Shakespeare Anyone?

Kourtney Smith & Elyse Sharp

Shakespeare Anyone? is co-hosted by Elyse Sharp and Kourtney Smith, two professional actors and hobbyist Shakespeare scholars. Join us as we explore Shakepeare's plays through as many lenses as we can by looking at the text and how the text is viewed through modern lenses of feminism, racism, classism, colonialism, nationalism… all the-isms.

We will discuss how his plays shaped both the past and present, and look at how his work was performed throughout various periods of time–all while trying our best to approach his works without giving in to bardolatry.

We examine one play at a time for an extended window of time, interspersed with mini-episodes about Shakespeare's time for context. Episodes are released every other week.

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154 episodes
Updated July 29

Episodes154

Newest first

Jan 15, 2025 · 28 min
King Henry V: Stuff to Chew On
To kick off our series on Shakespeare's King Henry V, we are (as always) starting with an overview of basic facts about the play and an introduction to the major themes and motifs of the play. Location of the Battle of Agincourt Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Shakespeare, William. King Henry V. Edited by T. W. Craik, Arden Shakespeare, 1995. SparkNotes Editors. "King Henry V" SparkNotes.com, SparkNotes LLC, 2005, https://www.sparknotes.com/shakespeare/henryv/
Jan 1, 2025 · 1 hr 31 min
King Henry V: Synopsis
We are starting off 2025 and Shakespeare Anyone's fifth year with our first History (and also a play with the number five in its title): King Henry V. In this episode, we will provide a detailed summary of the plot, breaking down the action of the play scene by scene. To quote this play, "once more unto the breach, dear friends, once more," or...let's dive in! Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Shakespeare, William. King Henry V. Edited by T. W. Craik, Arden Shakespeare, 1995.
Dec 18, 2024 · 19 min
[Re-issue] Stuff You Should Know Part 3: William Shakespeare (Revised)
Over this past year, we quietly went back to where we began this podcast and worked on revising our Intro Series, "Stuff You Should Know." We updated the original episodes quietly in September. When we started thinking about what we wanted to release for the end of 2024, we feel like nothing encapsulates how we've grown as podcasters and scholars over the past four years better than these revised episodes, so we wanted to revisit them and share these episodes again. -- This is Part 3 of our intro series "Stuff You Should Know," which covers some background and context into the life and times of Shakespeare, because art isn't created in a vacuum. In this episode, we'll be covering some basic information about Shakespeare. And when we say basic, we mean basic. And, even though Shakespeare is a famous figure, scholars and historians actually know quite little about William Shakespeare the man. We will discuss what scholars know about Shakespeare's early life in Stratford-upon-Avon and what a typical education for a young man of Shakespeare's background. We will also discuss some popular theories about what Shakespeare may have done in life before arriving in London. We will then give an overview of Shakespeare's career of an actor and playwright, his family, and his later life. Want more about Shakespeare the man? Check out these episodes that go more in depth on topics we touch on in this episode: Mini-Episode: Christopher Marlowe Mini: Ben Jonson, Shakespeare's Colleague and Competitor Mini: Anne Hathaway, Shakespeare's Wife Shakespeare Anyone? is created, written, produced, and hosted by Kourtney Smith and Elyse Sharp. Episode written and researched by Kourtney Smith with contributions by Elyse Sharp. Revised September 2024. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Dale, Liam, director. William Shakespeare: the Life and Times. 1091 Pictures, Cobra Entertainment, 3 Apr. 2017. Accessed 16 Sept. 2020, from www.youtube.com/watch?v=qafnuBH8KPs Mcarafano. (2020, February 25). Shakespeare's Life. Accessed 16 Sept. 2020, from https://www.folger.edu/shakespeares-life William Shakespeare Biography. (n.d.). Accessed 16 Sept. 2020, from https://www.shakespeare.org.uk/explore-shakespeare/shakespedia/william-shakespeare/william-shakespeare-biography/
Dec 18, 2024 · 24 min
[Re-issue] Stuff You Should Know Part 2: Elizabethan and Jacobean England & Theatre (Revised)
