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Political Beats

National Review

Scot Bertram and Jeff Blehar discuss ask guests from the world of politics about their musical passions.

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  • #161
    August 20 · 3 hr 16 min

    Episode 160: Eli Lake / Steely Dan

    Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Eli Lake. Eli is a columnist for The Free Press, contributing editor at Commentary, and host of Breaking History. You can follow him on Twitter/x @EliLake. Eli’s Music Pick: Steely Dan In what is likely the last of our past episodes to be completely re-recorded, we present a totally new edition of our look at the music and career of Steely Dan. Jeff long has despised the sound of his microphone on the original show (our version of a Katy Lied-esque mishap), which also was recorded in a back-up studio. It makes sense to get something on tape that will stand the test of time. There may not be a more unlikely story in rock history than Steely Dan, more specifically the braintrust of Donald Fagen and Walter Becker. Michael McDonald, who provided backing vocals for the band later in its career, wrote that Fagen had the "physique of an 80-year-old woman" and Becker gave off the distinct vibe of a "lab technician working on some nefarious government experiment." These two guys, who famously didn't even like the idea of being in a conventional rock band, somehow became one of the most distinctive and enduring acts of the 1970s. They took the sounds of jazz, R&B, soul, blues, pop, and rock, ran them through a filter of studio perfectionism and darkly funny songwriting, and came out with something that sounded like nobody else. And somehow, against all odds, some of the most musically complicated songs of their era became radio staples. The Steely Dan story is also a story of constant reinvention. From the sly pop-rock of Can't Buy a Thrill and Countdown to Ecstasy, through the increasingly ambitious Pretzel Logic, Katy Lied, and The Royal Scam, Becker and Fagen gradually turned the recording studio into their own musical laboratory. Then came Aja, the masterpiece that may be the ultimate expression of their obsession with precision, groove, and impeccable musicianship. The term “Yacht Rock” might as well have been born right then and there. Gaucho pushed that approach even further, even as the band's perfectionism and internal tensions reached a breaking point. We dig into the music, the personalities, the bizarre characters, the legendary studio sessions, and the songs that make Steely Dan so endlessly rewarding. Because beneath all the perfectionism and complexity, Steely Dan always understood one fundamental thing: A great song still needs a great groove. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #160
    July 14 · 2 hr 45 min

    Episode 159: Nic Rowan / Sleater-Kinney

    Scot and Jeff discuss Sleater-Kinney with Nic Rowan. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Nic Rowan. Nic is managing editor of The Lamp, a Catholic literary journal. You can follow him on Twitter/x @NicXTempore. Nic’s Music Pick: Sleater-Kinney When people talk about the greatest American rock bands of the past 30 years, the conversation usually starts in familiar places (we might say Spoon around these parts). But sooner or later, it ought to arrive at a discussion of Sleater-Kinney. The band, named after Sleater Kinney Road in Washington near Interstate 5, formed in the Pacific Northwest during the explosion of the riot grrrl movement. Carrie Brownstein, Corin Tucker, and, eventually, Janet Weiss built a sound that was fiercely intelligent without being pretentious and musically adventurous without ever losing sight of the hook. Their records are packed with jagged guitars, knotty rhythms, and thrilling vocal interplay, all delivered with an urgency that never feels manufactured. Part of what makes Sleater-Kinney such a compelling subject is that they're difficult to pigeonhole. They're often introduced first as an important feminist band, or a cornerstone of riot grrrl, or a political band, and all of those descriptions contain some truth. But they can also obscure the bigger picture. Strip away the labels, and what's left is an extraordinary rock band, one with a distinctive musical language and an uncanny ability to make tension sound exhilarating. Over the course of a remarkable run, the band continually reinvented itself without abandoning its identity. Dig Me Out and One Beat get universal praise on this show, while there's great debate over the generally well-regarded The Woods. And what to make of the comeback after a decade away? We trace that entire journey and discuss why Sleater-Kinney remains one of the essential bands of modern American rock. If you know them, you know why they matter. If you don’t, you’re about to find out. Join us for a deep look at the music and career of Sleater-Kinney. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #159
    May 31 · 2 hr 41 min

