
transcript
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He stands at the end of the street, facing the wrong way. His body points toward the dead end, but his head is turned 180 degrees, watching you. He doesn't move. He doesn't blink. He just waits for you to walk past. And if you do, he follows. Not with his feet—with his reflection. You'll see him in windows, in mirrors, in puddles. Always facing the wrong way. Always getting closer.
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