Over this past year, we quietly went back to where we began this podcast and worked on revising our Intro Series, "Stuff You Should Know." We updated the original episodes quietly in September. When we started thinking about what we wanted to release for the end of 2024, we feel like nothing encapsulates how we've grown as podcasters and scholars over the past four years better than these revised episodes, so we wanted to revisit them and share these episodes again. -- This is Part 2 of our intro series "Stuff You Should Know," which covers some background and context into the life and times of Shakespeare, because art isn't created in a vacuum. In this episode, we'll be covering some basic information about early modern England during the Elizabethan and Jacobean eras. And when we say basic, we mean basic. This is a quick overview of early modern England, more importantly the England that influenced Shakespeare. In this episode, we'll be covering some basic information about the Elizabethan and Jacobean periods, as well as the public theatres during those respective eras. We'll review how the transition from feudalism to mercantilism changed English society and discuss facets of early modern English society such as fashion, social mobility, religious freedom, and public health. We will give an overview the history of the public theatre in England and discuss some key features of what theatre-making was like for Shakespeare and his contemporaries. Want more about the Elizabethan and Jacobean England & Theatre? Check out these episodes that go more in depth on topics we touch on in this episode: Mini: Commerce and Trade in Shakespeare's Time King Lear: Mental Health and Disability in Shakespeare's Time Mini-Episode: The Gunpowder Plot Mini-Episode: The Four Humours Hamlet: Ophelia, Gertrude, and Female Agency Mini: Plague, Quarantine, & Shakespeare Mini: Shakespearean Vengeance: Exploring Revenge Tragedies in Early Modern England Mini-Episode: Shakespeare's Globe Theatre Mini: Traveling Theatre Companies Mini: Shakespeare's Folios and Quartos Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Episode written and researched by Kourtney Smith with contributions by Elyse Sharp. Revised September 2024. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Brown, John Russell, and Peter Thomson, editor and author. "Chapter 6 English Renaissance and Restoration Theatre." The Oxford Illustrated History of Theatre, pp. 173 - 200. Oxford University Press, 2001 Sherry, Joyce. "Elizabethan Theatre." YouTube, 4 Jan. 2014, Accessed 6 Sept. 2020, from www.youtube.com/watch?v=z_cTCdkCAcc
Dec 18, 2024 · 19 min
[Re-issue] Stuff You Should Know Part 1: The Monarchy & English Renaissance (Revised)
Over this past year, we quietly went back to where we began this podcast and worked on revising our Intro Series, "Stuff You Should Know." We updated the original episodes quietly in September. When we started thinking about what we wanted to release for the end of 2024, we feel like nothing encapsulates how we've grown as podcasters and scholars over the past four years better than these revised episodes, so we wanted to revisit them and share these episodes again. -- This is Part I of our intro series, "Stuff You Should Know," which covers some background and context into the life and times of Shakespeare, because art isn't created in a vacuum. In this episode, we'll be covering some basic information about the monarchy and English Renaissance. And when we say basic, we mean basic. This is a quick overview of early modern England, more importantly the England that influenced Shakespeare. In this episode, we'll be covering some basic information about the English monarchy and English Renaissance. We will give an overview of the history of the English monarchy during the English Renaissance, through the early modern period and a little beyond Shakespeare's lifetime. We will discuss how the Renaissance differed from the medieval period that came before it and how the English Renaissance differed from the Italian Renaissance. Want more about the English Renaissance? Check out these episodes that go more in depth on topics we touch on in this episode: Mini: Shakespeare and Petrarch Mini: Shakespeare and the Colonial Imagination Mini: Shakespeare's World: Immigrants, Others, and Foreign Commodities Mini: "Decolonize the Mind" through Shakespeare Mini: Commerce and Trade in Shakespeare's Time Hamlet: Ophelia, Gertrude, and Female Agency Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Episode written and researched by Kourtney Smith. Revised September 2024. