In this episode Curtis Campbell joins host Phil Rickaby to talk about AI in the theatre. In the lead up to this summer's Toronto Fringe, it was noticed that a number of shows were using AI generated posters, which sparked a discourse on social media about whether Generative AI should be used in the Fringe and beyond. This conversation spread to the Edinburgh Fringe, where AI generated posters were also seen. In this episode Curtis and Phil talk about AI, its use in the arts, and whether AI should be embraced or avoided. Note: in this episode, Curtis mentions a video that Phil published about his poster creation process. That video can be found here. Guest: 🎭 Curtis Campbell Curtis Campbell is a writer and theatre artist. Some previous credits as a writer and director include Katherine Is Not A Communist, Imp, BETR With Bevan and Color Me Pablo. His novel Dragging Mason County was be published by Annick Press in 2023. His plays Gay For Pay with Blake & Clay and Blake & Clay's Gay Agenda were Fringe hits. Connect with Curtis 🌐 website: campwrites.weebly.com 📸 Instagram: @curtisdangcampbell Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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September 1 · 58 min
Sara Farb is Bringing one of Musical Theatre's Great Roles to Life
About this episode Sara Farb is a veteran of the Canadian theatre stage, having made her debut at the age of 9. Now she's bringing the role of Fanny Brice to life in Shaw Festival's Funny Girl. In this conversation, Sara joins host Phil Rickaby to reflect on the show, writing for the theatre, and what keeps her going. This episode explores What it takes to perform a show like Funny Girl Joining the Shaw Festival for the first time Performing on Broadway in Harry Potter and the Cursed Child That time she almost gave up the theatre to become a copywriter. And much more! Guest: 🎭 Sara Farb Sara is an actor and writer. She wrote the book for the musical Kelly v. Kelly with Britta Johnson (music and lyrics) which premiered at Canadian Stage and Musical Stage Company in 2023; the show is a recipient of the Tom Hendry award and multiple Dora nominations. With Britta, she also co-wrote the Dora-nominated short musical He Is Coming. She wrote the book for the new musical Way Out There with Anton Lipovetsky (music and lyrics) which makes its premiere at YES! Theatre/Theatre Sudbury in spring of 2026. Her play, R-E-B-E-C-C-A, which she wrote and starred in, premiered at Theatre Passe Muraille. She is currently working on a new musical with Aaron Jensen (music and lyrics) about the forgotten female creator of the creature from Creature from the Black Lagoon. As an actor, Sara has performed on Broadway, in seven seasons at the Stratford Festival, and all over Canada. She is currently starring as Fanny Brice in Funny Girl at the Shaw Festival. Connect with Sara 📸 Instagram: @farb.sara Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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August 25 · 1 hr 12 min
Madelaine Rose is Scaring Audiences One Kitchen at a Time
About This Episode: What happens when a self-described field mouse - someone who jumps at a cat's sneeze - decides to write a horror play? You get Passed Down, a one-person horror show about a woman who inherits her great aunt's house and discovers she may have inherited a little more than just the property. Performer, producer, director, and grant writer Madelaine Rose joins Phil to talk about bringing this solo horror play to the Halifax Fringe Festival, and why choosing the kitchen as the setting for a haunted house story was a deliberate and unsettling choice. This episode explores: The origins of Passed Down - from a 24-hour Toronto Fringe playwriting contest to a full 60-minute solo horror show The challenge of producing, acting, and writing your own Fringe show - and how Madelaine learned to compartmentalize and set a hard deadline on revisions Emotional safety in the rehearsal room - why the theatre industry has historically been better at getting actors into emotional scenes than getting them out again The biggest mistake artists make when writing grant applications (hint: they forget the boring stuff) And much more! Guest: 👻 Madelaine Rose Madelaine Rose (she/they) is a performer, producer and