
John Carpenter's Halloween (1978)
Send us Fan Mail In this Halloween episode of Drawn to Darkness, we're going back to where it all began with John Carpenter's iconic 1978 slasher Halloween. And we've brought along a special guest, Steve from Horror Makes Us Happy, to help us decide whether Michael Myers is still terrifying nearly 50 years later. We discuss the birth of the modern slasher, Laurie Strode as the ultimate Final Girl, the rules of surviving a horror movie, and whether Michael Myers is more frightening with or without a motive. We also unpack the Boogeyman as a figure of social control, the sexual politics of horror, the representation of mental illness, suburban fears, incompetent authority figures, and Carpenter's simple score and slow-building dread. Along the way, we question the babysitting practices of 1970s teenagers, Dr. Loomis's psychiatric qualifications, how on earth Michael learned to drive and move impossibly heavy gravestones, and why nobody in Haddonfield seems particularly interested in helping a screaming teenage girl. And, most importantly, if you stab a masked murderer, WHY WOULD YOU DROP THE KNIFE? Content & Spoiler Warning: Murder, stalking, stabbing, violence against teenagers, sexual activity and nudity, dog deaths, institutionalisation, stigmatising representations of mental illness, references to real-life serial killers, child sexual abuse, and discussions of violence and self-defence. And, as always, we spoil Halloween (1978) completely, along with some discussion of its sequels and other horror films. Palate Cleanser: Caroline recommends Canadian Bacon, a surprisingly relevant comedy and the standout from her rainy-weekend movie marathon. Recommendations: Halloween H20: 20 Years Later - for Josh Hartnett's questionable haircut, Michelle Williams' pencil-thin eyebrows, and our favourite LL Cool J. The Thing - Annie and Steve's favourite John Carpenter film, but please, leave the dogs alone John! The Fog, Escape from New York and Big Trouble in Little China - more Carpenter classics. What Went Wrong - the podcast episode about the making of Halloween, its shoestring budget, and how a low-budget independent film became a horror phenomenon. Psycho – for mother daughter scream queens Jamie Lee Curtis and Janet Leigh. Friday the 13th and A Nightmare on Elm Street, Alien, Scream, You’re Next, X, MaXXXine and Heretic for both classic and original takes on the final girl. Men, Women, and Chainsaws by Carol J. Clover - for an academic exploration of gender, violence, and the Final Girl. Morbid: Let's Boogie - The Boogeyman Around the World, Volume I - for folklore about the figures we invent to frighten children into behaving themselves. I Am Legend by Richard Matheson - for a brilliant exploration of what happens when the monster turns out to be you. Read the book, because the adaptations miss the point! Widow's Bay - for Boogeymen, Patricia's excellent survival instincts, and making sure the bad guy is actually dead. Exhumed by Aaron Mahnke - for the Mercy Brown vampire panic, corpse medicine, and the strange things humans have believed about the dead. Joseph Campbell's The Four Functions of Mythology - for why societies create and perpetuate myths, including the Boogeyman. The Cask of Amontillado - for the five stages of grief, courtesy of Edgar Allan Poe. Trading Places, A Fish Called Wanda, True Lies and Freaky Friday - for more Jamie Lee Curtis, and the vintage John Cleese Schweppes commercial - because Steve remembers it from the A Fish Called Wanda VHS, and apparently it has never left him. Anything involving Christopher Guest, because apparently he and Jamie Lee Curtis are married! Always Best in Show. Star Trek - because Michael Myers's terrifying white mask began life as a Captain Kirk mask. Star Wars - for Christopher Lee, Peter Cushing, and Annie's childhood Jawa costume. The Peanut Butter Solution - for neighbourhood houses that children are terrified of. Check out our guest appearance on Grave Tone Podcast. Annabelle - because Laurie's Raggedy Ann doll reminded Annie of another unsettling doll. When Harry Met Sally - because Harry is from Haddonfield, New Jersey, which is a good enough excuse to recommend a classic rom-com. And, of course, Horror Makes Us Happy - Steve and Chris's podcast exploring the lives, experiences, and lifelong horror obsessions of horror creators. Check out Annie's September 2026 interview and their conversations with other horror writers and filmmakers. Homework: Watch Love Has Won: The Cult of Mother God, the HBO documentary series about Amy Carlson and the extraordinary beliefs and practices of the Love Has Won cult. We're returning to the themes of motherhood, reincarnation, and spiritual belief from Incidents Around the House, only this time the horror is real. Caroline has watched a lot of true crime documentaries, and this might be the wildest one yet. Don't forget. Cardio is key, trust your instincts, don't trap yourself in a closet, and if you've managed to stab the Boogeyman, FOR THE LOVE OF GOD, DON'T DROP THE KNIFE. Special thanks to Nancy Azano for the podcast cover art. Find her on Instagram at @nancyazano. Thanks also to Harry Kidd for the opening and closing music. Find him on Instagram at @harryjkidd and on Spotify.
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