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Additional sound effects from https://www.zapsplat.com Works Referenced: Cooper, Dr. Tanya. "Elizabeth I and Her People". National Portrait Gallery, The Weiss Gallery, 7 Oct. 2013. Accessed 8 Sept. 2020, from www.npg.org.uk/whatson/elizabethi/film Elizabethans - Religious Settlement. (2018, September 23). Accessed 24 Sept. 2020, from https://www.youtube.com/watch?v=ylP6oZgSeuI Fox, Dr. James, creator and writer. A Very British Renaissance, Episode 1: The Renaissance Arrives. A BBC Arts Production, 2014. Accessed 16 Sept. 2020, from https://www.youtube.com/watch?v=Rtc1cY3ZDTs Fox, Dr. James, creator and writer. A Very British Renaissance, Episode 2: The Elizabethan Code. A BBC Arts Production, 2014. Accessed 16 Sept. 2020, from https://www.youtube.com/watch?v=qCCjOck6cd4 Fox, Dr. James, creator and writer. A Very British Renaissance, Episode 3: Whose Renaissance?. A BBC Arts Production, 2014. Accessed 16 Sept. 2020, from https://www.bbc.co.uk/programmes/b03yzflc/episodes/guide William, Professor Kate, presentor. The Stuarts - A Bloody Reign, Episode 101: King James I. Timeline, A 3DD Production in association with Yesterday imagined by UKTV, 31 July 2018. Accessed 16 Sept. 2020, from https://www.youtube.com/watch?v=7zfgxzk3UtY
Dec 4, 2024 · 23 min
Bonus: Revisiting Romeo and Juliet and Much Ado About Nothing
It's time for our annual bonus episode! Join us as we revisit the Shakespeare plays we covered this year. We've gone back and re-read both Romeo and Juliet and Much Ado About Nothing, and we will discuss what has changed in our readings of these plays after completing our research as well as what we would like to see more (or less) of in future productions or research relating to these two plays. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Shakespeare, William. Much Ado About Nothing: Revised Edition. Edited by Claire McEachern, 2nd ed., Bloomsbury Publishing, 2016. Shakespeare, William, and René Weis. Romeo and Juliet: Revised Edition. Bloomsbury Publishing Plc, 2012.
Nov 20, 2024 · 22 min
Mini: Intercultural and Global Shakespeare in a Postcolonial World
Each year, in recognition of the National Day of Mourning/Thanksgiving holiday in the United States, we examine how British colonialism is irrevocably intertwined with Shakespeare through close reading of Jyotsna Singh's Shakespeare and Postcolonial Theory. In this week's episode, we will explore how Shakespeare's plays can be interpreted and performed in a postcolonial society. This practice involves shifting our perceptions of Shakespeare's plays as timeless and universal to timely and particular, especially in the context of performance. We will discuss a few postcolonial readings and performances from both Western and Global Shakespeare scholars and practitioners. We will also explore how these specific productions prompt and answer the questions of: "Why this play?" and "Why now?" Who is producing this play? Who is on the stage playing these characters? What interpretive choices are being made? Where is this play being performed? These are all questions we invite all to ask as we apply this framework to our own scholarship and theatre practice. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Singh, Jyotsna G. Shakespeare and Postcolonial Theory, The Arden Shakespeare, Bloomsbury Publishing, London, 2020.
Nov 6, 2024 · 1 hr 2 min
Much Ado About Nothing: Wrap Up
In today's episode, we will be finishing up our exploration of Shakespeare's Much Ado About Nothing by watching and discussing three productions. First, we will discuss Kenneth Branagh's 1993 film version, starring Kenneth Branagh and Emma Thompson. Then we will take a look at the 2019 Public Theatre's Shakespeare in Park production directed by Kenny Leon and starring Danielle Brooks and Grantham Coleman. Last but not least, we will round out our viewings with the 2011 Wyndham's Theatre production starring David Tennant and Catherine Tate. Want more Much Ado About Nothing adaptations? Over on our Patreon, we also have a discussion of the 2023 film Anyone But You starring Sydney Sweeney and Glen Powell (coming late November 2024) Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: "Much Ado About Nothing." Great Performancess, directed by Kenny Leon, performances by Danielle Brooks and Grantham Coleman, et.al, season 47, episode 9, Thirteen / WNET, 2019. PBS, https://www.pbs.org/wnet/gperf/shakespeare-in-the-park-much-ado-about-nothing-about/9822/. Much Ado About Nothing. Directed by Kenneth Branagh, performances by Kenneth Branagh, Emma Thompson, Denzel Washington, et.al. The Samuel Goldwyn Company, 1993. Prime Video. Much Ado About Nothing. Directed by Josie Rourke and Robert Delamere, performances by Catherine Tate and David Tennant, et.al. Wyndham's Theatre. 2011. Digital Theatre.