all-around creative. They are the current co-chair of outACTRAto, and the inaugural chair of the ACTRA National Progress Pride Committee. As a member of the 2SLGBTQIA+ community her mandate as a producer is to create the type of art she wishes to see in the world, art which creates space for more leading, and diverse roles for women, gender non-conforming, and queer artists. Their work as a theatre creator and filmmaker has been showcased and recognized from coast to coast, and around the globe. They are co-founder of Sigh No More Productions, and the Solo’d Out Theatre festival, and they can be seen acting in such award-winning works as The Perfect Bite (Secret City Adventures/ Netflix), My Best Friend’s Date (Sigh No More Productions), and The Heist… Almost (Sigh No More Productions). Connect with Madelaine 🌐 Website: www.madelaine-rose.com 📸 Instagram: @rose.madelaine 🎥 TikTok: @rose.madelaine Get Tickets: Passed Down at Halifax Fringe Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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August 18 · 56 min
Sharry Flett Is Reflecting on 34 Seasons at the Shaw Festival
About This Episode: Sharry Flett has spent 34 seasons at the Shaw Festival - long enough to have watched the company evolve through three artistic directors, raise a daughter who appeared on its stages, and welcome back former students she once coached as the people now directing her. In this conversation with host Phil Rickaby, Sharry reflects on what keeps drawing her back to Niagara-on-the-Lake, and what it felt like to walk into rehearsals for Wind in the Willows and find Fiona Sauder, André Morin, and fight director Jack Davidson Rennie - all artists she had mentored at George Brown College, now in positions of leadership. This episode explores: What it was like for Sharry to be directed by three former students she had coached at George Brown College; and how she navigated that full-circle moment Playing Rat in Wind in the Willows: how the original Kenneth Grahame book shaped her approach to the character Why performing for children demands complete honesty and commitment; and how that discipline serves actors in any room The Shaw Festival under three artistic directors: Christopher Newton, Jackie Maxwell, and Tim Carroll, and how the ensemble ethos has remained constant through each Sharry's path from medicine to music to theatre, including the moment picking up a flute sent electricity through her arm The importance of teaching; and what Sharry gains from students when she brings Shaw's language alive in the room And much more! Guest: Sharry Flett SHAW 2026: Funny Girl, The Wind in the Willows; 34th season. FOR THE SHAW: Anything Goes, May I Have The Pleasure?, My Fair Lady, The Secret Garden, The Apple Cart, The Clearing, The Doctor’s Dilemma, Everybody, Cyrano de Bergerac, Man and Superman, Me and My Girl, Uncle Vanya, The Philadelphia Story, Enchanted April, Lady Windermere’s Fan, Come Back Little Sheba, Maria Severa, Age of Arousal, Sunday in the Park with George, The Little Foxes, Getting Married, The Magic Fire, Major Barbara, The Autumn Garden, Floyd Collins, Misalliance, Rebecca, Joy, The Seagull, Hedda Gabler, Berkeley Square. (Selected Credits) ELSEWHERE: leading roles in theatres across Canada, including Katherine in The Taming of the Shrew, Miranda in The Tempest, Stratford Festival. FILM/TELEVISION: Grey Gardens, Shades of Black, Full House with Sharry Flett, Jane of Lantern Hill. AWARDS: Gemini nominations (best actress), War Brides and Suicide Murders, CBC; Paul Reynolds award, Shaw Festival; Tyrone Guthrie award, Stratford Festival. TEACHING: Shaw Festival, National Theatre School, George Brown Theatre School, Queen’s University, University of Toronto, Brock University. Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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August 11 · 55 min
Christopher Gaze is Sharing What It Takes to Build a Theatre Festival That Lasts
