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He's coming! And by "he" we mean Robert Eggers' reimagining of the sublime Dracula copyright dodge, "Nosferatu". Eggers' telling centres on Ellen, the character who in previous versions has been the object of the Vampyr, Orlok's, appetite. But Eggers' version poses the question that she might be the subject who summoned him to satisfy her own. But can this smoothed version of Eggers' auteurship in pursuit of a popcorn hit adequately grapple with such a troubling idea?
