The Aligned Singer · June 15 · 28 min

Ep. 13 - Why Your High Notes Feel Strained, Stuck, or Impossible (and What’s Actually Causing It)

If your high notes feel strained, pushed, stuck, screamy, or like they’ve completely disappeared lately, this episode is going to help you understand what may actually be going on in your voice. Because most of the time, the high notes themselves are not actually the problem. And I know that may sound surprising, especially if the top part of your range is currently making you want to throw yourself dramatically onto the floor after singing. But in almost every case I’ve seen as a voice teacher, issues with high notes are usually coming from something happening somewhere else in the voice. That’s what we’re unpacking today. This conversation came directly out of patterns I’ve been seeing lately in my studio, in my online communities, and in singers who feel frustrated because high notes that used to feel easy suddenly feel hard, or singers who have started believing they “just don’t have high notes anymore.” And I really want you to hear this: Losing access to part of your range is not permanent. Your voice can be retrained. In this episode, we talk about what’s actually happening behind the scenes when singers start straining, pushing, yelling, over-singing, or pressing in other parts of the voice and how those habits can throw your entire instrument out of balance. We also get into bel canto, what that word actually means, and why bel canto technique applies to every style of singing, not just opera or classical music. And honestly, this episode became more emotional than I expected while recording it. Because I know what it feels like to struggle with your voice. I know what it feels like to avoid high notes, to feel disconnected from your instrument, to wonder what’s wrong, and to worry that maybe your voice just won’t do what you want it to do anymore. My own voice was in really rough shape when I moved to New York City for my singing career. And now, after years of retraining and studying vocal technique, I genuinely have the voice I used to dream about having. Because vocal technique is trainable. And there is always a way through. In this episode, you’ll learn: • Why high notes are often not the real source of the problem • How over-singing and pushing in middle voice can affect your entire range • The difference between chest voice, middle voice, head voice, and whistle tone • Why singers can temporarily lose access to their high extension • What “pressing” the voice actually means and how it affects vocal balance • Why drilling difficult high notes repeatedly can actually make them worse • How bel canto technique helps rebalance the voice from the inside out • Why middle voice is the most important part of your instrument • How I retrained my own voice after major vocal struggles Chapters 0:00 Welcome to The Aligned Singer 2:53 What bel canto actually means 4:05 Why bel canto technique applies to every style of singing 4:38 My own journey retraining my high extension 6:23 What whistle tone actually is 7:34 Why singers lose access to high notes 8:27 The real reason high notes become strained or stuck 9:15 Chest voice, head voice, and middle voice explained simply 11:05 Why middle voice is the most important part of your voice 13:04 How over-singing throws the whole instrument out of balance 14:19 How bel canto technique helps rebalance the voice 17:43 Why practicing the high note itself often makes things worse 22:28 My emotional story about rebuilding my own voice 28:03 Closing thoughts and encouragement Voice Studio Website https://www.sarahhawkeystudio.com Performing Website https://www.sarahhawkey.com Instagram https://www.instagram.com/voiceteachersarah TikTok https://www.tiktok.com/@voiceteachersarah YouTube https://www.youtube.com/@voiceteachersarah

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If your high notes feel strained, pushed, stuck, screamy, or like they’ve completely disappeared lately, this episode is going to help you understand what may actually be going on in your voice.

Because most of the time, the high notes themselves are not actually the problem.

And I know that may sound surprising, especially if the top part of your range is currently making you want to throw yourself dramatically onto the floor after singing.

But in almost every case I’ve seen as a voice teacher, issues with high notes are usually coming from something happening somewhere else in the voice.

That’s what we’re unpacking today.

This conversation came directly out of patterns I’ve been seeing lately in my studio, in my online communities, and in singers who feel frustrated because high notes that used to feel easy suddenly feel hard, or singers who have started believing they “just don’t have high notes anymore.”

And I really want you to hear this:

Losing access to part of your range is not permanent.

Your voice can be retrained.

In this episode, we talk about what’s actually happening behind the scenes when singers start straining, pushing, yelling, over-singing, or pressing in other parts of the voice and how those habits can throw your entire instrument out of balance.

We also get into bel canto, what that word actually means, and why bel canto technique applies to every style of singing, not just opera or classical music.

And honestly, this episode became more emotional than I expected while recording it.

Because I know what it feels like to struggle with your voice.

I know what it feels like to avoid high notes, to feel disconnected from your instrument, to wonder what’s wrong, and to worry that maybe your voice just won’t do what you want it to do anymore.

My own voice was in really rough shape when I moved to New York City for my singing career. And now, after years of retraining and studying vocal technique, I genuinely have the voice I used to dream about having.

Because vocal technique is trainable.

And there is always a way through.

In this episode, you’ll learn:

• Why high notes are often not the real source of the problem
• How over-singing and pushing in middle voice can affect your entire range
• The difference between chest voice, middle voice, head voice, and whistle tone
• Why singers can temporarily lose access to their high extension
• What “pressing” the voice actually means and how it affects vocal balance
• Why drilling difficult high notes repeatedly can actually make them worse
• How bel canto technique helps rebalance the voice from the inside out
• Why middle voice is the most important part of your instrument
• How I retrained my own voice after major vocal struggles

Chapters

0:00 Welcome to The Aligned Singer

2:53 What bel canto actually means

4:05 Why bel canto technique applies to every style of singing

4:38 My own journey retraining my high extension

6:23 What whistle tone actually is

7:34 Why singers lose access to high notes

8:27 The real reason high notes become strained or stuck

9:15 Chest voice, head voice, and middle voice explained simply

11:05 Why middle voice is the most important part of your voice

13:04 How over-singing throws the whole instrument out of balance

14:19 How bel canto technique helps rebalance the voice