
transcript
show notes
This episode is about the tension between the daily “job” of making vs. the need for a big transcendent “why”.
Maria's producer Carin Huebner came to the conversation with a live wire. She'd finally gotten into the darkroom after weeks of circling it, and she made, in her own assessment, zero successful work. What happens next?
In this episode
Why the question "what is this for?" can be both essential and the thing that keeps you out of the room
Erotic energy, Eros, and what it actually means to be a sub to your vision
Anger as data — what it’s actually pointing to
Why most of us only ever get the next instruction, and how to stop making that wrong
Waypoints
[00:00:00] — Why Carin finally got into the darkroom
[00:03:30] — The tension between the job and the why
[00:10:30] — Both ends of the binary are forms of obedience
[00:22:30] — Sub to the vision
[00:25:00] — What actually is vision?
[00:36:30] — Rules as permission
Resources
Sally Mann — Art Work
Steven Pressfield — The War of Art
Nathan Hill — Wellness
Will Arnett — Is This Thing On?
Hilma af Klint — referenced for automatic painting and receiving vision
Michael Pollan — A World Appears
Annie Dillard — The Writing Life
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Theme song by deadmen