Skip to content
Artwork for An Art To It
An Art To It · March 13 · 48 min

50: Where the Work Wants to Go - Meg Fatharly on Process, Play and Building a Creative Business

Word play and the serenity of printing are under discussion in this episode of An Art to It, when I'm joined by artist and maker Megan Fatharly. An exciting talent, Meg has won a deserved reputation - and fan base - for her witty and distinctive embossed metal work. In a lively and honest chat we talk about Meg's relationship with place (Scottish beginnings, Cornwall now), her diagnosis of ADHD in her late twenties, and how art-making became both a way to process the world and a "capsule of process" she could return to when things felt too much. Meg shares the behind-the-scenes truth of building a creative business: the push-pull between play and commercial demand, the exhaustion of systems and delegation, the emotional reality of visibility, and why success can feel strangely rigid when your work becomes known for "one thing". We also discuss taking part in the trade show Top Drawer, the difference between that and a market, how audiences connect with the person behind the work, and a line that Meg wrote in her blog about showing her work at Top Drawer that stood out for me: "paying attention to where the work naturally wants to go, rather than where I think it should go to be more easily understood." I asked how that fits in with being an entrepreneur We chat about: The pull of geography and "sense of place" in creative identity ADHD, hyper-fixation, and the relief of processes that slow the mind down Meg's love of printmaking Poetry, collage and using words to anchor ambiguity When your art becomes a business: contracts, VAT, systems and structure The tension between exploring new work and "will it sell?" mentality Visibility and boundaries: when people want to meet the maker You can see Meg's work at https://meganfatharly.com/ and @printcessmeg Meg very much admires: The Fabled Thread Website: https://www.thefabledthread.com Instagram: https://www.instagram.com/thefabledthread Meg worked alongside the Institute of Imagination facilitating workshops. Website: https://www.instituteofimagination.org Instagram: https://www.instagram.com/instituteofimagination Meg took part in Top Drawer with Cornwall Shop Small and Creative Kernow Associates Website: https://www.cornwallshopsmall.co.uk Instagram: https://www.instagram.com/cornwallshopsmall Website: https://associates.creativekernow.org.uk Instagram: https://www.instagram.com/creativekernowassociates John was one of Meg's tutors during foundation and degree, and his open-access print studio remains an invaluable creative space in Cornwall. Website: https://www.johnhowardprintstudios.com Instagram: https://www.instagram.com/johnhowardprint

0:00-48:50

transcript

No transcript — this publisher did not publish one.

show notes

Word play and the serenity of printing are under discussion in this episode of An Art to It, when I'm joined by artist and maker Megan Fatharly. An exciting talent, Meg has won a deserved reputation - and fan base - for her witty and distinctive embossed metal work.

In a lively and honest chat we talk about Meg's relationship with place (Scottish beginnings, Cornwall now), her diagnosis of ADHD in her late twenties, and how art-making became both a way to process the world and a "capsule of process" she could return to when things felt too much.

Meg shares the behind-the-scenes truth of building a creative business: the push-pull between play and commercial demand, the exhaustion of systems and delegation, the emotional reality of visibility, and why success can feel strangely rigid when your work becomes known for "one thing".

We also discuss taking part in the trade show Top Drawer, the difference between that and a market, how audiences connect with the person behind the work, and a line that Meg wrote in her blog about showing her work at Top Drawer that stood out for me: "paying attention to where the work naturally wants to go, rather than where I think it should go to be more easily understood." I asked how that fits in with being an entrepreneur

We chat about:

  • The pull of geography and "sense of place" in creative identity

  • ADHD, hyper-fixation, and the relief of processes that slow the mind down

  • Meg's love of printmaking

  • Poetry, collage and using words to anchor ambiguity

  • When your art becomes a business: contracts, VAT, systems and structure

  • The tension between exploring new work and "will it sell?" mentality

  • Visibility and boundaries: when people want to meet the maker

You can see Meg's work at https://meganfatharly.com/ and @printcessmeg

Meg very much admires: The Fabled Thread

Website: https://www.thefabledthread.com

Instagram: https://www.instagram.com/thefabledthread

Meg worked alongside the Institute of Imagination facilitating workshops.

Website: https://www.instituteofimagination.org

Instagram: https://www.instagram.com/instituteofimagination

Meg took part in Top Drawer with Cornwall Shop Small and Creative Kernow Associates

Website: https://www.cornwallshopsmall.co.uk

Instagram: https://www.instagram.com/cornwallshopsmall

Website: https://associates.creativekernow.org.uk

Instagram: https://www.instagram.com/creativekernowassociates

John was one of Meg's tutors during foundation and degree, and his open-access print studio remains an invaluable creative space in Cornwall.

Website: https://www.johnhowardprintstudios.com

Instagram: https://www.instagram.com/johnhowardprint

links11