    Episode 158: Andrew Gretes / XTC [Part 2]

    Scot and Jeff discuss the second part of XTC’s career (1984-2000) with Andrew Gretes. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Andrew Gretes. Andrew is a fiction writer teaching creative rhetoric at Georgetown and George Washington University. You can find his work at andrewgretes.com. Andrew’s Music Pick: XTC, Pt. 2 Awaken you dreamers! A month after we took you through the first part of XTC’s career – an Argonaut-like journey across the world of postpunk and pop during the end of the Seventies and the start of the Eighties – we return to pick up the story where we left off in 1984: with a psychologically landlocked band (songwriters Andy Partridge and Colin Moulding as well as guitarist Dave Gregory), now forever off the road and consigned to a studio, forced to make the most of their remaining careers without fears of an audience to either drag them down or lift them up. And aside from the Beatles, it is little exaggeration to say that no studio-bound act ever made quite as much out of such a fate as XTC – though they didn’t make much money, naturally. Instead they made great art, with a series of increasingly ambitious pop albums (including 1986’s Skylarking, which you might even have heard of) that reflected the expanding musical palates and melodic ambitions of Partridge and Moulding. The first episode of this two-part series proudly featured some of the weirdest, most clashingly irregular sounds of the Seventies. This second features some of the most awe-striking beauty you’ve probably never heard. From their mainstream career (which rarely if ever sold) to their moonlight lark as the Dukes of Stratosphear (which sold gangbusters until people realized they were buying XTC music) Partridge, Moulding and Gregory never quit stuffing every single song they recorded with meaning and melody, and the results are an overwhelming trove of musical riches to discover – one you might only be vaguely aware even exists Political Beats has been building up to its XTC episodes ever since the day the podcast was founded. The second part of their story is every bit as impressive – and different – as the first. Settle in and listen to us sing a happy-sad ballad about the greatest band in popular music to never quite make it. Oh my, oh my, don’t it make you wanna cry? Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #158
    April 30 · 3 hr 4 min

    Episode 157: Andrew Gretes / XTC [Part 1]

    Scot and Jeff discuss the first part of XTC’s career (1977-1983) with Andrew Gretes. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Andrew Gretes. Andrew is a fiction writer teaching creative rhetoric at Georgetown and George Washington University. You can find his work at andrewgretes.com. Andrew’s Music Pick: XTC There may be no language in our lungs to tell the world just how we feel about this band, but here we give you a three-hour explanation -- with many clips to illustrate where words fail -- why XTC is arguably the great lost group of the rock era. In the early Seventies, in a rural English nowheresville named Swindon, songwriters Andy Partridge and Colin Moulding got together with local drum-thwacker Terry Chambers to form a local trio with decidedly quirky, non-chart sensibilities. Later they were joined by keyboardist Barry Andrews and began to slowly build a national profile in the (by then) post-punk scene. And only slightly later than that, they decided they were interested in developing those chart sensibilities after all -- but without dropping even one bit of their quirk. But the story of this band is best told by their music -- and it’s practically criminal that it isn’t universally celebrated this world over. A decades-long career filled with nothing but one sparklingly intelligent post-punk and pop gem after another, XTC was always out of step with their times, always resolutely unassimilable to the true mainstream, always just a bit too self-consciously thoughtful. And eventually they made their grudging peace with it, resigned to always be that “great” group that might have scored a hit or two, might have bubbled around the Top 20 every few years or so during the 1980s, but whose impact was heard in the countless subsequent groups they influenced. The story of XTC is a musical tale that will inspire anyone who cares about true songcraft, one filled with immense optimism and joy as well as some of the bitterest sociological observations to be put into British song. Political Beats has been building up to its XTC episodes (this is the first of two) ever since the day the podcast was founded. The second part of their story is every bit as impressive -- and different -- as the first. All hail the amazing crash-boom-band. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #157
    April 3 · 2 hr 57 min

