Looking at Taylor Swift’s Music Through a Feminist Lens | AP Taylor Swift
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“Why you gotta be so mean?”
In this week’s episode of AP Taylor Swift, we put “Mean” (Speak Now), “nothing new” (Red, Taylor’s Version), and “mirrorball” (folklore) under the lens of feminist literary theory. We talk about the male gaze, the ingenue, gendered violence imagery, the punishment of “unlikeable” women, and why a song written over a decade ago can still feel like it was written yesterday.
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Mentioned in this episode
- Middlemarch, George Eliot
- Unlikeable Female Characters: The Women Pop Culture Wants You to Hate, Anna Bogutskaya
- The Robber Bride, Margaret Atwood
- Mean Girls (2004)
- Grease (1978)
- It’s a Man’s (Celluloid) World, Center for the Study of Women in Television & Film, San Diego State University
Episode Highlights
[00:23] Welcome to the Show & Tell — Women’s History Month and a primer on feminist literary theory
[04:59] “Mean” (Speak Now) — gendered weapon imagery and “you, with your words like knives and swords”
[20:37] “nothing new” (Red, Taylor’s Version) — false empowerment and “girls go out and have your fun”
[37:32] “mirrorball” (folklore) — adapting yourself for others’ approval
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This podcast is neither related to nor endorsed by Taylor Swift, her companies, or record labels. All opinions are our own. Intro music produced by Scott Zadig aka Scotty Z.
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aptaylorswift.substack.comMiddlemarch, George Eliot
bookshop.orgThe Robber Bride, Margaret Atwood
bookshop.orgMean Girls (2004)
justwatch.comGrease (1978)
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instagram.comyoutube.com/@APTaylorSwift
youtube.comlinktr.ee/aptaylorswift
linktr.eebookshop.org/shop/apts
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