1913 E3 - Julie K Allen

Julie K. Allen, professor of Comparative Arts and Letters at Brigham Young University, is the author of Screening Europe in Australasia. So it makes sense that her selections, each from a different country, would embody the transnational dynamic of silent film just before the outbreak of World War I. Julie is also the author of Icons of Danish Modernity, Danish but Not Lutheran, and The Silent Muse: The Memoirs of Asta Nielsen. She is currently working on a book about the Danish cinema license system with the tentative title The Cultural Politics of Film Exhibition. Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1913! Films and resources mentioned: Quo Vadis (1913) - Enrico Guazzoni Atlantis (1913) - August Blom Fantômas (1913) - Louis Feuillade Traffic in Souls (1913) - George Loane Tucker The Suffragette (1913) - Urban Gad The Abyss (1910) - Urban Gad What 80 Million Women Want (1913) - Will Louis Les misérables (1912) - Albert Capellani Nick Carter, le roi des détectives (1908) - Victorin-Hippolyte Jasset Les Vampires (1915) - Louis Feuillade Judex (1916) - Louis Feuillade Saved from the Titanic (1912) - Étienne Arnaud Destiny (1921) - Fritz Lang The Phantom Carriage (1921) - Victor Sjöström Blind Justice (1916) - Benjamin Christensen Sealed Orders (1914) - Benjamin Christensen Häxan (1922) - Benjamin Christensen Titanic (1997) - James Cameron Nero (1909) - Luigi Maggi and Arturo Ambrosio L’Inferno (1911) - Francesco Bertolini, Adolfo Padovan, and Giuseppe De Liguoro Pink-Slipped: What Happened to Women in the Silent Film Industries? - Jane Gaines