Oct 23, 2024 · 20 min
Mini: Aemilia Bassano Lanyer, the Proto-Feminist Poet of Shakespeare's Time
In today's episode, we are exploring the life of Shakespeare's contemporary, Aemilia Bassano Lanyer (whose name is also spelled as Emilia Lanier), who was one of the first women in England to publish her writing and is the author of the first published book of poetry by an English woman. First, we will explore Aemilia's early life before discussing her groundbreaking volume of poetry, Salve Deus Rex Judaeorum. We will talk about what is known of the rest of Aemilia's life before giving a brief overview of what she is most known for today: her possible ties to William Shakespeare. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Benson, Pamela. 'Emilia Lanier', A Critical Introduction to the Casebooks of Simon Forman and Richard Napier, 1596–1634, https://casebooks.lib.cam.ac.uk/using-the-casebooks/meet-the-patients/emilia-lanier, accessed 6 October 2024. Cooley, Ron. "Aemilia Lanyer Biographical Introduction." Aemilia Lanyer, Biographical Introduction, University of Saskatchewan English Department, 8 Aug. 1998, drc.usask.ca/projects/emet/phoenix/lanyerbio.htm. Greenstadt, A. Eliza . "Aemilia Lanyer". In obo in Renaissance and Reformation. 6 Oct. 2024. https://www.oxfordbibliographies.com/view/document/obo-9780195399301/obo-9780195399301-0434.xml>. Grossman, Marshall, editor. Aemilia Lanyer: Gender, Genre, and the Canon. 1st ed., University Press of Kentucky, 1998. JSTOR, http://www.jstor.org/stable/j.ctt130jkm3. Accessed 6 Oct. 2024. Lanyer, Aemilia. "Salve Deus Rex Judaeorum." Edited by Risa S. Bear, Renascence Editions , Luminarium/The Univeristy of Oregon, 21 Nov. 2009, www.luminarium.org/renascence-editions/lanyer1.html. Lanyer, Aemilia. "The Description of Cooke-Ham." Poetry Foundation, Poetry Foundation, 2024, www.poetryfoundation.org/poems/50661/the-description-of-cooke-ham. McBride, Kari Boyd (2008) Web Page Dedicated to Aemilia Lanyer Archived 25 September 2015 at the Wayback Machine, accessed on 06 Oct. 2024 McDonough, M.G., host. "More than the Dark Lady: Aemelia Lanyer's "Eve's Apology in Defense of Women." The Classic English Literature Podcast, season 1, episode 65, 05 May 2024. https://theclassicenglishliteraturepodcast.buzzsprout.com/2024786/episodes/15012587-more-than-the-dark-lady-aemilia-lanyer-s-eve-s-apology-in-defense-of-women. Accessed 05 October 2024. Teysko, Heather, host. "Amelia Lanier: England's first Female English Poet." Renaissance English History Podcast: A Show About the Tudors, season 1, episode 220, 10 January 2024. https://www.englandcast.com/podcast-archive/. Accessed 05 October 2024.
Oct 9, 2024 · 53 min
Much Ado About Nothing: Shakespeare's Bastards and Illegitimacy in Shakespeare's Time
In today's episode, we are exploring the historical and theatrical context for bastard characters in Shakespeare's plays and other plays of the early modern period. We'll explore the cultural norms that existed for illegitimate children during the Elizabethan and Jacobean and the legal, financial, and social prejudices they and their parents experienced. We will also discuss how the experience of illegitimacy intersects with class in early modern England. Then, we will explore how the early modern theatre mirrored the experience of illegitimate children and how bastard characters were used as a tool by dramatists for the early modern theatre. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Findlay, Alison. Illegitimate Power: Bastards in Renaissance Drama. United Kingdom, Manchester University Press, 2009.
