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Basic Folk

The Bluegrass Situation

Basic Folk features honest conversations with folk musicians hosted by Cindy Howes and Lizzie No. We approach interviews with warmth, humor and insightful questions. Since 2018, this podcast has dignified under the radar roots musicians by providing a platform that they might not otherwise have. You’ll hear interviews from Three-time Grammy-winning guitar gods like Molly Tuttle, Haitian American folk legends like Leyla McCalla and deep feelers like songwriter John Hiatt.

Basic Folk is dedicated to showcasing the best in folk, bluegrass, acoustic and americana including Black, Brown and Queer folx who have been excluded, or felt like they did not belong, in the folk world. Cindy & Lizzie each bring a unique perspective to these honest conversations with folk musicians. We are equally dedicated to repainting the broad landscape of folk music as we are to tearing down the ivory towers of the music industry. What would Bruce Springsteen do if he ever got the keys to that mansion on the hill? Let's find out together on Basic Folk.

Basic is an official production of The Bluegrass Situation. Thanks for listening.

Welcome to Basic Folk.

Follow Basic Folk on social media: https://basicfolk.bio.link/  

Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews  

Help produce Basic Folk by contributing: https://basicfolk.com/donate/ 

Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods 

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  • 24 episodes
  • fortnightly
  • Avg 1 hr
  • English

Episodes 24

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  • #334
    January 8 · 47 min

    Mary Chapin Carpenter is the Woman in the Truck, ep. 334

    Mary Chapin Carpenter's latest album, 'Personal History,' is as lush in production and color as the beautiful farmland she calls home in Virginia. Carpenter will often wake up early for sunrise walks with her dog, Angus, and one of several daily cups of coffee (of course) to start the day. In our Basic Folk conversation, she reflects on how living in this serene farmhouse has brought her peace, drawing parallels to Carl Sandberg's "creative hush." Mary Chapin also discusses her method of "song walking" as a tool to overcome writer's block, often accompanied by her pets. She goes on to touch on her evolving relationship with fame and the importance of surrounding herself with grounded people; she reveals her younger self was shy, and talks about how being less concerned with others' opinions has empowered her over time. We cover her connection to the Celtic music community and how it inspired her collaborative album 'Looking for the Thread' with Scottish musicians Julie Fowlis and Karine Polwart. That record was her first with Josh Kaufman as producer and it worked so well, she decided to have him produce her new solo album, too. We also chat about "hyphen-gate," due to her double first name, the process of feeling visible and valued, and the impact of Elizabeth Strout on her perspective of songwriting. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

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  • Dec 18, 2025 · 1 hr 12 min

    2025 Wrap-Up: Gals Chat, A Corn Cob, Alaska, and One Man, ep. 333

    To send 2025 off into the great abyss, we have a sensational year-end Basic Folk roundtable featuring Lizzie's group chat: Kaïa Kater, Olivia Ellen Lloyd, and Isa Burke. It can feel so challenging to know which media you can trust and whose takes you can really take to the bank. There is no one we trust more to wrap-up this wild and wacky year than these gals. We turned to them at the end of 2025 to hear their hot takes, what they're grateful for, what they've learned, and what four poppin' folk musicians were up to in this crazy year in the industry. We also share a couple of Basic Folk clips from 2025! Our most-listened to episode featured Ani DiFranco and Carsie Blanton onboard Cayamo, so of course we wanted to share a portion of their conversation about periods. Lizzie tees up a clip from her favorite episode featuring Cindy's meet-cute moment with Morgan Toney. Morgan spoke of how he started to get more familiar with his Indigenous musical heritage and shares incredible insights about how to connect with your cultural heritage as a marginalized artist. Lizzie & Cindy then get into what each has been up to this year, together and separately. They especially reflect on their trip to Alaska with Parlor in the Round, the pod's new baby, Lizzie's Yallidarity Social Club podcast, and the latest on their dogs – including one emergency surgery to remove a six month old corn cob. Goodbye, 2025! Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

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  • #332
    Dec 4, 2025 · 59 min

    Madison Cunningham is Embarrassed All the Time. ep. 332

    Our episode with Madison Cunningham was one of those all-time Basic Folk moments where a guest gets really deep really quickly. I'm so grateful to have had the chance to speak with this brilliant young torchbearer of the folk tradition to celebrate the release of her new album, 'Ace.' Cunningham grew up in the church, an environment which shaped her earliest memories of music. From the very beginning she had a sense of togetherness and transcendence in music which remains today and is represented throughout her catalogue. It was fascinating to hear Madison describe how she developed into a commanding solo performer, renegotiating her relationship with spirituality and individuality along the way. After the massive impact of her GRAMMY-winning 2022 album, 'Revealer,' and collaborations with artists like Andrew Bird, Cunningham summoned all her creative, form-breaking powers for her new album. As we talked through the track list and arrangements I got the sense that this is an artist who is always challenging herself to release control. She lets things fall apart and then puts the pieces back together according to her own imagination. This is freedom. Her reflections on heartbreak feel intimate, thoughtful, hopeful, and unique. 'Ace' may or may not be a "Folk" album by aesthetic measures, but it is certainly an outstanding example of world-building in the singer-songwriter format. Whether on piano or guitar, Cunningham has a focused way of expressing herself that makes me want to know what unpredictable gems she will create next. Long live the creativity of independent women! - Lizzie No Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

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  • Nov 13, 2025 · 51 min

    Frazey Ford Revisits the Subtle Grooves of 'Indian Ocean', ep. 331

    Frazey Ford has always loved soul music. She fell in love with Otis Redding at age 11 and discovered people like Ann Peebles along the way, but it was Al Green that really knocked her out. She loved the layers, the expression, and especially his voice. She completely dove in and even started an Al Green cover band. Although she had been perfecting her soul sound, the band that took off for Ford was, of course, The Be Good Tanyas. She talks in our Basic Folk interview about how the trio really worked to perfect quiet, beautiful country music rooted in her love of soul. She took that love into her solo career with her first record, 'Obadiah.' Even though her solo debut was mostly a folk record, documentary filmmaker Robert Gordon heard one of those songs on the radio. He sent her an email and invited her to work with Al Green's band, The Hi Rhythm Section. That invitation was the inception of her second album, 2014's 'Indian Ocean.' Now seeing a deluxe edition release in 2025, 'Indian Ocean' captured Frazey coming into her own as a solo artist. Working with brothers Charles (organ), Leroy (bass) and Teenie (guitar) Hodges, The Hi Rhythm Section taught her so much about groove, space, and collaboration. In our conversation, Frazey revisits those sessions and the lessons they brought. She talks about how the brothers had always wanted to record with a folk artist and what kind of care and attention they brought to her songs. She reflects on her time working with Teenie , who died before 'Indian Ocean' was released, but not before it was finished. We also get into her early life with her hippie family, her many creative outlets, and her fashion ethos. Follow Basic Folk on social media: https://basicfolk.bio.link/ Sign up for Basic Folk's newsletter: https://bit.ly/basicfolknews Help produce Basic Folk by contributing: https://basicfolk.com/donate/ Interested in sponsoring us? Contact BGS: https://bit.ly/sponsorBGSpods Advertising Inquiries: https://redcircle.com/brands

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Showing 21–24 of 24 episodes