    Episode 156: Jack Butler / The Apples in Stereo

    Scot and Jeff discuss The Apples in Stereo with Jack Butler. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Jack Butler. Jack is deputy editor for Free Expression, a new newsletter about politics and culture from the Wall Street Journal opinion page. Previously he was submissions editor for National Review Online. You can follow him on Twitter/x @jackbutler4815. And unless you're a 2:30 marathoner, you probably can't follow him in real life — unless he lets you. Jack’s Music Pick: The Apples in Stereo Get ready for sunshine melodies, fuzzed-out guitars, and pure pop sweetness, because we’re diving into the colorful world of The Apples in Stereo. On this episode, we walk through the band’s discography album by album, tracing how Robert Schneider and company blended psychedelia, power pop, and a DIY spirit into a signature sound. You might not be familiar with the band (yet), but you know the influences -- The Beatles, ELO, XTC, Pavement, Guided by Voices, The Beach Boys. We travel from the lo-fi charm of Fun Trick Noisemaker to the "space disco" feel of Travellers in Space and Time. Along the way, Scot takes the proper time to pay tribute to an all-time favorite album, New Magnetic Wonder, and we discuss the unorthodox ways the band found its way into children’s programming. Plus Hilarie Sidney gets her due as an excellent and underrated singer, songwriter, and drummer. Schneider’s interest in science, space, and sound influenced the band’s later work specifically, with conceptual elements and unconventional recording approaches shaping their music. New Magnetic Wonder even touts Schneider's invention of a new musical scale: the "Non-Pythagorean scale" (he’s now a mathematics professor at Michigan Tech University, so it all makes sense in the end). Throughout the years, the band kept pushing forward without losing a sense of wonder and experimentation that defined their earliest work and refined their ability to create hooks and melodies that lodge inside your brain for weeks at a time. And you can’t tell the story of The Apples in Stereo without diving into the world of the Elephant 6 Recording Company, the loose collective of like-minded musicians that helped spark an indie-pop movement in the ’90s. Jack takes the lead in describing this element of the show. This episode is a celebration of melody, creativity, and the joy of making something delightfully strange. It’ll fill you with energy. Can you feel it? Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #156
    February 24 · 3 hr 26 min

    Episode 155: Ivan Pongracic / Deep Purple

    Scot and Jeff discuss Deep Purple with Ivan Pongracic. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Ivan Pongracic, William E. Hibbs & Ludwig von Mises professor of Economics at Hillsdale College. Ivan has a career nearly as storied as Deep Purple’s -- a 1984 immigrant from the former Yugoslavia (Croatia, specifically), an accomplished professional surf guitarist, and now economics professor at Hillsdale. Ivan’s Music Pick: Deep Purple Get your jackhammers out boys, it’s time to carve the story of rock into a mountainside. Yes, Deep Purple went through many evolutions during their career (which still persists to this day), but what they will forever be synonymous with -- in the best possible way -- is bone-crunching, riff-driven hard rock. The gang -- Ivan and Jeff especially -- argue that Deep Purple was in fact the platonic ideal of whatever it is we’ve come to apply the broad label of “hard rock” to over the past half-century: compulsively driven, secretly smart music that combined steady beats and metallic shredding with formal (and often British-inspired) commitment to structure and hooks. Deep Purple may have gone through a goofy -- and shockingly interesting -- embryonic phase as Vanilla Fudge-like pop crooners, but when they finally emerged with Deep Purple in Rock (1970) they created a template that legions of bands would slavishly dedicate themselves to imitating (not least of all Spinal Tap, whose story is largely theirs, remixed). You know them from “Smoke on the Water.” Maybe you’ve heard that song about space truckin’ ‘round the stars. What we’re here to prove to you today is that Deep Purple is so much more than what you might have casually heard. In their unpretentious, hard-driving way, they provided the matrix of countless bands that followed after them, and all for the better. Click play and become the speed king you always wanted to be. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #155
    Dec 25, 2025 · 2 hr 30 min