Sep 25, 2024 · 48 min
Mini: Shakespeare's Borrowed Feathers with Darren Freebury-Jones
In today's episode, we are joined by Shakespeare scholar, Darren Freebury-Jones, to discuss his soon-to-be-released book, Shakespeare's Borrowed Feathers, which explores how Shakespeare was influenced by his fellow contemporary dramatists like John Lyly, Ben Johnson, and Christopher Marlowe, and how he also influenced their work. We'll discuss Darren's research process and the methods he used to analyze the works of Shakespeare and Shakespeare's contemporaries. We will also learn from Darren what this research reveals about the playwrighting and theatrical community of early modern London, and what readers and theatre-makers can learn from having a broader knowledge of early modern drama beyond Shakespeare. About Darren Freebury-Jones Dr Darren Freebury-Jones is author of the monographs: Reading Robert Greene: Recovering Shakespeare's Rival (Routledge), Shakespeare's Tutor: The Influence of Thomas Kyd (Manchester University Press), and Shakespeare's Borrowed Feathers (Manchester University Press). He is Associate Editor for the first critical edition of The Collected Works of Thomas Kyd since 1901 (Boydell and Brewer). He has also investigated the boundaries of John Marston's dramatic corpus as part of the Oxford Marston project and is General Editor for The Collected Plays of Robert Greene (Edinburgh University Press). His findings on the works of Shakespeare and his contemporaries have been discussed in national newspapers such as The Times, The Guardian, The Telegraph, The Observer, and The Independent as well as BBC Radio. His debut poetry collection, Rambling (Broken Sleep Books), was published in 2024. In 2023 he was elected a Fellow of the Royal Historical Society in recognition of his contributions to historical scholarship. About Shakespeare's Borrowed Feathers A fascinating book exploring the early modern authors who helped to shape Shakespeare's beloved plays. Shakespeare's plays have influenced generations of writers, but who were the early modern playwrights who influenced him? Using the latest techniques in textual analysis Shakespeare's borrowed feathers offers a fresh look at William Shakespeare and reveals the influence of a community of playwrights that shaped his work. This compelling book argues that we need to see early modern drama as a communal enterprise, with playwrights borrowing from and adapting one another's work. From John Lyly's wit to the collaborative genius of John Fletcher, to Christopher Marlowe and Ben Jonson, Shakespeare's borrowed feathers offers fresh insights into Shakespeare's artistic development and shows us new ways of looking at the masterpieces that have enchanted audiences for centuries. Order Shakespeare's Borrowed Feathers through bookshop.org (Note: this is an affiliate link, which means by clicking and ordering, you'll get a great book and support the podcast and local bookshops) Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Freebury-Jones, Darren. Shakespeare's Borrowed Feathers. Manchester University Press, 2024.
Sep 11, 2024 · 55 min
Much Ado About Nothing: Shakespeare and The Book of the Courtier
In today's episode, we are exploring how Shakespeare was influenced by The Book of the Courtier by Baldassare Castiglione as he was writing Much Ado About Nothing. We'll discuss how close reading of both Shakespeare's play and Castiglione's Renaissance etiquette book uncovers layers of intertextuality and references to The Courtier in Shakespeare's writing. First, we'll discuss some parallels between The Courtier and Much Ado About Nothing. Then we will dig deeper into Book 3 of The Courtier and how its messages on joking, jesting, and laughter can be read in Much Ado About Nothing. We will also briefly discuss how Hero and Beatrice reflect The Courtier's ideal for Renaissance women. Finally, we will closely examine the courtiers in Much Ado About Nothing and how the characters of Benedick, Claudio, Don Pedro, and Don John can be read through the lens of good (and bad) courtier behavior as outlined in The Courtier. We will also discuss which of these courtiers comes the closest to Castiglione's ideal courtier, and what early modern English behaviors Shakespeare may have been commenting on through this play. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Collington, Philip D. "'Stuffed with All Honourable Virtues': 'Much Ado about Nothing' and 'The Book of the Courtier.'" Studies in Philology, vol. 103, no. 3, 2006, pp. 281–312, http://www.jstor.org/stable/4174852. Ghose, Indira. "Courtliness and Laughter." Shakespeare and Laughter: A Cultural History, Manchester University Press, 2008, pp. 15–51. JSTOR, http://www.jstor.org/stable/j.ctt155jd06.5. Accessed 30 Aug. 2024.