About This Episode: Christopher Gaze is the founder and artistic director of Bard on the Beach, Vancouver's beloved outdoor Shakespeare festival now in its 37th season. In this conversation, Christopher talks with Phil about how a $35,000 co-op startup in 1990 grew into one of Canada's largest theatre companies, drawing 80,000 people a season to a pair of tented stages in Vanier Park overlooking English Bay and the mountains beyond. This episode explores: How Bard on the Beach began in 1990 with $35,000, a Canada Council Explorations Grant, and a company of 27 co-op members The influence of mentor Douglas Campbell: his force field in the audition room, his wilderness years, and why his name is on Bard's second stage Programming a season: from Douglas casually suggesting Twelfth Night over the phone to today's collaborative circle of senior theatre practitioners Goblin Oedipus, Antigone, and how Christopher was famously wrong about Goblin Macbeth (it sold out before opening night) And much more! Guest: 🎭 Christopher Gaze Christopher Gaze is best known as the Founder and Artistic Director of Bard on the Beach Shakespeare Festival, which celebrates its thirty-seventh season in 2026. He hosts the Vancouver Symphony Orchestra’s popular Tea & Trumpets series and also their annual Traditional Christmas concerts. Connect with Christopher Gaze: 📸 Instagram: @gazechristopher 📖 Buy The Road to Bard (Harbour Publishing) 🌐 Website: bardonthebeach.org 📸 Instagram: @bardonthebeach Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Can't commit to monthly support? Leave a one-time tip here: ko-fi.com/stageworthy Read transcript
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August 4 · 1 hr 2 min
Ming Hudson is Directing Antigone at Bard on the Beach
About This Episode: Director Ming Hudson joins Phil Rickaby to talk about bringing Antigone to Bard on the Beach in Vancouver - a production seven years in the making, created collaboratively with playwright Kate Besworth. It's a minimalist, intimate reimagining of a 2,500-year-old story about a woman who does the right thing even when told not to, and Ming shares how it came together from a literal bonfire in rural Nova Scotia to the thrust stage at Bard. This episode explores: How a seven-year collaboration with playwright Kate Besworth shaped this bold, minimal production of Antigone The "arrow" model of non-hierarchical directing and why Ming loves saying "I don't know" Making her Bard on the Beach directing debut after years as a performer with the company The Edmonton Fringe, the Edinburgh Fringe, and why fringe festivals are essential to Canadian theatre ecology What D&D has taught Ming about vulnerability, play, and building stronger creative relationships And much more! Guest: 🎭 Ming Hudson Ming (she/her) is a Vancouver based artist who pays rent on the lands stolen from the Musqueam, Squamish, and Tsleil-Waututh Nations. For over 20 years, she has worked as a freelance performer, collaborative director, devised theatre creator, independent producer, and teaching artist on the West Coast, across Canada, and abroad. Her specializations are in physical theatre and the creation of new work as a collective ensemble. A graduate of the Creating Theatre and Performance program at LISPA (now arthaus.berlin), Ming also holds a MA in Ensemble Theatre (Rose Bruford), and a BFA in Acting (UVic). Ming has worked for: Bard on the Beach, Zee Zee Theatre, 25th Street Theatre, The Arts Club, Studio 58, SFU, UBC, Dell'Arte International, UVic, vAct, Two Planks and a Passion, TheatreOne, Chemainus Theatre Festival, CCPA, Gwaandak Theatre, Green Thumb Theatre, Theatre Replacement, Atomic Vaudeville, Firehall Arts Centre, Boca del Lupo, Concrete Theatre, and Kaleidoscope Theatre. She has also created eleven new shows, which have been performed in five different countries. Connect with Ming 🌐 website: www.minghudson.com 📸 Instagram: @hudsonfx Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Read transcript
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July 28 · 56 min
Tim Carroll is making the Shaw Festival into a two-way conversation with its audience