    Episode 154: Christopher Scalia / The Strokes

    Scot and Jeff discuss The Strokes with Christopher Scalia. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Christopher Scalia. Chris is a senior fellow at the American Enterprise Institute and the author of 13 Novels Conservatives Will Love (But Probably Haven't Read), a perfect Christmas gift for your favorite person. Find him on X at @CJScalia. Christopher’s Music Pick: The Strokes The Strokes emerged at the beginning of the 2000s with a sound that felt both familiar and bracingly new. Drawing on punk, garage rock, and even classic new wave, they stripped things down to tight guitars, propulsive rhythms, and songs that valued economy over excess (at least for a time). Is This It quickly became a defining album of its era, with tracks like “Last Nite,” “Someday,” and “Hard to Explain” setting a template that would influence an entire wave of bands that followed. In this episode, we walk through the band’s discography from start to finish, looking closely at how their sound and approach evolved over time. We move from the focused urgency of Room on Fire to the more expansive ambitions of First Impressions of Earth, the occasional experiments on Angles and Comedown Machine, and the late-career recalibration that arrived with The New Abnormal. Along the way, we also talk about the personalities and dynamics that shaped the band’s output, from Julian Casablancas’s distorted vocal style to the tight, interlocking guitar work of Nick Valensi and Albert Hammond Jr. You'll better understand how The Strokes’s career actually unfolded. Why some records landed immediately, why others took longer to be reassessed, and how the band managed to remain relevant without simply repeating themselves. In the end, this is less about hype or revival and more about what remains when you line the records up and actually listen. The Strokes’s story is also about timing and context: arriving when rock music was bloated, polished, and often self-serious, and offering something leaner and more immediate in response. That initial impact cast a long shadow over everything that followed. This episode tries to sort out how much of their legacy rests on that first run of songs, and how much comes from the quieter, sometimes messier work of sticking around and continuing to make records on their own terms. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #154
    Dec 11, 2025 · 3 hr 12 min

    Episode 153: Sean Trende / Van Halen

    Scot and Jeff discuss Van Halen with Sean Trende. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Sean Trende. Sean is senior elections analyst at Real Clear Politics and visiting scholar at the American Enterprise Institute. His new podcast with co-host (and fellow Political Beats guest) Jay Cost, is Stubborn Things. Find him on X at @SeanTrende. Sean’s Music Pick: Van Halen Wait, haven’t we covered Van Halen before? Indeed, we have. Way back when on Episode One. This is a complete re-recording of that show, giving these guys the coverage they deserve. At the beginning, frankly, we weren't exactly sure how the show was going to sound. Now that we’ve figured things out, Van Halen gets its due. Few bands rewired rock ‘n’ roll the way these guys did, and fewer still made it look so fun. From the moment Eddie unleashed the lightning bolt that is “Eruption,” the landscape of guitar playing, and rock music itself, changed forever. In this episode, we set the stage for the band’s rise, the L.A. club days, and the swagger that defined their early sound. We start with the raw, unstoppable energy of Van Halen and Van Halen II. Then it’s into the darker edge of Fair Warning and the pop-metal perfection of 1984, complete with “Panama,” “Hot for Teacher,” and the synthesizer-powered “Jump.” Then David Lee Roth leaves and ends our story. No, of course not! We explore the band’s bold reinvention during the Sammy Hagar years, when albums like 5150, OU812, and For Unlawful Carnal Knowledge pushed Van Halen into new sonic territory and to the top of the charts again. Songs like “Best of Both Worlds,” “Love Walks In,” and “Right Now” proved the band could evolve while still keeping that unmistakable Van Halen spark. Along the way, we dig into the stories behind the music some of these are big fun) and examine how the band’s combustible chemistry created not just drama, but brilliance. And we talk about the lineup changes, tours, reunions, breakups, and makeups. Gary Cherone even gets a mention. Join us as we explore the thunderous riffs, the outrageous personalities, and the sheer fun that made Van Halen one of rock’s most iconic bands. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #153
    Nov 3, 2025 · 2 hr 17 min