Aug 28, 2024 · 20 min
Mini: Shakespeare's Language Framework: Malapropisms
Today's episode is another part of our series on Shakespeare's Language Framework, or how Shakespeare's use of language can inform our understanding of his works. In today's episode, we are going to explore a device Shakespeare uses throughout his plays (but very notably in the comedies and histories): malapropisms. We will start by defining the term malapropism, then we will explore a linguistic study on malapropisms to determine how Shakespeare's malapropisms are linguistically constructed. We will also discuss whether or not early modern audiences would have understood these malapropisms as intentional wordplay, and how scholars know that they are intentional, instead of a printing or editing error. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. This episode was written by Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: "Acyrology, N." Oxford English Dictionary, Oxford UP, June 2024, https://doi.org/10.1093/OED/4304815537. Britannica, The Editors of Encyclopaedia. "malapropism". Encyclopedia Britannica, 12 Jul. 2024, https://www.britannica.com/topic/malapropism. Accessed 20 August 2024. "Dogberryism." Oxford Reference. . . Date of access 21 Aug. 2024, https://www.oxfordreference.com/view/10.1093/oi/authority.20110803095724827 Keller, M. (2017). "Saying Thus or to the Same Defect": A Linguistic Analysis of Shakespeare's Malapropisms. English Studies, 98(3), 244–261. https://doi.org/10.1080/0013838X.2017.1283119 Livingstone, David. (2024). "If We Offend, It Is With Our Good Will": Malapropisms, Mispronunciation and Garbling of Language in Shakespeare's Plays. FOLIUM. 4. 160-166. 10.32782/folium/2024.4.23.
Aug 14, 2024 · 45 min
Much Ado About Nothing: Shakespeare and the Comic Constable, or, Dogberry: Fact vs Fiction
In today's episode, we are investigating Shakespeare's comic constable in Much Ado About Nothing, Dogberry, and why this character is portrayed as a clown. We'll look at a survey of historical records from Shakespeare's time to determine if early modern constables were truly as ineffective as Dogberry appears to be and if there is a contextual reason that Shakespeare's audience would want to see them depicted as foolish on stage. We will also discuss what the job of the early modern constable entailed, how it developed, and who the "real-life Dogberry" would have been in their communites. Finally, we will discuss how this context can shift our understanding of the character Shakespeare wrote. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Kent, Joan. "The English Village Constable, 1580-1642: The Nature and Dilemmas of the Office." Journal of British Studies, vol. 20, no. 2, 1981, pp. 26–49. JSTOR, http://www.jstor.org/stable/175635. Accessed 4 Aug. 2024. Spinrad, Phoebe S. "Dogberry Hero: Shakespeare's Comic Constables in Their Communal Context." Studies in Philology, vol. 89, no. 2, 1992, pp. 161–78. JSTOR, http://www.jstor.org/stable/4174417. Accessed 4 Aug. 2024.
Jul 31, 2024 · 37 min
Mini: Theatres of Value with Dr. Danielle Rosvally
In today's episode, we are joined by friend-of-the-pod, Dr. Danielle Rosvally to discuss her new book, Theatres of Value: Buying and Selling Shakespeare in Nineteenth-Century New York City, and how Shakespeare had value for New Yorkers in the 1800s, and how Shakespeare came to be so prominent in American culture. About Danielle Rosvally: Danielle Rosvally is an assistant professor of theatre at the University at Buffalo. Her work examines Shakespeare as cultural capital, particularly iterations that intersect with performance and theatrical labor. Her book Theatres of Value: Buying and Selling Shakespeare in Nineteenth-Century New York City explores how nineteenth-century New York theatre makers bought and sold the commodity of Shakespeare, and how these performances of value intersect with American nation building and national identity. Her next project, Yassified Shakespeare, is a multimedia exploration of how iterations of Shakespearean performance and Shakespeare's cultural capital critically intersect with drag and drag aesthetics. Danielle is a fight director, director, actor, and dramaturge. Her work has been published in Theatre Topics, Studies in Musical Theatre, Borrowers and Lenders, Early Modern Studies Journal, several edited collections, and Shakespeare Bulletin, as well as on TikTok: @YassifiedShax About Theatres of Value: Theatres of Value explores the idea that buying and selling are performative acts and offers a paradigm for deeper study of these acts—"the dramaturgy of value." Modeling this multifaceted approach, the book explores six case studies to show how and why Shakespeare had value for nineteenth-century New Yorkers. In considering William Brown's African Theater, P. T. Barnum's American Museum and Lecture Hall, Fanny Kemble's American reading career, the Booth family brand, the memorial statue of Shakespeare in Central Park, and an 1888 benefit performance of Hamlet to theatrical impresario Lester Wallack, Theatres of Value traces a history of audience engagement with Shakespearean cultural capital and the myriad ways this engagement was leveraged by theatrical businesspeople. Want to read Theatres of Value? Request a copy at your library and DM Danielle a screenshot at @DRosvally on X (Twitter), and Danielle will send you some cool stickers For the month of July 2024, post a picture of you and a slice a pizza with hashtag #theatresofvalue and tag @DRosvally and @SUNY on X (Twitter), and Danielle will DM you a code for 30% off through SUNY Press. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod.
