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Medieval LOLs

London Review of Books

Were the Middle Ages funny? To answer that question, Mary Wellesley and Irina Dumitrescu hunt through some of the rudest, silliest and surprising works in English literature in search of the Medieval sense of humour.

Mary Wellesley and Irina Dumitrescu are both writers and historians, and regular contributors to the London Review of Books.

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  • 12 episodes
  • Avg 18 min
  • English
  • #12
    Dec 19, 2024 · 10 min

    Gwerful Mechain’s ‘Ode to the Vagina’

    For the final episode of their series in search of the medieval sense of humour Irina and Mary look at one of the most remarkable women authors of the Middle Ages, Gwerful Mechain, who lived in Powys in the 15th century. Mechain was part of a lively literary coterie in northeast Wales and in her poem Cywydd y Cedor (‘Ode to the Vagina’) she challenged the conventional approach of her fellow male poets to praise every part of a woman’s body apart from her genitalia. Her witty, combative verses, intended for public performance, deployed a brilliant mastery of the complex metrical tradition of medieval Welsh poetry to discuss the most intimate physical experiences. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series including Mary and Irina's twelve-part series Medieval Beginnings, sign up: Directly in Apple Podcasts: https://lrb.me/medlolapplesignup In other podcast apps: https://lrb.me/medlolscsignup Get in touch: podcasts@lrb.co.uk

  • #11
    Nov 18, 2024 · 14 min

    'Tales of Count Lucanor' by Juan Manuel

    <p>If you’re looking for advice on sustaining a marriage, or robbing a grave, or performing liver surgery, then a series of self-help stories by a 14th-century Spanish prince is a good place to start. Tales of Count Lucanor, written between 1328 and 1335 by Prince Juan Manuel of Villena, is one of the earliest works of Castilian prose. The tales follow the familiar shape of many medieval stories, presented as a kind of medicine to improve the lives of its readers by example. Yet in his preface M

  • #10
    Oct 18, 2024 · 14 min

    Boccaccio’s ‘Decameron’: Part Two

    <p>Mary and Irina resume their discussion of Boccaccio’s<em>&nbsp;Decameron</em>, focusing on three stories of female agency, deception and desire. Alibech, an aspiring hermitess, is tricked into indulging her powerful sexual urges; Petronella combines business and pleasure at the expense of her husband and lover; while Lydia demonstrates her devotion by killing hawks and pulling teeth. As Mary and Irina discuss, these stories exemplify the ambiguous depiction of women in the&nbsp;<em>Decameron<

  • #9
    Sep 18, 2024 · 45 min

    Boccaccio's 'Decameron': Part One

    <p>In the preface to the&nbsp;<em>Decameron&nbsp;</em>Boccaccio describes Florentine society laid waste by bubonic plague in the mid-14th century. But before he gets to that he has a confession for the reader: he has been hurt by love, a love ‘more fervent than any other love’, and intends his work as a guide to life and love for young women in particular. In the first of two episodes on Boccaccio’s hundred&nbsp;<em>novelle</em>&nbsp;of sex, dishonesty and foolishness, Mary and Irina consider wh

  • #8
    Aug 18, 2024 · 12 min

    Sir Gawain and the Carle of Carlisle

    <p>The character of Gawain, one of King Arthur’s leading knights, recurs throughout medieval literature, but the way he’s presented underwent a curious development during the period, moving closer and closer to an impossible and perhaps comical ideal of chivalric perfection. In 'Sir Gawain and the Greene Knight', his most well-known incarnation, Gawain faces a series of peculiar tests and apparently fails them all. 'Sir Gawain and the Carle of Carlisle', a later poem, takes many elements from 'T

  • #7
    Jul 18, 2024 · 11 min

    Solomon and Marcolf

    <p>The foul-mouthed, mean-spirited peasant Marcolf was one of the most well-known literary characters in late medieval Europe. He appears in many poetic works from the 9th century onwards, but it’s in this dialogue with Solomon, printed in Antwerp in 1492, that we find him at his irreverent and scatological best as they engage in a battle of proverbial wisdom. Mary and Irina consider some of the more startling and perplexing of the riddles and discuss how the development of Marcolf’s earthy rejo

  • #6
    Jun 18, 2024 · 11 min

    The Second Shepherds' Pageant

    <p>In their quest for the medieval sense of humour Mary and Irina come to <em>The Second Shepherds’ Pageant</em>, a 15th-century reimagining of the nativity as domestic comedy that’s less about the birth of Jesus and more about sheep rustling, taxes, the weather and the frustrations of daily life. The pageant was part of a mystery cycle, a collection of plays that revealed religious mysteries through performances of the Christian story and were a central part of community life. Mary and Irina di

  • #5
    May 31, 2024 · 11 min

    Dame Syrith

    <p>As Mary and Irina discussed in the previous episode of Medieval LOLs, fabliaux had an enormous influence on Chaucer, but outside of his work, only one survives in Middle English. <em>Dame Syrith</em>, a story of lust, deception and a mustard-eating dog, is medieval humour at its silliest and most troubling. Mary and Irina explore the surprising representations of old women, magic and consent in fabliaux, the poem’s possible role as a pedagogical tool, and medieval audiences’ love for the proc

  • #4
    Apr 18, 2024 · 14 min

    Fabliaux

    <p>Fabliaux were short, witty tales originating in northern France between the 12th and 14th centuries, often featuring crafty characters in rustic settings and overwhelmingly concerned with money and sex. In this episode Irina and Mary look at two of these comic verses, both containing surprisingly explicit sexual language, and consider the ways in which they influenced Boccaccio, Chaucer and others.</p><br><p>Non-subscriber will only hear an extract from this episode. To listen in full, and to

  • #3
    Mar 18, 2024 · 11 min

    Old English Riddles

    <p>Riddles are an ancient and universal form, but few people seem to have enjoyed them more than English Benedictine monks. The Exeter Book, a tenth century monastic collection of Old English verse, builds on the riddle tradition in two striking ways: first, the riddles don’t come with answers; second, they are sexually suggestive. Were they intended to test the moral purity of the reader? Are they simply mischievous rhetorical exercises? Mary and Irina read some of them and consider why Anglo-S

  • #2
    Feb 18, 2024 · 34 min

    The Colloquies of Aelfric Bata

    <p>All teachers know that the best way for students to learn a language is through swear words, and nobody knew this better than Aelfric Bata, a monk from Winchester whose&nbsp;<em>Colloquies</em>, compiled in around the year 1000, instructed pupils to swear in Latin with elaborate and vivid fluency. Mary and Irina work through some of Aelfric’s fruitier dialogues, and ask whether his examples can be taken purely in good humour.</p><br><p>Sign up to listen to this series ad free and all our subs

  • #1
    Jan 18, 2024 · 28 min

    Chaucer's Miller's Tale

    <p>Were the Middle Ages funny? In this bonus series for 2024, Irina Dumitrescu and Mary Wellesley begin their quest for the medieval sense of humour with Chaucer’s 'Miller’s Tale', a story that is surely still (almost) as funny as when it was written six hundred years ago. But who is the real butt of the joke? Mary and Irina look in detail at the mechanics of the plot and its needless but pleasurable complexity, and consider the social significance of clothes and pubic hair in the tale.</p><br><

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