    Episode 152: Dominic Green / Iggy Pop & the Stooges

    Scot and Jeff discuss Iggy Pop & the Stooges with Dominic Green. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Dominic Green. Dom is a historian and columnist, and he used to be a musician. He is a contributor to the Wall Street Journal and a columnist for the Washington Examiner and Jewish Chronicle. Check him out on Twitter at @DrDominicGreen. Dominic’s Music Pick: Iggy Pop & the Stooges Looooooooooord! When Dominic last joined us on Political Beats, to discuss the great U.K. band The Jam, we declared it to be in some ways one of the most necessary episodes of the show ever. (It was.) He has chosen to return to us this month with another one of the most necessary shows we have recorded, a deep dive into the true foundations of punk. Did "punk" music begin with the Sex Pistols in 1976? With the Velvet Underground in 1966? No. Whatever else you may think punk should be, or whatever else it evolved into, the true musical spirit of punk begins with the Stooges' 1969 debut album, a record of such throbbingly feral loudness, rage, and inarticulate energy that it seemed like the sound of cavemen bashing upon logs. And yet the Stooges -- led by Ypsilanti, Michigan's own James Osterberg, better known to the world as Iggy Pop -- were both primitive and neo-primitivist simultaneously: maybe the first band whose garage-rock aesthetics were both authentic and also an intentional artistic proposition. Iggy Pop -- working with the Ashton brothers and later James Williamson -- sought to strip rock and roll to its rawest, most inchoate essentials, and succeeded so wildly that an entire subgenre of music reveres him as their founding father. And then, of course, there's his work with David Bowie in the late Seventies, where both men creatively resurrected themselves. Buckle up for a brisk roller-coaster of an episode, folks -- embrace your lust for life. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #152
    Sep 29, 2025 · 3 hr 12 min

    Episode 151: Damon Linker / Tom Waits [Part 2]

    Scot and Jeff discuss the second part of Tom Waits’ career (1983-2011) with Damon Linker. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Damon Linker. Damon is a senior lecturer in political science at the University of Pennsylvania, and publishes a Substack newsletter titled “Notes from the Middleground.” Follow him at @DamonLinker on Twitter. Damon’s Music Pick: Tom Waits We sail tonight for Singapore and we’re all as mad as hatters here. Yes, Political Beats finishes its two-part celebration of the career of Tom Waits, rejoined by doughty boatswain Damon Linker as we pilot our way to unknown musical seas. Tom Waits had a fine career up through the year 1982, when he finished work on the soundtrack for Francis Ford Coppola’s One from the Heart. But we're talking about the man primarily because of what happened afterwards, when he became more than just a down-and-out jazz pianist with the voice of a Babadook. Waits met script supervisor Kathleen Brennan on the set of the film and fell in love, marrying a year later. (They remain married to this day.) Proving herself the anti-Yoko Ono, Brennan then alchemically helped to raise Waits’s music to an entirely new level of excitement and experimentation. His lyrics ideas become weirder, and more vivid. His ballads become infinitely more heartfelt (most of them are secretly addressed to Brennan). And his arrangements become a world of their own: Tom Waits begins, in 1983, to create glorious junk sculptures out of sound, using uncharacteristic (often minimalistic) instrumentation to create music that nobody has heard before. Through such landmarks of the 1980s and 1990s as Swordfishtrombones, Rain Dogs, Bone Machine, and The Mule Variations, Tom Waits transcended his balladeering origin -- without ever leaving it entirely behind -- and created a body of work famous for its eccentric, compelling, and deeply influential series. Once you get past the fact that he has a voice like the sawblades of a lumber mill, entire worlds will open up to you. Click play and clap hands! Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #151
    Sep 4, 2025 · 2 hr 43 min

    Episode 150: Damon Linker / Tom Waits [Part 1]