Jul 17, 2024 · 53 min
Much Ado About Nothing: Gender Roles and Norms in Shakespeare's Time
In our first deep dive episode into the world of Shakespeare's Much Ado About Nothing, we are examining early modern gender norms and how they influence the world of Messina and Leonato's household in Shakespeare's play. Join us as we discuss the spectrum of womanhood represented by Hero and Beatrice and examine the early modern anxieties that fuelled representations of cuckoldry on stage (and where did the idea of horns come from?). We'll also explore the early modern ideal of the silent wife and the trope of women at windows before talking about how modern theatremakers can choose to address these themes. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone, sending us a virtual tip via our tipjar, or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod. Works referenced: Berger, Harry. "Against the Sink-a-Pace: Sexual and Family Politics In Much Ado About Nothing." Shakespeare Quarterly, vol. 33, no. 3, 1982, pp. 302–13. JSTOR, https://doi.org/10.2307/2869734. Accessed 9 July 2024. Cohen, Stephen. "'No Assembly but Horn-Beast': The Politics of Cuckoldry in Shakespeare's Romantic Comedies." Journal for Early Modern Cultural Studies, vol. 4, no. 2, 2004, pp. 5–34. JSTOR, http://www.jstor.org/stable/40339529. Accessed 16 July 2024. Friedman, Michael D. "'Hush'd on Purpose to Grace Harmony': Wives and Silence in 'Much Ado about Nothing.'" Theatre Journal, vol. 42, no. 3, 1990, pp. 350–363, https://doi.org/10.2307/3208080. Lewis, Cynthia. "'You Were an Actor with Your Handkerchief': Women, Windows, and Moral Agency." Comparative Drama, vol. 43, no. 4, 2009, pp. 473–96. JSTOR, http://www.jstor.org/stable/23038006. Accessed 9 July 2024. McEachern, Claire. "Why Do Cuckolds Have Horns?" Huntington Library Quarterly, vol. 71, no. 4, 2008, pp. 607–31. JSTOR, https://doi.org/10.1525/hlq.2008.71.4.607. Accessed 16 July 2024. THOMSON, LESLIE. "Window Scenes in Renaissance Plays: A Survey and Some Conclusions." Medieval & Renaissance Drama in England, vol. 5, 1991, pp. 225–43. JSTOR, http://www.jstor.org/stable/24322098. Accessed 9 July 2024.
Jul 3, 2024 · 26 min
Much Ado About Nothing: Stuff to Chew On
To kick off our series on Shakespeare's Much Ado About Nothing, we are (as always) starting with an overview of basic facts about the play and an introduction to the major themes and motifs of the play. Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod Works referenced: Shakespeare, William. Much Ado About Nothing: Revised Edition. Edited by Claire McEachern, 2nd ed., Bloomsbury Publishing, 2016. SparkNotes Editors. "Much Ado About Nothing." SparkNotes.com, SparkNotes LLC, 2005, https://www.sparknotes.com/shakespeare/muchado/section1/.
Jun 19, 2024 · 1 hr 27 min
Much Ado About Nothing: Synopsis
It's time for our next play, and we are so excited to dive into the world of Shakespeare's Much Ado About Nothing. As always, we will start off with a detailed plot summary, breaking down the action of the play scene by scene. Let's dive in! Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod Works referenced: Shakespeare, William. Much Ado About Nothing: Revised Edition. Edited by Claire McEachern, 2nd ed., Bloomsbury Publishing, 2016.