About This Episode: Tim Carroll has been the artistic director of the Shaw Festival for a decade, and in that time he's reshaped the festival's mandate, expanded its reach into the community, and built a company culture grounded in playfulness, humility, and genuine artistic ambition. This episode explores: How Tim balances directing two major productions, Heartbreak House and Amadeus, in a single season, and why Tom Rooney is at the centre of both The economics of theatre: why even one of Canada's largest festivals relies on donations for half its income, and how a small-audience show can be as valuable as a sellout musical Why Tim abolished the Shaw Festival's mandate and replaced it with a mission; and what that difference actually means in practice How working at Shakespeare's Globe with Mark Rylance shaped every aspect of Tim's directing philosophy, from shared light to trusting the unexpected And much more! Guest: 🎭 Tim Carroll im Carroll currently serves as Artistic Director of The Shaw Festival at Niagara-on-the-Lake, a position he's held since 2017. Carroll may be best known for his years as Associate Director at London’s Globe Theatre, in particular for his productions of Richard III and Twelfth Night, starring Mark Rylance, for whose Broadway run in the 2013-14 season he was Tony-nominated and Mark Rylance won the Tony Award for Best Featured Actor. Carroll worked with the English Shakespeare Company before serving as the artistic director of the Northcott Theatre in Exeter. Carroll also served as the artistic director for the Kent Opera, and he is a founding member of the experimental theatre group the Factory in London. Carroll’s directing work has spanned not only the Globe but the globe, from theatres in Hungary, Norway, Portugal, Romania, and Canada! Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Read transcript
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July 21 · 56 min
Ryan McCollom is Making Canadian Theatre Impossible to Ignore
About This Episode: Ryan McCollom is a Toronto-based theatre content creator behind the popular TikTok and Instagram account Plates and Playbills, and he's on a mission to get more people through the doors of indie and smaller professional theatres across the city. What started as personal documentation of his own growing love of theatre has evolved into a platform dedicated to closing the gap between the big Mirvish productions most people know and the rich, underserved world of indie and community theatre that most audiences don't even know exists. This episode explores: How Ryan went from cooking videos during COVID to becoming one of Toronto's most visible theatre content creators The difference between being a theatre critic and a theatre commentator and why Ryan is careful about that line Why the Stratford Festival was the wake-up call that made Ryan realize theatre needed younger audiences now What indie theatres could be doing on social media to reach new audiences without spending a dime Canadian cultural cringe in the performing arts: why audiences wait for American or British validation before embracing homegrown work And much more! Guest: 🎭 Ryan McCollom Ryan is a Toronto-based content creator dedicated to making theatre more accessible and approachable for new audiences while also encouraging seasoned theatre-goers to explore smaller professional companies and indie productions. While his coverage primarily focuses on the Toronto theatre scene, Ryan also documents his travels and the productions he experiences around the world, sharing an honest perspective as an everyday theatre fan. Connect with Ryan: 📸 Instagram: @platesandplaybills_ 🎥 TikTok: @platesandplaybills_ Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Read transcript
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July 14 · 1 hr 1 min
Peter Fernandes is Making His Directing Debut at the Shaw Festival with Sleuth
About This Episode: Peter Fernandes is many things at once: an award-winning actor, a magic and illusions designer, and now a first-time director at one of Canada's most celebrated theatre festivals. In this conversation, Peter joins Phil to talk about what it's like to make your directing debut with Sleuth at the Shaw Festival, a mystery that demands the same sleight-of-hand thinking Peter has honed as a magic practitioner. The terror of stepping into a new role, the joy of being trusted with it, and the surprise of discovering how much his illusion work shaped his directorial instincts. This episode explores: Directing Sleuth at the Shaw Festival as a debut; and why pure excitement quickly turned to terror How magic and illusions design shaped Peter's approach to staging a mystery Hosting the Dora Awards while being nominated for one (and which one was scarier) The case for taking comedy - and musical theatre - as seriously as any other art form And much more! Guest: 🎭 Peter Fernandes Peter Fernandes is an award-winning theatre creator based out of Toronto. As a performer, select credits include One For the Pot, One Man Two Guvnors, The Importance of Being Earnest, Damn Yankees, Charley’s Aunt, Christmas Carol, The Russian Play, Brigadoon (Shaw); Fat Ham (Canadian Stage) Bidding War, The Master Plan, Fifteen Dogs (Crow’s); Almost a Full Moon, Peter and the Starcatcher (Citadel); Rose, Father Comes Home From the Wars, Alligator Pie, Incident at Vichy, The Just, Marat/Sade, The Dybbuk, Spoon River, Tartuffe, The Crucible, Idiot’s Delight (Soulpepper); Vietgone (RMTC); Romeo & Juliet, Midsummer Night’s Dream, Love & Information, Twelfth Night, King Lear (Canadian Stage); Jerusalem (Outside the March/Company); You’re a Good Man, Charlie Brown! (MTYP); Onegin (NAC/Musical Stage); Passing Strange (Musical Stage/Obsidian). Creative credits include: Director, Sleuth (SHAW) Associate Director - Wights, Octet, A Strange Loop (Crow’s), Assistant Director - Sherlock Holmes and the mystery of the Human Heart, Witness for the Prosecution (Shaw) Magic Consultant - Bremen Town (Tarragon) Trident Moon (Crow’s), Snow in Midsummer (Shaw), Illusions Assistant - Fat Ham (Broadway), The Witches - workshop (UK) Connect with Peter: 🌐 Website: peterfernandes.ca 📸 Instagram: @pjrfernandes Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Read transcript
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July 7 · 56 min
Natalie Kaye is Channelling Harpo Marx, Mae West, and Shakespeare All at Once
About This Episode: Playwright and writer Natalie Kaye joins Phil Rickaby to talk about her wildly ambitious new musical, 1920s Walking Around in a Dream, playing at the Toronto Fringe Festival. The show is a screwball comedy set in an imagined 1920s Jazz Age Chicago, and it's a retelling of Shakespeare's A Midsummer Night's Dream, translated not into modern English, but into the heightened, slang-drenched language of the Jazz Age. It's a project Natalie has been quietly nurturing for at least a decade, and hearing her describe its journey from a single translated sonnet to a fully staged musical is genuinely thrilling. This episode explores: How a single translated Shakespeare sonnet launched a decade-long project Why A Midsummer Night's Dream and the Jazz Age are a perfect match Silent film, vaudeville, and the Marx Brothers as creative inspirations The challenge of writing dense, heightened language that audiences can actually follow What it means to finally relinquish control and trust your cast and director And much more! Guest: ✍️ Natalie Kaye Natalie Kaye (she/her) Playwright. Natalie is an award-winning playwright and a published poet. She is also a dancer, choreographer and aerial silks performer. A graduate of York University and the University of Toronto, Natalie has a Masters' in Drama. She has worked in theatre as a producer, director, playwright, actor and dramaturg. Her one-act play, Mood Swings, won first place in the Pat the Dog's 24-hour play contest. The play was workshopped by Pat the Dog in February, 2014 and received a full production at Toronto Fringe in 2016 where it was called "beautiful" "well-executed" and "poetic" by Mooney on Theatre. Her short plays, Universe Inc. and A Toast were produced by Newborn Theatre at the Odds and Ends Festival. She is a member of the Vault Creation Lab's writer's group. She co-wrote #1 Clown Comedy With Victor & Priscilla at Toronto Fringe in 2025. Connect with Natalie Kaye: 🌐 Website: unspokentheatrecompany.weebly.com 📸 Instagram: @unspokentheatrecompany Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Read transcript
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June 30 · 1 hr 17 min
Your Guide to the 2026 Toronto Fringe, with Four of Toronto's Essential Theatre Voices