    Scot and Jeff discuss the first part of Tom Waits’s career (1973-1982) with Damon Linker. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are joined by guest Damon Linker. Damon is a senior lecturer in political science at the University of Pennsylvania, and publishes a Substack newsletter titled “Notes from the Middleground.” Follow him at @DamonLinker on Twitter. Damon’s Music Pick: Tom Waits There’s a world going on underground, and Political Beats is here to explore it, in all of its seedy, alcohol sodden, and extremely performative oddity. Yes, its time to begin a journey into the heart of Saturday night, as we explore the career of Tom Waits, one of the modern musical era’s most notably stubborn, and brilliant, eccentrics. It may be difficult to explain the charms of a wrecked-voiced jazz pianist sketching portraits of the dissolute Los Angeles nightlife of the mid-1970s, but during this first part of Waits’s career -- when he climbed out of the Laurel Canyon rock scene to carve his own unique furrow as an affected beat-poet drunkard -- the man’s albums speak for themselves. During the second half of this two-part Political Beats retrospective, the gang will explore the fearless (and endlessly influential) art-rock musical turn Waits took during the 1980s. And there is true continuity between both phases -- at the end of the day, Tom Waits has never forgotten how to write a beautiful, memorable piano melody. But for now, settle in for a trip as far away from “rock and roll,” in some ways as Political Beats has ever traveled outside of Willie Nelson. Prepare to settle in with a drink and a smoke in a jazz lounge at 1:00 a.m. The night is only just getting started. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #150
    Aug 5, 2025 · 3 hr 11 min

    Episode 149: Conor Friedersdorf / Jimmy Buffett

    Scot and Jeff discuss Jimmy Buffett with Conor Friedersdorf. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) are with guest Conor Friedersdorf. Conor is a staff writer atThe Atlantic, where he writes about politics and culture, with a focus on civil liberties, and he's the founding editor ofThe Best of Journalism, a newsletter on Substack where he highlights the best nonfiction that he encounters each week. Find him on X at @conor64. Conor’s Music Pick: Jimmy Buffett Whether you’ve had your fins up since the ’70s or just wandered in from Margaritaville wondering what the fuss is all about, you’re in the right place. In this episode of Political Beats, we’re kicking back and diving deep into the life and music of Jimmy Buffett — the man who turned tropical escapism into a full-blown philosophy and business model. Buffett’s career didn’t start with frozen cocktails and parrots on shoulders. He came up in the 1970s as a Gulf Coast troubadour, blending country, folk, and coastal storytelling into something all his own. His early albums like A White Sport Coat and a Pink Crustacean and A1A earned him a devoted following, while songs like “Come Monday” and “A Pirate Looks at Forty” showed a tender, reflective side behind the laid-back image. But then came “Margaritaville” — and everything changed. The 1977 hit launched Buffett into the stratosphere, spawning not only a signature sound but a full-fledged lifestyle brand. Over the next few decades, he built an empire: hit albums, bestselling books, restaurant chains, retirement communities, and legions of Parrotheads who came for the music and stayed for the state of mind. In this episode, we take a sunny stroll through his albums — highlighting the iconic tunes, the underrated gems, and the occasional head-scratcher (a decent portion of the 1980s). Whether you’re here for the deep cuts or just trying to figure out what the “Coconut Telegraph” actually is, we’ve got you covered. We try to unpack the stories, the sound, and the secret sauce that made Buffett not just a musician, but a lifestyle. And we attempt to answer the question: Did Buffett make a truly great album at any point or is the Greatest Hits collection all you really need? So pour yourself something cold, find a hammock — or a seat on the beach — and join us as we sail through the world of Jimmy Buffett: singer, storyteller, and the only guy to turn chill vibes into an empire. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #149
    Jul 9, 2025 · 59 min