Jun 5, 2024 · 1 hr 5 min
Bonus: Interview with Ricky Dukes, Artistic Director of Lazarus Theatre Company
In today's episode, we are joined by Ricky Dukes, Artistic Director of the Lazarus Theatre Company, to discuss the work of the Lazarus Theatre Company, why classical plays, including Shakespeare, are still relevant for audiences today, and the upcoming (and timely) Lazarus Theatre Company production of Julius Caesar. About Ricky Dukes Ricky is a working-class, award-winning Director, Practitioner and Teacher based in the West Midlands and London. In 2007 he founded Lazarus Theatre Company and is the company's current Artistic Director for which he won Best Artistic Director in the 2012 Fringe Report Awards. His work is ensemble led with actor detail at its heart creating large scale visual, visceral, and vibrant theatrical experiences. Founded in 2007 Ricky has gone on to direct over 40 productions for Lazarus Theatre Company. He is currently working on a new production of Shakespeare's Rowley's Julius Caesar which will open at Southwark Playhouse in Sept 2024. Notable productions include: The Changeling, Middleton & Rowley, Southwark Playhouse, 2023. Hamlet, Shakespeare, Southwark Playhouse, 2023. Doctor Faustus, Marlowe, Southwark Playhouse, 2022. Salomé, Oscar Wilde, Southwark Playhouse, 2021. Macbeth, Shakespeare, Greenwich Theatre, 2020. Edward II, Christopher Marlowe, Tristan Bates Theatre / Greenwich Theatre, 2017 /2018. Caucasian Chalk Circle, Brecht, Jack Studio Theatre / Greenwich Theatre, 2016 /2017. Tis Pity She's A Whore, John Ford, Tristan Bates Theatre, 2016. Dido, Queen of Carthage, Christopher Marlowe, Greenwich Theatre, 2013. About Lazarus Theatre Company Lazarus Theatre Company is an award-winning ensemble, reimagining and revitalising classic plays in visual, visceral and vibrant productions. Follow them on Instagram and Twitter at @LazarusTheatre About Lazarus Theatre Company's 2024 production of Julius Caesar Lazarus Theatre Company will return to Southwark Playhouse Borough with a glimpse into the behind the scenes of government politics in a multimedia reinterpretation of Shakespeare's Julius Caesar. Set within a government spin room, this uncanny insight into the inner workings of politics and media engages with what we are fed and how we consume news. In what is set to be a hotly contested electoral year in the UK, US and across Europe, Julius Caesar's investigation into what we can trust in the media and through our screens presents a crucial look at the current landscape of media, AI and public opinion. A striking reimagining, which exposes the plots and betrayal at the forefront of the classic story, this political thriller will use an innovative blend of technology and staging to present both sides of the political coin. Expect dramatic and striking theatrics as Lazarus's ensemble present a raucous and bloody production that sees The Thick of It meets West Wing. Julius Caesar will run Friday September 6th – Saturday October 5th, 2024 at Southwark Playhouse Borough, The Large, 77-84 Newington Causeway, London SE1 6BD. Captioned Performance Saturday 21st September 2024 Relaxed Performance Saturday 28th September 2024, 3pm, 7.30pm Streamed Performance Thursday 17th October 2024 Tickets are available online at https://southwarkplayhouse.co.uk/productions/julius-caesar/ ---- Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Additional sound effects from https://www.zapsplat.com/ Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod
May 22, 2024 · 58 min
Romeo and Juliet: Wrap Up
It's hard to believe it is finally here, but we are wrapping up our Romeo and Juliet series this week by watching and discussing two productions. First, we will discuss Baz Luhrmann's 1996 film William Shakespeare's Romeo + Juliet, starring Leonardo DiCaprio and Claire Danes in the title roles. Then, we will move into the National Theatre at Home production of Romeo and Juliet directed by Simon Godwin and starring Jessie Buckley and Josh O'Connor. Not enough Romeo and Juliet? Paid Patreon members can access our bonus episodes on Gnomeo & Juliet and the 2022 film Rosaline and suggest other adaptations we should watch for future Patreon bonus episodes! Shakespeare Anyone? is created and produced by Kourtney Smith and Elyse Sharp. Music is "Neverending Minute" by Sounds Like Sander. Additional sound effects from https://www.zapsplat.com Follow us on Instagram at @shakespeareanyonepod for updates or visit our website at shakespeareanyone.com You can support the podcast by becoming a patron at patreon.com/shakespeareanyone or by shopping our bookshelves at bookshop.org/shop/shakespeareanyonepod Works referenced: Godwin, Simon, director. Romeo and Juliet. National Theatre at Home, National Theatre, 2021, https://www.ntathome.com/romeo-juliet. Accessed 2024. Luhrmann, Baz, director. William Shakespeare's Romeo + Juliet. 20th Century Fox Home Entertainment, 1996.