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Why Theory · August 2 · 1 hr 25 min

Adaptations

On this episode, Ryan and Todd theorize the adaptation as a form of film. The episode takes its point of departure the continuing conversation over Nolan's Odyssey. Film adaptations, according to the hosts, must represent an intervention to the source text. This intervention can happen at a number of different levels but the most common is that film technology or conventions of filmmaking are altered, introduced, or changed in order to make a dynamic adaptation. The hosts discuss examples of film adaptations that bring a reading to bear on the source material and use the affordances of film to make this intervention clear, starting with the first ever film adaptation, Georges Méliès Cinderella (1899).

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On this episode, Ryan and Todd theorize the adaptation as a form of film. The episode takes its point of departure the continuing conversation over Nolan's Odyssey. Film adaptations, according to the hosts, must represent an intervention to the source text. This intervention can happen at a number of different levels but the most common is that film technology or conventions of filmmaking are altered, introduced, or changed in order to make a dynamic adaptation. The hosts discuss examples of film adaptations that bring a reading to bear on the source material and use the affordances of film to make this intervention clear, starting with the first ever film adaptation, Georges Méliès Cinderella (1899).

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