    Episode 148: David Lowery Interview

    Your Political Beats hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) get the opportunity to spend a little more time with singer/songwriter/bandleader/advocate/professor David Lowery (@DavidCLowery) Now-frequent (two times is frequent, right?) Political Beats guest David Lowery returns to the show to talk about his magnificent new solo record Fathers, Sons and Brothers. For those unaware, David is the founder of Camper Van Beethoven and Cracker as well as a long-time advocate for artists' rights. He also serves as Senior Lecturer in Music Business at the Terry College of Business at the University of Georgia. David previously joined us for more than three hours to discuss the music created by both of his bands -- the original version is here and the remastered version (higher audio quality and additional song clips) is right here -- so we don't spend time at all reviewing that content. The new album is good enough that it deserves its own place in the sun. As David himself describes Fathers, Sons and Brothers, "In lieu of an uninteresting written autobiography I’ve made this record. I do this not so much to tell my own story but to pay tribute to my mother, father, sisters, extended family, friends, and those who have shared their lives with me." It tells the story of his life, career, and loved ones. The songs are deeply affecting and carry a somewhat unexpected emotional heft. The closing kick -- "Vending Machine," '"Fathers, Sons, and Brothers," "Yonder Distant Shore," "Darken Your Door," "Giving Tree Father" -- is just one gut punch after another when you realize the stories being told. It’s all just further evidence that Lowery is peerless among his generation's songwriters and deserves even more acclaim than he has received. During this conversation, we spend time trying to define the sound of the new record (we suggest an extension of Gram Parsons's "Cosmic American Music" idea), the backstories behind a few of the songs, how the album’s narrative took shape and propels the record forward, and where he finds his joy these days in performing live music. There's even a question about religion buried in here. If you love CVB, you'll love this album. If you love Cracker, you'll love this album. If you love Political Beats, well, we're pretty sure you'll love this album. Many of the songs are cinematic in their scope; you literally can picture these scenes playing out in your mind. These tracks are elevated by spending time with the lyric sheet and appreciating the nuances and care taken in the storytelling. Be sure to check out David and Cracker (full band and solo dates) live through the rest of the summer. He indicated a more extensive slate of dates supporting Fathers, Sons and Brothers could be on the way this fall. If you’re out and about, you might see Scot at any Detroit-area show and Jeff at any Chicago-area shows. These songs certainly deserve to be seen live. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

  • #148
    Jul 2, 2025 · 3 hr 40 min

    Episode 147: Tim Constantine / Bob Seger

    Scot and Jeff discuss Bob Seger with Tim Constantine. Introducing the Band: Your hosts Scot Bertram (@ScotBertram) and Jeff Blehar (@EsotericCD) with guest Tim Constantine. Today you see him interviewing presidents and prime ministers on The Capitol Hill Show out of Washington, D.C., but Tim got his broadcasting start in rock radio when he was just 13 years old. Watch Tim Constantine's Capitol Hill Show and find him on X at @timconstantine1. Tim’s Music Pick: Bob Seger Bursting out of the Detroit rock scene in the late ’60s, Bob Seger paid his dues in smoky bars and VFW halls before finally breaking through with Live Bullet and Night Moves. It wasn’t overnight success. Seger’s story begins in the early 1960s and includes a string of quality albums in the early 1970s that the artist refuses to allow to be streamed or rereleased in any way. Seger’s raspy voice and working-class storytelling made him the unofficial bard of the Midwest — writing songs that felt like they were ripped straight from America's small town backroads and main streets. Seger had a gift for writing anthems that balanced nostalgia with grit, “Night Moves” and “Mainstreet” chief among them. He followed his smash hit album with a fish-out-of-water follow-up that spoke to some of his uncomfortableness with the spotlight. In the ’80s, Seger leaned into his role as rock’s reliable everyman. With songs like “Against the Wind” and “Like a Rock,” he became the (literal) soundtrack for Forrest Gump and the voice that sold millions of Chevy pick-up trucks. Whether it was a prom slow dance or a late-night drive, Seger’s songs were always there. His later albums didn’t necessarily chase relevance — they just kept the flame alive. And when he finally hung it up after one last tour in 2019, he didn’t exit with bombast and he hasn’t teased the world with any number of comebacks. He seems content to have left listeners with a jukebox full of songs to enjoy. And it’s likely you know far more of them than you might think. If you’re a fan of old time rock and roll, well, this might be the episode for you. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

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