About This Episode: As the Toronto Fringe Festival prepares to launch, Phil Rickaby gathers four of Toronto's most dedicated theatre content creators (Janine Marley from A View from the Box, Ryan Borochovitz from The Cup Podcast, Alexandra Lean from Being Dramatic, and Ryan McCollom from Plates & Playbills) for a lively live stream preview of the 2026 festival. Together they dig into what makes Fringe such a unique and exciting event, share their personal histories with the festival, and break down what their coverage will look like across podcasts, written reviews, and social media throughout the run. This episode explores: Each panelists Toronto Fringe Top 5, must see shows, plus a wildcard selection largely based on title alone. A breakdown of how each content creator covers Fringe, from roundup podcast episodes and daily written reviews to short-form TikTok recaps Practical tips for navigating venues, surviving the heat, eating on a budget, and planning your Fringe days geographically And much more Connect with Janine Marley, Ryan Borochovitz, Alexandra Lean, and Ryan McCollom: 🎙️ Ryan Borochovitz: The Cup Podcast 📺 Youtube: @cupofhemlocktheatre2934https://www.youtube.com/@cupofhemlocktheatre2934 📝 Alexandra Lean: Bad Reviewer and Being Dramatic ✒️ Bad Reviewer: badreviewer.substack.com 🎙️ Being Dramatic: https://open.spotify.com/show/04EUsQsiw1wrUMNLjdqDmy 📸 Ryan McCollom: Plates and Playbills on Instagram 🤳 Instagram: @platesandplaybills_ 📹 TikTok: @platesandplaybills_ 🌐 Janine Marley: A View from the Box ✏️ Website: aviewfromthebox.net 📹 Tiktok: @aviewfromthebox 📸 Instagram: @avuefromthebox Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Read transcript
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June 25 · 1 hr 10 min
Marla Torgerson is Bringing her Show about Breaking Up with White Jesus to Toronto Fringe
About This Episode: In this episode, Phil sits down with Marla Torgerson, a Calgary-based singer-songwriter and classically trained vocalist who has written and performs her debut theatrical work, Sinner, a one-woman musical tragic comedy about growing up in the evangelical Bible Belt of central Alberta and the long, often painful process of leaving fundamentalist religion behind. What starts as a conversation about a show becomes a wide-ranging, deeply personal discussion between two people who have both done the hard work of deconstructing their faith and are still finding new layers to unpack. This episode explores: How Marla went from singer-songwriter and opera graduate to writing her debut solo theatrical work over eight years The specific moment that cracked open her deconstruction, and why she frames Sinner as breaking up with white Jesus rather than religion broadly Why evangelical culture treats men and women differently, and how the Proverbs 31 woman ideal is actually a subversive power structure The prosperity gospel, megachurches, and why Marla argues that being rich is evidence of a lack of faith And much more! Guest: 🎤 Marla Torgerson Marla Torgerson is a Calgary-based singer-songwriter, performer, writer, and comedienne. Originally trained in classical voice, she holds a Bachelor of Arts in Music and has performed throughout Canada, the United States, Europe, and South Korea. Her work combines soaring vocals, sharp humour, and deeply personal storytelling. Drawing from her experiences within North American evangelical culture, Marla creates work that examines faith, identity, belonging, and transformation with honesty, nuance, and compassion. Outside of theatre, she works professionally as a vocalist and songwriter, having been a background vocalist for legends like Sarah Mclachlan, and lived and recorded in Nashville, Tennessee alongside Grammy winning musicians, Marla has built a career that spans music, comedy, and live performance. SINNER. is her debut solo theatrical work. Get tickets to SINNER: https://fringetoronto.com/fringe/show/sinner-musical-tragicomedy-about-breaking-white-jesus Connect with Marla: 📸 Instagram: @sinner_the_musical 🎥 TikTok: @Sinnerthemusical Subscribe & Follow: 🎧 Listen on Apple Podcasts | Spotify | Podchaser | Amazon Music | iHeart Radio 📺 Watch on YouTube – Like, subscribe & hit the notification bell! Support Stageworthy: If you love the show, consider supporting on Patreon: patreon.com/stageworthy Patrons get early access to episodes, participate in conversations about topics to cover, and more. With three backer levels: $2, $7, and $20. Thank you to my Patrons: Chris, Georgia, Heather J, Tanisha, Aisling, Cassie, Heather, Jeanette, Steve Read transcript
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