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It's becoming increasingly obvious that the World Cinema Project is Martin Scorsese's plot to smuggle openly Marxist films into the Criterion Collection, and Metin Erksan's Dry Summer (1963) continues the trend. Erksan imagines a world where one rich man can enclose those common goods that sustain life, where one man's greed can choke his community and his own family. Surely not a world that could exist outside of film.
